標(biāo)題: Titlebook: Art and Politics under Modern Dictatorships; A Comparison of Chil Caterina Preda Book 2017 The Editor(s) (if applicable) and The Author(s) [打印本頁] 作者: detumescence 時間: 2025-3-21 16:14
書目名稱Art and Politics under Modern Dictatorships影響因子(影響力)
書目名稱Art and Politics under Modern Dictatorships影響因子(影響力)學(xué)科排名
書目名稱Art and Politics under Modern Dictatorships網(wǎng)絡(luò)公開度
書目名稱Art and Politics under Modern Dictatorships網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Art and Politics under Modern Dictatorships被引頻次
書目名稱Art and Politics under Modern Dictatorships被引頻次學(xué)科排名
書目名稱Art and Politics under Modern Dictatorships年度引用
書目名稱Art and Politics under Modern Dictatorships年度引用學(xué)科排名
書目名稱Art and Politics under Modern Dictatorships讀者反饋
書目名稱Art and Politics under Modern Dictatorships讀者反饋學(xué)科排名
作者: geometrician 時間: 2025-3-21 22:05 作者: thrombosis 時間: 2025-3-22 03:25
Extraterritoriality of EU Economic Law through culture,” or aestheticism; a range of formal innovations that were tolerated because of their ambiguity; accidental forms of subversion, as in body art; a documentation of reality through the inclusion of realist details; conceptualist practices; and different types of disguised forms of critique in theater or literature.作者: 尾巴 時間: 2025-3-22 06:31 作者: 生意行為 時間: 2025-3-22 10:20
Book 2017ian dictatorships, it compares the different ways in which political regimes convey their view of the world through artistic means. It examines how artists help convey a new understanding of politics and political action during repressive regimes that are inspired by either communism or anti-commun作者: Senescent 時間: 2025-3-22 15:27 作者: Consensus 時間: 2025-3-22 18:45
Art Should Be Apolitical: Official Art in Chile, past; the attempt to establish a broad nationalist cultural policy; the privilege granted to high art and private, company art; and a televised model of promoting certain cultural expressions, such as soap operas and a bourgeois version of the folklore. Varied forms of censorship were enforced for literature, music, and film.作者: Anal-Canal 時間: 2025-3-23 00:29 作者: vitreous-humor 時間: 2025-3-23 04:44 作者: Inveterate 時間: 2025-3-23 07:26
Book 2017n one respect, and how art can help better grasp the similarities of these regimes. It reveals how dictatorships use art to symbolically construct their power, which artists can consolidate by lending their support, or deconstruct through different forms of artistic resistance.作者: 新義 時間: 2025-3-23 10:05 作者: Flavouring 時間: 2025-3-23 16:33
,The Two Modern Dictatorships in Romania and Chile 1970s–1989,, the .. Pinochet’s military regime, supported by ideologically diverse groups, put into place neoliberal reforms, which led to a transformed societal model and were maintained through the use of force.作者: 會議 時間: 2025-3-23 20:56
Thinking About Religion and Science,aches to the arts, their official stances on art, and the types of artistic responses they receive. Analyzing the role of art and of the artist in contexts with opposing demands shows their range of reactions, which includes compliance, resistance or critique, and replacement of the political.作者: 粗糙 時間: 2025-3-24 01:18
https://doi.org/10.1007/978-3-662-07162-5 past; the attempt to establish a broad nationalist cultural policy; the privilege granted to high art and private, company art; and a televised model of promoting certain cultural expressions, such as soap operas and a bourgeois version of the folklore. Varied forms of censorship were enforced for literature, music, and film.作者: BLOT 時間: 2025-3-24 04:07
International Human Rights Law,ist comedies, music, and architecture. The official art abandoned the mandatory Socialist Realist style in favor of a privileged nationalistic version of art, which gradually turned into homage art. The regime switched from promoting an art for the masses to an art produced by the masses themselves.作者: 人類的發(fā)源 時間: 2025-3-24 08:16
Extraterritoriality in EU Competition Lawimes, which transformed art into ideology. Finally, this section proposes a model for studying the role of art and culture during dictatorships, taking into account their ideological projects and their institutional frameworks, which range from a state that dominates to a market that is given a fundamental place.作者: sed-rate 時間: 2025-3-24 14:23
Caterina PredaEnriches the reader‘s understanding of the way art and politics function in a dictatorship.Explores the neglected topic of art under non-democratic regimes.Presents a comparative analysis of the inter作者: HATCH 時間: 2025-3-24 15:55 作者: sclera 時間: 2025-3-24 21:46
https://doi.org/10.1007/978-3-031-45896-5ired by the left-wing resistance; a new metapolitics, as in the case of the .; and different type of distractions that, inspired by the market and aestheticism, proposed an escape rather than confrontation of the dictatorship. Each of these alternatives led to the politicization of art, the opposite of what the regime required and supported.作者: GRAIN 時間: 2025-3-25 03:14 作者: 蠟燭 時間: 2025-3-25 05:08 作者: 有助于 時間: 2025-3-25 08:44 作者: 大都市 時間: 2025-3-25 12:01
https://doi.org/10.1007/978-3-662-07162-5ower that was achieved by the two leaders, their economic models, and the repressive systems they enforced. Paradoxically, both regimes led to the formation of atomized societies where the citizens were enclosed in private spaces. The Ceau?escu regime was characterized by extreme personalization of 作者: 萬神殿 時間: 2025-3-25 16:52 作者: oxidize 時間: 2025-3-25 23:20
International Human Rights Law,ional structure for the artistic space, and looks at its policies and the use of censorship or other punitive strategies. Specific types of artistic expression that supported the official approach are analyzed, such as amateur art (the festivals . and .), homage painting of Nicolae Ceau?escu, social作者: 周年紀(jì)念日 時間: 2025-3-26 04:09
https://doi.org/10.1007/978-3-031-45896-5ired by the left-wing resistance; a new metapolitics, as in the case of the .; and different type of distractions that, inspired by the market and aestheticism, proposed an escape rather than confrontation of the dictatorship. Each of these alternatives led to the politicization of art, the opposite作者: 否認 時間: 2025-3-26 06:40
Extraterritoriality of EU Economic Lawtive artistic expressions that did not respect the official canon, and which developed diverse types of aesthetic resistance. They include “resistance through culture,” or aestheticism; a range of formal innovations that were tolerated because of their ambiguity; accidental forms of subversion, as i作者: Kidney-Failure 時間: 2025-3-26 11:23 作者: 無意 時間: 2025-3-26 12:57 作者: prolate 時間: 2025-3-26 20:06
Art and Politics Under Modern Dictatorships: An Introduction,der modern dictatorships. Despite the development of the study of dictatorships, the attention granted to their cultural institutions and cultural policies has been limited. With a multidisciplinary focus on art and politics, this chapter proposes a model of analysis that looks at the regimes’ appro作者: amphibian 時間: 2025-3-27 00:38
,The Two Modern Dictatorships in Romania and Chile 1970s–1989,ower that was achieved by the two leaders, their economic models, and the repressive systems they enforced. Paradoxically, both regimes led to the formation of atomized societies where the citizens were enclosed in private spaces. The Ceau?escu regime was characterized by extreme personalization of 作者: BROOK 時間: 2025-3-27 01:36
Art Should Be Apolitical: Official Art in Chile,assed by the regime (nationalist-authoritarian, traditional Catholicism, conservative, and neoliberalism). These diverse groups were united by the requirement that art be apolitical. Each of these coordinates is visible in explicit directions followed by the regime, which included the erasure of the作者: accessory 時間: 2025-3-27 08:58 作者: Dorsal-Kyphosis 時間: 2025-3-27 12:30 作者: Ingratiate 時間: 2025-3-27 16:08
Alternative Art in Romania: Aesthetic Resistance,tive artistic expressions that did not respect the official canon, and which developed diverse types of aesthetic resistance. They include “resistance through culture,” or aestheticism; a range of formal innovations that were tolerated because of their ambiguity; accidental forms of subversion, as i作者: 生命 時間: 2025-3-27 21:43
A Model for Comparative Analysis of Art and Politics in Dictatorships,ng requirements of the regimes—that art be politicized, and that art be apolitical—were met with different reactions from the artists, which ranged from support or resistance to creating alternative meanings and possibilities of understanding the reality outside the dichotomy proposed by the two reg作者: 剛開始 時間: 2025-3-28 00:53
9樓作者: hemoglobin 時間: 2025-3-28 03:48
10樓作者: 憤怒歷史 時間: 2025-3-28 06:41
10樓作者: 芳香一點 時間: 2025-3-28 11:04
10樓作者: 斗爭 時間: 2025-3-28 17:17
10樓
