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標(biāo)題: Titlebook: Art and Life in Modernist Prague; Karel ?apek and his Thomas Ort Book 2013 The Author(s) 2013 Europe.fascism.rationalism.space.writing [打印本頁(yè)]

作者: Exaltation    時(shí)間: 2025-3-21 17:38
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作者: Perineum    時(shí)間: 2025-3-21 23:51
Palgrave Studies in Cultural and Intellectual Historyhttp://image.papertrans.cn/b/image/161829.jpg
作者: 職業(yè)拳擊手    時(shí)間: 2025-3-22 01:06

作者: Distribution    時(shí)間: 2025-3-22 07:31

作者: 易改變    時(shí)間: 2025-3-22 12:19
Extraordinary Disorders of Human Behaviortion rebelled against almost everything the Secession and its Czech disciples stood for, but in these basic goals, they were at one with their predecessors. Like modernists everywhere, they wished to make art appropriate to the age while also furthering the perfection of art’s own inner laws. They d
作者: inflame    時(shí)間: 2025-3-22 15:36
Extraordinary Disorders of Human Behavior36), and wars are waged time and again in his other major works. Alongside ., the plays of the 1930s, . (1937) and . (1938), grapple directly with war or the threat of war. All of these late works were responses to the deterioration of the international situation in Europe in the 1930s, specifically
作者: EWER    時(shí)間: 2025-3-22 19:55
Frederic W. Hafferty,Janet P. Haflertheir until-then precarious foothold in the nation’s artistic and cultural institutions. For the first time, they began to reach a wider audience with their work and to gain a measure of critical success, public approval, and economic security unknown in the prewar years. Whereas before the war they
作者: 埋葬    時(shí)間: 2025-3-23 00:19

作者: SOB    時(shí)間: 2025-3-23 04:24

作者: Absenteeism    時(shí)間: 2025-3-23 07:37

作者: interlude    時(shí)間: 2025-3-23 11:57

作者: 量被毀壞    時(shí)間: 2025-3-23 16:56
Art and Life in Modernist Prague978-1-137-07739-4Series ISSN 2945-6630 Series E-ISSN 2945-6649
作者: BAN    時(shí)間: 2025-3-23 19:05
2945-6630 ope is a gloomy?story of the failure of rationalism and the rise of protofascist movements. This book tells a different story, focusing on the?Czech writers and artists distinguished by their optimistic view of the world in the years before WWI.978-1-137-48648-6978-1-137-07739-4Series ISSN 2945-6630 Series E-ISSN 2945-6649
作者: Vo2-Max    時(shí)間: 2025-3-24 00:11
2945-6630 train of central European modernism.Ort looks not only at thIn most contemporary historical writing the picture of modern life in Habsburg Central Europe is a gloomy?story of the failure of rationalism and the rise of protofascist movements. This book tells a different story, focusing on the?Czech w
作者: oxidize    時(shí)間: 2025-3-24 06:14

作者: hereditary    時(shí)間: 2025-3-24 09:01

作者: 我吃花盤旋    時(shí)間: 2025-3-24 11:28

作者: Perineum    時(shí)間: 2025-3-24 15:52
,Between Life and Form: Karel ?apek and the Prewar Modernist Generation,m the past, the worst offenders in their minds were historical and naturalistic art. Utterly divorced from modern reality, these styles in art and architecture represented little more than nostalgic fantasies of the unified cultures of the past and could never bring about the unity of which their proponents dreamed.
作者: Macronutrients    時(shí)間: 2025-3-24 21:56
Extraordinary Disorders of Human Behaviors his worries were, he did not live to see the Second World War, dying just nine months before its outbreak. The only war he knew personally and the one that decisively shaped his attitude toward organized violence was the First World War.
作者: AGATE    時(shí)間: 2025-3-25 01:23
Frederic W. Hafferty,Janet P. Haflerts in the nation’s prestigious newspapers, journals, and cultural institutions. With their newly won institutional and economic security, they freed themselves from a lingering dependence on their parents (many still lived at home), began to marry, and to start families of their own. In other words, they were settling down.
作者: 露天歷史劇    時(shí)間: 2025-3-25 06:30

作者: 安裝    時(shí)間: 2025-3-25 08:10

作者: 急性    時(shí)間: 2025-3-25 15:35

作者: Substance    時(shí)間: 2025-3-25 19:20

作者: 冒號(hào)    時(shí)間: 2025-3-25 20:52

作者: 母豬    時(shí)間: 2025-3-26 00:39
Prague 1911: The Cubist City, cubism.”. Paris, it goes without saying, is cubism’s first city and capital, but the style was embraced in Prague with a vigor unmatched in Europe outside of France. In 1911, a group devoted to the defense and promotion of the new art, the Skupina vytvarnych umělc? or Visual Artists Group, was foun
作者: RAG    時(shí)間: 2025-3-26 05:03

作者: elastic    時(shí)間: 2025-3-26 10:20
,The Lessons of Life: Karel ?apek and the First World War,36), and wars are waged time and again in his other major works. Alongside ., the plays of the 1930s, . (1937) and . (1938), grapple directly with war or the threat of war. All of these late works were responses to the deterioration of the international situation in Europe in the 1930s, specifically
作者: 遺產(chǎn)    時(shí)間: 2025-3-26 15:16

作者: GRIPE    時(shí)間: 2025-3-26 17:20
,The Self as Empty Space and Crowd: Karel ?apek and the Czechoslovak Condition,ive faiths could be had by the dozen, when new messiahs were being unveiled in every political quarter, but when, from the relatively peaceful haven of Czechoslovakia’s First Republic, a violent struggle among them did not as yet appear imminent. ?apek’s novel, culminating in an apocalyptic war of a
作者: FEIGN    時(shí)間: 2025-3-26 23:03

作者: Discrete    時(shí)間: 2025-3-27 02:35

作者: 異端    時(shí)間: 2025-3-27 09:20
,The Self as Empty Space and Crowd: Karel ?apek and the Czechoslovak Condition,k urged his countrymen with more vehemence than ever to recognize the relativity of their own values and to accept the legitimacy of beliefs and perspectives other than their own. It was the only antidote, he warned, to the poisonous conflicts that threatened to tear apart Czechoslovakia as a state
作者: 荒唐    時(shí)間: 2025-3-27 10:16
Introduction: Shakespeare in Public,onarchy not with despair and trepidation but with a sense of hope and liberation. It is the story of those whose early vitalism and anti-rationalism later led them closer to liberalism, not further away from it. The subject of this study is the “?apek generation,” the idea of a loose group of modern
作者: 先驅(qū)    時(shí)間: 2025-3-27 14:02

作者: Cryptic    時(shí)間: 2025-3-27 18:40
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