標題: Titlebook: Art and Archaeology; Collaborations, Conv Ian Alden Russell,Andrew Cochrane Book 2014 Springer Science+Business Media New York 2014 Francis [打印本頁] 作者: INEPT 時間: 2025-3-21 19:25
書目名稱Art and Archaeology影響因子(影響力)
書目名稱Art and Archaeology影響因子(影響力)學科排名
書目名稱Art and Archaeology網絡公開度
書目名稱Art and Archaeology網絡公開度學科排名
書目名稱Art and Archaeology被引頻次
書目名稱Art and Archaeology被引頻次學科排名
書目名稱Art and Archaeology年度引用
書目名稱Art and Archaeology年度引用學科排名
書目名稱Art and Archaeology讀者反饋
書目名稱Art and Archaeology讀者反饋學科排名
作者: 寬容 時間: 2025-3-21 22:39
Colin Renfrew: A Conversation. In this book, there are a number of younger practitioners adopting creative practices in their archaeological work. We want to try to find ways to frame the type of work they’re trying to do. We think that perhaps some reflections from you on your life and your work might help us think critically 作者: Fantasy 時間: 2025-3-22 04:05 作者: grandiose 時間: 2025-3-22 06:42 作者: 可忽略 時間: 2025-3-22 10:15
Interface I: Day of the Figurineslica Cycladic figurines were placed in the building and its grounds. In the days that followed, some figurines were moved, some destroyed, some stolen, some collected, and some disappeared completely. Few were recorded and documented.作者: 拋射物 時間: 2025-3-22 16:55 作者: 或者發(fā)神韻 時間: 2025-3-22 19:40 作者: 省略 時間: 2025-3-23 01:18
Another Proof of the Preceding Theory: Film, Materialities and Stonehengeack and white suits. All of WE play the same instruments—guitar or keyboard—and make the same motions. All of WE’s songs begin with WE: WE want to hold your hand; WE will always love you; WE will be your father figure. WE are indistinguishable, substituting the collective in place of the individuali作者: notice 時間: 2025-3-23 04:27 作者: 無能力之人 時間: 2025-3-23 09:15
Dust and Debitage: An Archaeology of Francis Bacon’s Studioing this project, archaeologists were employed to deconstruct or ‘excavate’ the contents of Francis Bacon’s painting studio in London, and meticulously reconstruct the room at Dublin City Gallery The Hugh Lane. The studio had long been renowned for its wondrously chaotic contents, its floor strewn w作者: 絕種 時間: 2025-3-23 10:56 作者: Peculate 時間: 2025-3-23 15:05
Artists Connecting Archaeologists: Encountering the Third Kindnt. These are usually seen as two radically different relations to time and materiality. It is well known that archaeology is an interwoven field of knowledge and practices that generates fascination for the public. Archaeology fuels the public imagination by bringing objects that originate in dista作者: Spangle 時間: 2025-3-23 18:29
Digital Dwelling at Skara Braea Brae. A mixed-media approach has the potential to capture and communicate very different qualities of the archaeological record to systematic and objective techniques of data collection alone. The process of gathering and converging diverse media, from laser scans to watercolour painting, enables 作者: Wernickes-area 時間: 2025-3-24 00:57
Pearson|Shanks—Theatre/Archaeology—Return and Prospectanks we bring together performance art and archaeology through shared interests: forms of (re)collection—the gatherings of memory practices; and site and locale—treated as multitemporal articulations, where different events and times endure and come together in the material forms of inhabited places作者: lactic 時間: 2025-3-24 05:15 作者: forbid 時間: 2025-3-24 08:49
Traumatic Extradural Hematomas,ws on ‘rubbish theory’ relating to the aesthetics of industrial ruins exemplified in the work of Tim Edensor. This research provides a way of exploring why Bacon may have found working in the archaeological equivalent of a ‘midden’ both an efficacious and enjoyable process.作者: precede 時間: 2025-3-24 10:41
Dust and Debitage: An Archaeology of Francis Bacon’s Studiows on ‘rubbish theory’ relating to the aesthetics of industrial ruins exemplified in the work of Tim Edensor. This research provides a way of exploring why Bacon may have found working in the archaeological equivalent of a ‘midden’ both an efficacious and enjoyable process.作者: Uncultured 時間: 2025-3-24 17:02
Book 2014oners. Departing from the proceedings of the Sixth World Archaeological Congress’s ‘Archaeologies of Art’ theme and ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theory to the practic作者: IDEAS 時間: 2025-3-24 22:15 作者: corporate 時間: 2025-3-25 02:47
Extracellular Vesicles and Fatty Liverrame the type of work they’re trying to do. We think that perhaps some reflections from you on your life and your work might help us think critically about how we’re encountering contemporary creative practice today.作者: defenses 時間: 2025-3-25 07:21
Aptasensors for Cancerous Exosome Detectionere imprisoned, and some of them executed. The Gaol was in the care of the Office of Public Works (OPW), a department of state, for whom I worked as a professional civil servant. It is now one of Ireland’s most popular heritage sites, attracting up to 300,000 visitors a year.作者: KEGEL 時間: 2025-3-25 07:56
Qiang Wu,Min-Xia Ke,Huang-Tian Yangd your hand; WE will always love you; WE will be your father figure. WE are indistinguishable, substituting the collective in place of the individualistic ‘I’ of Western pop. In this way, WE reveal the Western pop canon to be implicated in the way subjectivities are produced and commodified through neoliberal capitalism.作者: 相反放置 時間: 2025-3-25 14:55
Jin Li,Sitao Xie,Fengli Qu,Weihong Tan turbulent economic age. In traditional archaeological contexts, one can examine the sudden abandonment of home, the result of natural disaster, war, famine or unknown causes; here I consider how this might work in more recent contexts (see also Schofield, Digging for (Invisible) People, 2010).作者: BROTH 時間: 2025-3-25 16:49 作者: 騷擾 時間: 2025-3-25 20:18
Colin Renfrew: A Conversationrame the type of work they’re trying to do. We think that perhaps some reflections from you on your life and your work might help us think critically about how we’re encountering contemporary creative practice today.作者: LIMIT 時間: 2025-3-26 03:21
Art and Kilmainham Gaol: Negotiating Art’s Critical Intervention in the Heritage Siteere imprisoned, and some of them executed. The Gaol was in the care of the Office of Public Works (OPW), a department of state, for whom I worked as a professional civil servant. It is now one of Ireland’s most popular heritage sites, attracting up to 300,000 visitors a year.作者: 柔美流暢 時間: 2025-3-26 06:35 作者: 證明無罪 時間: 2025-3-26 10:36 作者: Coterminous 時間: 2025-3-26 14:14
Pearson|Shanks—Theatre/Archaeology—Return and Prospectand locale—treated as multitemporal articulations, where different events and times endure and come together in the material forms of inhabited places, in the traces and remains of the past in the present.作者: 一瞥 時間: 2025-3-26 19:48
Creating Contexts: Between the Archaeological Site and Art Gallerye finished works for display, visual experimentation was explored as a meaningful process in itself. Nevertheless, the project was able to provide subtle and unexpected contextual insights into the archaeological material”.作者: xanthelasma 時間: 2025-3-26 23:54 作者: Flu表流動 時間: 2025-3-27 04:55
Book 2014ture and land art will be discussed alongside contemporary video art, performance art and relational arts practices. Here, the parallel roles of artists as makers of new worlds and archaeologists as makers of pasts worlds are brought together to understand the influences of human creativity.作者: conjunctivitis 時間: 2025-3-27 06:53
Traumatic Extradural Hematomas,e finished works for display, visual experimentation was explored as a meaningful process in itself. Nevertheless, the project was able to provide subtle and unexpected contextual insights into the archaeological material”.作者: tendinitis 時間: 2025-3-27 10:11
The Story of ECLS: History and Future, restraints of their traditional subject boundaries and institutional expectations. The potential result of such work will rest neatly within neither art nor archaeology, but will emerge as something else altogether. The new work will move the study of human nature into uncharted and exciting new territories.作者: GIST 時間: 2025-3-27 15:24
Introduction, residency programmes on archaeological sites, and archaeologistsregularly attend exhibition openings featuring the work of artists. At times, both meet in undisciplined spaces between their practices, to explore new possibilities for making and interpreting the world.作者: 頌揚本人 時間: 2025-3-27 18:25
Joining Forces: Neuroaesthetics, Contemporary Visual art and Archaeological Interpretation of the Pa visual art. Examples presented include some of the earliest cases known as well as contemporary art. These are, however, not to be understood in terms of one being more complex than the other, but rather as expressions of the same neurophysiological capacities of being human, in particular the soci作者: APNEA 時間: 2025-3-27 22:30 作者: 祖先 時間: 2025-3-28 05:41 作者: 易于 時間: 2025-3-28 07:21 作者: FEAS 時間: 2025-3-28 13:04
Robert C. Garber,J. J. Lin,O. C. Yoderbout it. They would consider the past to be the domain of their professional work and find it difficult to view the role of contemporary creative work within that domain, especially when artists would consider the past with mockery and derision.作者: 小鹿 時間: 2025-3-28 18:17 作者: regale 時間: 2025-3-28 19:51 作者: 絕種 時間: 2025-3-29 01:25
https://doi.org/10.1007/978-981-99-1443-2um Press, 2013). The exhibition offered an unparalleled chance to see many pieces of Ice Age sculpture ‘in the flesh’; I found the experience both astonishing and thought-provoking and I want to communicate that experience here.作者: Cabinet 時間: 2025-3-29 06:17 作者: 發(fā)酵劑 時間: 2025-3-29 10:28 作者: 的闡明 時間: 2025-3-29 12:23
Robert C. Garber,J. J. Lin,O. C. Yodera Brae. A mixed-media approach has the potential to capture and communicate very different qualities of the archaeological record to systematic and objective techniques of data collection alone. The process of gathering and converging diverse media, from laser scans to watercolour painting, enables experiential and creative responses to the past.作者: 同音 時間: 2025-3-29 15:45
The Cave and the Mind: Towards a Sculptural and Experimental Approach to Upper Palaeolithic Artum Press, 2013). The exhibition offered an unparalleled chance to see many pieces of Ice Age sculpture ‘in the flesh’; I found the experience both astonishing and thought-provoking and I want to communicate that experience here.作者: Conscientious 時間: 2025-3-29 22:17 作者: TSH582 時間: 2025-3-30 02:42
Art and Archaeology: The , Exhibition Seriesess at University College Dublin. The projects were placed in the shared spaces between the contemporary arts, archaeology and heritage in Ireland. This article is a reflective statement and contextualisation of the projects and their outcomes. Full information and images of all the works are available at: www.amexhibition.com作者: 增強 時間: 2025-3-30 05:42 作者: 一再煩擾 時間: 2025-3-30 09:59 作者: HOWL 時間: 2025-3-30 14:17 作者: 鋼筆尖 時間: 2025-3-30 19:59
Yujiao Zhu,Siqi Wang,Xuerui Chen instead of undertaking primary research. It is understandable that archaeologists write about excavations they have not dug on, but basing archaeological narratives predominantly on secondary sources can perpetuate errors or misapprehensions and give new meaning to the phrase ‘the archaeological im作者: 腐蝕 時間: 2025-3-30 23:56 作者: Pulmonary-Veins 時間: 2025-3-31 02:44 作者: 搖曳的微光 時間: 2025-3-31 05:55
