標(biāo)題: Titlebook: Art History for Comics; Past, Present and Po Ian Horton,Maggie Gray Book 2022 The Editor(s) (if applicable) and The Author(s), under exclus [打印本頁] 作者: 恐怖 時間: 2025-3-21 17:52
書目名稱Art History for Comics影響因子(影響力)
書目名稱Art History for Comics影響因子(影響力)學(xué)科排名
書目名稱Art History for Comics網(wǎng)絡(luò)公開度
書目名稱Art History for Comics網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Art History for Comics被引頻次
書目名稱Art History for Comics被引頻次學(xué)科排名
書目名稱Art History for Comics年度引用
書目名稱Art History for Comics年度引用學(xué)科排名
書目名稱Art History for Comics讀者反饋
書目名稱Art History for Comics讀者反饋學(xué)科排名
作者: Aerophagia 時間: 2025-3-21 22:47
Georg Simonis (Professor),Helmut Elbersthe Société civile d’études et de recherches des littératures dessinées (SOCERLID) in the 1960s, advocated the academic study of comics as an artistic medium that could be directly linked to both historical art traditions and contemporary art practices. In the exhibition catalogue published in 1967 作者: arabesque 時間: 2025-3-22 02:26 作者: 觀點(diǎn) 時間: 2025-3-22 08:26
Georg Simonis (Professor),Helmut Elbersal empirical approaches grounded in substantive documentary research (inflected by Ernst Gombrich’s emphasis on Cultural History), it marked an increasing focus on social contexts of production and reception, questions of ideology, class, and the relevance of art-historical research to contemporary 作者: defray 時間: 2025-3-22 12:24
Helmut Elbers,Carina Fiebich-Dinkel Claude Moliterni’s contribution to the 1967 exhibition catalogue . in which he deconstructed the medium by focusing on its formal features. In taking a formalist approach, Moliterni predates the form-focused accounts of figures like Will Eisner and Scott McCloud. The contribution of the art critic 作者: Measured 時間: 2025-3-22 15:09
Externe Evaluierung durch Peer Reviewing on Bart?Beaty and Benjamin?Woo’s critical evaluation of canon formation in Comics Studies it explores how these art-historical concepts have subsequently been applied and revised over time. It considers how the concepts of style and schools have been used to define and evaluate the canonical sta作者: 最有利 時間: 2025-3-22 21:08 作者: 加花粗鄙人 時間: 2025-3-22 22:50 作者: 有幫助 時間: 2025-3-23 04:38 作者: transdermal 時間: 2025-3-23 09:01
Externe Evaluierung durch Peer Review implicit application of models of the avant-garde in formalist analyses of the medium, the subtleties of debates about this historical and conceptual category have not been accounted for in any detail. This chapter examines how the relationship between practices designated “mainstream” and “alterna作者: 敵意 時間: 2025-3-23 11:41
Anwendungsbereiche von Peer Review,rship on the relationship between comics and modernism does not fully consider the heterogeneity of modernism in both theory and practice. This chapter examines the different uses of the term modernism in Art History and traces the development of modernist formalist art theory from the work of Roger作者: Extort 時間: 2025-3-23 17:34
Aktuelle Definition(en) von Peer Review,rical methodologies might be applied to the present-day study of comics in light of the shifts and debates that have occurred within Art History in the intervening period. Its aim has been to provide, through a series of suggestive case studies, alternative models for thinking about comics that open作者: CRP743 時間: 2025-3-23 18:46
Conclusion: Future Directionsrical methodologies might be applied to the present-day study of comics in light of the shifts and debates that have occurred within Art History in the intervening period. Its aim has been to provide, through a series of suggestive case studies, alternative models for thinking about comics that open up avenues for future research.作者: Presbycusis 時間: 2025-3-23 22:53 作者: incubus 時間: 2025-3-24 03:07 作者: poliosis 時間: 2025-3-24 10:15 作者: 膽大 時間: 2025-3-24 12:51
978-3-031-07355-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 的闡明 時間: 2025-3-24 15:43 作者: CRACK 時間: 2025-3-24 22:28
Palgrave Studies in Comics and Graphic Novelshttp://image.papertrans.cn/b/image/161805.jpg作者: Pathogen 時間: 2025-3-25 00:06
Why Does Comics Studies Need Art History (and Vice Versa)?,rspectives to bear on the study of comics, allowing for greater attention to be paid to the visual and material aspects of the medium, in contrast to dominant literary approaches. It presents the overall argument of this book—that by using methodological and theoretical approaches drawn from Art His作者: nonplus 時間: 2025-3-25 06:19 作者: 墻壁 時間: 2025-3-25 10:56 作者: BOGUS 時間: 2025-3-25 13:57
Art History Turned Upside Down: David Kunzle and the Social History of Artal empirical approaches grounded in substantive documentary research (inflected by Ernst Gombrich’s emphasis on Cultural History), it marked an increasing focus on social contexts of production and reception, questions of ideology, class, and the relevance of art-historical research to contemporary 作者: Enliven 時間: 2025-3-25 19:43
Variations of Formalism, Modernism, Abstraction Claude Moliterni’s contribution to the 1967 exhibition catalogue . in which he deconstructed the medium by focusing on its formal features. In taking a formalist approach, Moliterni predates the form-focused accounts of figures like Will Eisner and Scott McCloud. The contribution of the art critic 作者: Contend 時間: 2025-3-25 21:41
Challenging Canons and the Challenge of Style: Visualising the Baroque Storyworld of Judge Dredd’s “ing on Bart?Beaty and Benjamin?Woo’s critical evaluation of canon formation in Comics Studies it explores how these art-historical concepts have subsequently been applied and revised over time. It considers how the concepts of style and schools have been used to define and evaluate the canonical sta作者: 樹膠 時間: 2025-3-26 00:52
Iconography for Comics Studies Reconsidered: Interpreting Visual Transformations in Jack Kirby’s ttributes of comic book characters, in terms of symbolic motifs and stylistic forms, can be identified, categorised and interpreted. Beginning with an overview of art historian Erwin Panofsky’s theories from the first half of the twentieth century it then examines how iconography has been reconsider作者: cuticle 時間: 2025-3-26 05:37 作者: 美學(xué) 時間: 2025-3-26 11:08
A Social History of Comics Art: Looking at Writers and Readers’ f concepts of style, class and ideology from the work of early Marxist art historians such as Arnold Hauser and Meyer Schapiro to that of New Left art historians like T. J. Clark and O. K. Werckmeister. It goes on to examine subsequent work by art historians and theorists taking a Marxist art-histor作者: 合法 時間: 2025-3-26 15:47 作者: Eosinophils 時間: 2025-3-26 20:40
Modernism and Comics Revisited: Form and Fragmentation in Alan Moore’s “I Can Hear the Grass Grow”rship on the relationship between comics and modernism does not fully consider the heterogeneity of modernism in both theory and practice. This chapter examines the different uses of the term modernism in Art History and traces the development of modernist formalist art theory from the work of Roger作者: Immobilize 時間: 2025-3-27 00:50
Conclusion: Future Directionsrical methodologies might be applied to the present-day study of comics in light of the shifts and debates that have occurred within Art History in the intervening period. Its aim has been to provide, through a series of suggestive case studies, alternative models for thinking about comics that open作者: ornithology 時間: 2025-3-27 01:12
Georg Simonis (Professor),Helmut Elbers, embraced a social history of art renewed by the New Left, and developed an approach grounded in Marxist theory that became the foundation of his future work in, and beyond, the field of comics scholarship.作者: 性滿足 時間: 2025-3-27 06:48
Art History Turned Upside Down: David Kunzle and the Social History of Art, embraced a social history of art renewed by the New Left, and developed an approach grounded in Marxist theory that became the foundation of his future work in, and beyond, the field of comics scholarship.作者: lipids 時間: 2025-3-27 11:39
Book 2022verlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies..作者: 愚笨 時間: 2025-3-27 17:36
https://doi.org/10.1007/978-3-322-82363-2tory, such as stylistic analysis, iconography, Cultural History and the social history of art which informed some of the earliest comics scholarship, as well as engaging with the ideological self-criticism Art History has subjected its categories and methods to since, new forms of interpretation are made possible.作者: 缺陷 時間: 2025-3-27 20:21 作者: 斥責(zé) 時間: 2025-3-28 00:09
Georg Simonis (Professor),Helmut Elbers-historical methods to comics, assembling a litany of significant artists and schools, identifying key formal features of canonical works, and applying established categories of historical stylistic cycles.作者: 彩色 時間: 2025-3-28 03:33 作者: 眨眼 時間: 2025-3-28 09:43
Externe Evaluierung durch Peer Reviewlement Greenberg, Peter Bürger, Benjamin Buchloh and Rosalind Krauss could offer. Different framings of what is meant by avant-garde practice are applied to the case study of Escape Publishing in the context of the British small press comics scene of the 1980s.作者: Aerate 時間: 2025-3-28 11:05
Anwendungsbereiche von Peer Review,avant-garde. It notes some of the criticisms of high modernism, particularly from the 1960s onwards, and how they map onto formalist approaches in Comics Studies, before applying different understandings of modernism in an analysis of Alan Moore’s 1988 “I Can Hear the Grass Grow” strip from music-themed UK comics magazine ..作者: Anthrp 時間: 2025-3-28 17:25
Establishing Canons, Styles and Schools at the Dawn of Comics Studies-historical methods to comics, assembling a litany of significant artists and schools, identifying key formal features of canonical works, and applying established categories of historical stylistic cycles.作者: 靦腆 時間: 2025-3-28 22:46
Challenging Canons and the Challenge of Style: Visualising the Baroque Storyworld of Judge Dredd’s “. The chapter concludes by rigorously applying the comparative stylistic categories developed by art historian Heinrich W?lfflin to distinguish between Renaissance and Baroque art to analyse the visual styles employed in the Judge Dredd storyline “The Cursed Earth” published in the British comic ..作者: Priapism 時間: 2025-3-29 00:13 作者: conscience 時間: 2025-3-29 04:02 作者: CHYME 時間: 2025-3-29 09:27 作者: cunning 時間: 2025-3-29 13:59
Why Does Comics Studies Need Art History (and Vice Versa)?,tory, such as stylistic analysis, iconography, Cultural History and the social history of art which informed some of the earliest comics scholarship, as well as engaging with the ideological self-criticism Art History has subjected its categories and methods to since, new forms of interpretation are made possible.作者: 得意牛 時間: 2025-3-29 18:02
A Social History of Comics Art: Looking at Writers and Readers’ ical approach to print, graphics and popular culture such as Adrian Rifkin, Frances Stracey and Esther Leslie, before sketching what a social history of comics might look like through an analysis of the Writers and Readers’ … . series of “documentary comic books”, specifically . by Robert Lekachman and Borin Van Loon.作者: Incumbent 時間: 2025-3-29 19:51 作者: obnoxious 時間: 2025-3-30 02:44 作者: 喃喃訴苦 時間: 2025-3-30 06:45
Variations of Formalism, Modernism, Abstractionthe writing of David Beron?. Studies of abstract comics, particularly by Andrei Molotiu, have drawn more explicitly on modernist art theory, and in turn been criticised for the limitations of a formalist approach, most recently in the two-volume edited collection . from 2019.作者: acrobat 時間: 2025-3-30 08:52
Iconography for Comics Studies Reconsidered: Interpreting Visual Transformations in Jack Kirby’s is considered through an analysis of Jack Kirby’s depictions of Thor during the 1960s, focusing on the character’s origin story and the visual transformations he undergoes between his human alter ego Dr Don Blake and becoming the god of thunder.作者: faucet 時間: 2025-3-30 13:47 作者: 注意到 時間: 2025-3-30 19:35 作者: forthy 時間: 2025-3-30 21:29
,Correction to: Modernism and Comics Revisited: Form and Fragmentation in Alan Moore’s “I Can Hear t
