標(biāo)題: Titlebook: Arnheim, Gestalt and Media; An Ontological Theor Ian Verstegen Book 2018 The Author(s), under exclusive licence to Springer Nature Switzerl [打印本頁(yè)] 作者: PLY 時(shí)間: 2025-3-21 18:22
書目名稱Arnheim, Gestalt and Media影響因子(影響力)
書目名稱Arnheim, Gestalt and Media影響因子(影響力)學(xué)科排名
書目名稱Arnheim, Gestalt and Media網(wǎng)絡(luò)公開度
書目名稱Arnheim, Gestalt and Media網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Arnheim, Gestalt and Media被引頻次
書目名稱Arnheim, Gestalt and Media被引頻次學(xué)科排名
書目名稱Arnheim, Gestalt and Media年度引用
書目名稱Arnheim, Gestalt and Media年度引用學(xué)科排名
書目名稱Arnheim, Gestalt and Media讀者反饋
書目名稱Arnheim, Gestalt and Media讀者反饋學(xué)科排名
作者: 縫紉 時(shí)間: 2025-3-21 22:15 作者: KIN 時(shí)間: 2025-3-22 02:32 作者: Colonnade 時(shí)間: 2025-3-22 05:39 作者: 預(yù)感 時(shí)間: 2025-3-22 10:52 作者: floaters 時(shí)間: 2025-3-22 13:48
Defining Difference in Media,resting because they routinely package and reproduce sets of determinacies. Determinacies are schematic guidelines for how media in general and individual medial works, in particular, may be interpreted.作者: 證實(shí) 時(shí)間: 2025-3-22 18:40
The Two Elementary Classes of Aesthetic Objects: Spatial and Temporal Modalities,uently, each class has wholesale differences in kinds of in/determinacy. Spatial arts excel at capturing determinacies of permanence and temporal arts supply the determinacies of change. Invoking Arnheim’s categories, spatial arts are more “self-images” than “l(fā)ikenesses.” Just because ontology presc作者: Measured 時(shí)間: 2025-3-22 22:23
Medial Composites,ir hierarchical arrangement or its subversion, more discussion is given to the ways in which the three temporal modalities can be combined – what each gains, and based on their characteristics, what issues arise as to their successful combination. Finally, a case study of the contemporary graphic no作者: ostrish 時(shí)間: 2025-3-23 01:42
https://doi.org/10.1007/978-94-6300-154-0stent aspects of media without erecting a rigid and reductive system. Indeed, the conflation of the possession of powers with their actualization confuses the description of a medium and the norm of its use.作者: ARCH 時(shí)間: 2025-3-23 05:48 作者: transplantation 時(shí)間: 2025-3-23 13:24
Promoting Transferable Non-Cognitive Factorsness” and the latter a “self-image.” They coexist in any image or medial object and one represents the thing as self-sufficient and the other as referring externally. The way in which a sculpture of a naturalistic robin or an abstracted St. Francis in a garden have these two functions in different measure suggest differences in classes of media.作者: 變色龍 時(shí)間: 2025-3-23 17:46
Arnheim After the Post-medium Condition,stent aspects of media without erecting a rigid and reductive system. Indeed, the conflation of the possession of powers with their actualization confuses the description of a medium and the norm of its use.作者: 全等 時(shí)間: 2025-3-23 20:03
Gestalt Ontology,stent aspects of media without erecting a rigid and reductive system. Indeed, the conflation of the possession of powers with their actualization confuses the description of a medium and the norm of its use.作者: insurgent 時(shí)間: 2025-3-23 22:38 作者: 經(jīng)典 時(shí)間: 2025-3-24 02:25
Exploring New Roles for Librariansiffer, often by imagining each put to different uses (essentially the phenomenological method of imaginative variation). Spatial hybrids are all objects of vision and therefore require substantial differentiation, whereas temporal modalities are easier, owing to the fact that visual action, text and music are relatively distinct.作者: 無(wú)思維能力 時(shí)間: 2025-3-24 08:37 作者: Obstruction 時(shí)間: 2025-3-24 14:11
Book 2018adio with his later work on the psychology of art, the author presents a coherent approach to the problem of the nature of a medium, space and time, and the differentia between different media. The latent ontological commitments of Arnheim’s theories is drawn out by affirming Arnheim’s membership in作者: scrape 時(shí)間: 2025-3-24 16:24 作者: Cognizance 時(shí)間: 2025-3-24 21:35
Concluding Remarks and Future Outlook,es, the following discussion is intended to look within each of them, apply the idea of the self-image and likeness, and integrate Ingardian ideas of ontological in/determinacy. In addition, technical media will be discussed, but only generically, to the degree that broad ontological distinctions can be made.作者: Colonnade 時(shí)間: 2025-3-25 00:48
Wojciech Piotrowicz,Richard Cuthbertsoning on real medial difference “tends…to reduce that knowledge to a set of abstract propositions about the period aesthetic,” I attempted to show in the preceding chapters the way in which a strong ontology of media form is necessary to understand completely – to characterize – the political-economic changes taking place.作者: 漂浮 時(shí)間: 2025-3-25 03:22 作者: Entirety 時(shí)間: 2025-3-25 11:07
Conclusion: Medial Wisdom,ing on real medial difference “tends…to reduce that knowledge to a set of abstract propositions about the period aesthetic,” I attempted to show in the preceding chapters the way in which a strong ontology of media form is necessary to understand completely – to characterize – the political-economic changes taking place.作者: 防銹 時(shí)間: 2025-3-25 14:46 作者: 笨重 時(shí)間: 2025-3-25 18:02
Gestalt Ontology, and media systems, some robust theory of medium is needed. Nevertheless, those process-based accounts of medium introduced recently with the turn to “materialism” and “ontology,” and, influenced by Deleuze, do not directly address an affirmative account of medium, instead substituting partial syste作者: Rheumatologist 時(shí)間: 2025-3-25 20:22 作者: 幸福愉悅感 時(shí)間: 2025-3-26 03:40 作者: 分期付款 時(shí)間: 2025-3-26 06:12
The Two Elementary Classes of Aesthetic Objects: Spatial and Temporal Modalities,most basic division between such classes. Returning to the idea of existential dependence in Chap. ., one can note a distinct kind of dependence occurring in each class. In spatial arts, all views of a work are one-sidedly dependent on the work; none is privileged. In temporal works, each successive作者: Affection 時(shí)間: 2025-3-26 09:43 作者: DEBT 時(shí)間: 2025-3-26 15:54
The Ontology of the Individual Modalities,he individual modalities. All of the six modalities have a determinate range of independence. Instead of stressing so much what separates the modalities, the following discussion is intended to look within each of them, apply the idea of the self-image and likeness, and integrate Ingardian ideas of 作者: 鎮(zhèn)壓 時(shí)間: 2025-3-26 17:57 作者: habile 時(shí)間: 2025-3-26 23:38 作者: 生來(lái) 時(shí)間: 2025-3-27 02:17 作者: Meditate 時(shí)間: 2025-3-27 06:46
978-3-030-02969-2The Author(s), under exclusive licence to Springer Nature Switzerland AG 2018作者: 音樂(lè)學(xué)者 時(shí)間: 2025-3-27 10:27
https://doi.org/10.1007/978-94-6300-154-0 and media systems, some robust theory of medium is needed. Nevertheless, those process-based accounts of medium introduced recently with the turn to “materialism” and “ontology,” and, influenced by Deleuze, do not directly address an affirmative account of medium, instead substituting partial syste作者: Femish 時(shí)間: 2025-3-27 14:33
Exploring New Horizons in Career Counselling and media systems, some robust theory of medium is needed. Nevertheless, those process-based accounts of medium introduced recently with the turn to “materialism” and “ontology,” and, influenced by Deleuze, do not directly address an affirmative account of medium, instead substituting partial syste作者: cartilage 時(shí)間: 2025-3-27 21:21 作者: ticlopidine 時(shí)間: 2025-3-27 22:11
Career Development for Childreng, literature versus radio – have ontological peculiarities that must be tracked. These peculiarities can be portrayed as variable forms of mediation. Mediation of reality is already effected through the eye and ear, which becomes a prototype of mediation in general. A first thought of mediation in 作者: 嚴(yán)重傷害 時(shí)間: 2025-3-28 02:18
https://doi.org/10.1007/978-3-031-02037-7most basic division between such classes. Returning to the idea of existential dependence in Chap. ., one can note a distinct kind of dependence occurring in each class. In spatial arts, all views of a work are one-sidedly dependent on the work; none is privileged. In temporal works, each successive作者: 樣式 時(shí)間: 2025-3-28 07:01
Exploring New Roles for Librariansorm of aesthetic organization. With Arnheim’s help, Robert Sowers outlined three spatial modalities: the Picture, Sculpture and Architecture. A mixture of two modalities or one conceived in the mode of another is considered a hybrid. Arnheim spent a good bit of time discussing how modalities might d作者: 歌劇等 時(shí)間: 2025-3-28 13:24
Concluding Remarks and Future Outlook,he individual modalities. All of the six modalities have a determinate range of independence. Instead of stressing so much what separates the modalities, the following discussion is intended to look within each of them, apply the idea of the self-image and likeness, and integrate Ingardian ideas of 作者: 異端邪說(shuō)2 時(shí)間: 2025-3-28 16:59 作者: 小步舞 時(shí)間: 2025-3-28 21:06
Wojciech Piotrowicz,Richard Cuthbertsonorary medial situation, marked by unprecedented technological dependence and richness. Against the charge of those like Mitchell who argue that insisting on real medial difference “tends…to reduce that knowledge to a set of abstract propositions about the period aesthetic,” I attempted to show in th作者: 青石板 時(shí)間: 2025-3-29 02:42
Ian VerstegenOffers a powerful defense of media difference using a non-essential approach to ontology.Features an innovative marriage of Gestalt psychology and Austrian ontology.Presents an important theory of med作者: 谷類 時(shí)間: 2025-3-29 05:15
SpringerBriefs in Philosophyhttp://image.papertrans.cn/b/image/161723.jpg
