標題: Titlebook: Architecture and the Novel under the Italian Fascist Regime; Francesca Billiani,Laura Pennacchietti Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if ap [打印本頁] 作者: 候選人名單 時間: 2025-3-21 18:39
書目名稱Architecture and the Novel under the Italian Fascist Regime影響因子(影響力)
書目名稱Architecture and the Novel under the Italian Fascist Regime影響因子(影響力)學科排名
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書目名稱Architecture and the Novel under the Italian Fascist Regime網(wǎng)絡公開度學科排名
書目名稱Architecture and the Novel under the Italian Fascist Regime被引頻次
書目名稱Architecture and the Novel under the Italian Fascist Regime被引頻次學科排名
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書目名稱Architecture and the Novel under the Italian Fascist Regime讀者反饋
書目名稱Architecture and the Novel under the Italian Fascist Regime讀者反饋學科排名
作者: 炸壞 時間: 2025-3-21 20:35
Architecture and the Novel under the Italian Fascist Regime978-3-030-19428-4作者: Gesture 時間: 2025-3-22 01:31
e last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes..978-3-030-19430-7978-3-030-19428-4作者: 尊重 時間: 2025-3-22 06:33
National Novel and New Architecture,esthetic principles underpinned the development of these superficially very different artistic forms. Through this approach, we consider how these shared principles functioned as cardinal points within the overall structure of the system of the arts articulated under and by the regime. This chapter 作者: OASIS 時間: 2025-3-22 12:33
,The Regime and the Creation of an ‘Arte di Stato’,ussion of the central idea of .. This expression signals the more ‘pluralist’ approach adopted towards the arts by the Fascist regime, compared to coeval totalitarian regimes, in its attempt to create an aesthetic system supporting the dictatorship. The chapter takes as its starting point Mussolini’作者: 用肘 時間: 2025-3-22 16:41
Constructing the Novel,ctatorship from a theoretical standpoint. Firstly, we discuss how and why the novel in general—as a form rooted in construction—and the new realist one?in particular, assumed a privileged position within the Italian literary field of the 1920s and 1930s. In doing so, we also show how it?contributed 作者: 露天歷史劇 時間: 2025-3-22 18:25 作者: Omniscient 時間: 2025-3-22 22:50 作者: tinnitus 時間: 2025-3-23 02:41
State Art, the Novel, and Architecture: Intersections,s of argument we have developed so far. More specifically, it analyses the intersections between State art, architecture and the novel, which emerge from the debates taking place in literary and cultural journals, such as ., . and .. These journals expressed the voice of the cultural fringes of the 作者: LAVE 時間: 2025-3-23 07:44 作者: 立即 時間: 2025-3-23 12:03
Conclusion,ual chapters and shows how the arts contributed to the totalitarian project in general and to its anthropological revolution in particular. Finally, it argues for the importance of looking at the artistic and the political projects of the Ventennio as intertwined and mutually dependent.作者: erythema 時間: 2025-3-23 17:51
Book‘‘‘‘‘‘‘‘ 2019in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of作者: 能得到 時間: 2025-3-23 18:07 作者: 貴族 時間: 2025-3-23 23:54
State Art, the Novel, and Architecture: Intersections,youth culture fostered by the regime during the period of its maximum consensus amongst the Italian population (1932–1936), in particular producing a timely reflection on realism, which functioned as a theoretical foundation for the discourse on State art and also for the creation of intersections between the novel and architecture.作者: 左右連貫 時間: 2025-3-24 02:22 作者: 壓迫 時間: 2025-3-24 07:58
Russell L. Ciochon,A. Brunetto Chiarelli1920s till the early 1940s, in political terms, by examining the ‘battles’ for hegemony over the other arts, and in aesthetic terms by giving examples of how architectural language was developed and implemented in selected landmark buildings.作者: oxidize 時間: 2025-3-24 12:17
On the Tarsiiform Origins of Anthropoideaptual model. . followed in .’ footsteps with its objective of forming a ‘united aesthetic front’, and establish rationalized, functional and realist forms of art as the Fascist ‘.. While its main focus was architecture, interdisciplinary crossings were a central goal of the journal.作者: 乳白光 時間: 2025-3-24 18:05
On the Tarsiiform Origins of Anthropoideawe analyse four novels: ., ., . and .. In the second section we carry out an analysis of three buildings: the Santa Maria Novella railway station in Florence, the expansion of the Olivetti factory in Ivrea, and the Danteum.作者: Expand 時間: 2025-3-24 20:34
Constructing the Novel,novels and the publication of translations. Our conclusion is that the project of constructing a new Italian novel form in the context of State art was often eclipsed in popularity by foreign production.作者: Compatriot 時間: 2025-3-25 00:49
Fascism and Architecture,1920s till the early 1940s, in political terms, by examining the ‘battles’ for hegemony over the other arts, and in aesthetic terms by giving examples of how architectural language was developed and implemented in selected landmark buildings.作者: Externalize 時間: 2025-3-25 05:38
and ,: Theorizing an Interdisciplinary Aesthetic Model,ptual model. . followed in .’ footsteps with its objective of forming a ‘united aesthetic front’, and establish rationalized, functional and realist forms of art as the Fascist ‘.. While its main focus was architecture, interdisciplinary crossings were a central goal of the journal.作者: monogamy 時間: 2025-3-25 10:45
Novels and Buildings,we analyse four novels: ., ., . and .. In the second section we carry out an analysis of three buildings: the Santa Maria Novella railway station in Florence, the expansion of the Olivetti factory in Ivrea, and the Danteum.作者: Bucket 時間: 2025-3-25 12:03
nd its legitimation.Offers the first truly interdisciplinary.Architecture and the Novel under the Italian Fascist Regime. discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the 作者: 絕食 時間: 2025-3-25 19:45
https://doi.org/10.1007/978-3-642-74525-6red principles functioned as cardinal points within the overall structure of the system of the arts articulated under and by the regime. This chapter discusses the relevant critical literature on the topic and situates the analysis against current scholarly debates.作者: 銀版照相 時間: 2025-3-25 22:52
National Novel and New Architecture,red principles functioned as cardinal points within the overall structure of the system of the arts articulated under and by the regime. This chapter discusses the relevant critical literature on the topic and situates the analysis against current scholarly debates.作者: 祖?zhèn)髫敭a(chǎn) 時間: 2025-3-26 01:42 作者: 燈泡 時間: 2025-3-26 08:19 作者: gimmick 時間: 2025-3-26 09:12
Russell L. Ciochon,A. Brunetto Chiarelliyouth culture fostered by the regime during the period of its maximum consensus amongst the Italian population (1932–1936), in particular producing a timely reflection on realism, which functioned as a theoretical foundation for the discourse on State art and also for the creation of intersections between the novel and architecture.作者: Lumbar-Spine 時間: 2025-3-26 12:57 作者: 輕快來事 時間: 2025-3-26 17:41 作者: 抱負 時間: 2025-3-27 00:34
Conclusion,ual chapters and shows how the arts contributed to the totalitarian project in general and to its anthropological revolution in particular. Finally, it argues for the importance of looking at the artistic and the political projects of the Ventennio as intertwined and mutually dependent.作者: Scleroderma 時間: 2025-3-27 02:49 作者: 虛度 時間: 2025-3-27 05:37 作者: 閃光你我 時間: 2025-3-27 10:21
On the Tarsiiform Origins of Anthropoideaussion of the central idea of .. This expression signals the more ‘pluralist’ approach adopted towards the arts by the Fascist regime, compared to coeval totalitarian regimes, in its attempt to create an aesthetic system supporting the dictatorship. The chapter takes as its starting point Mussolini’作者: Eosinophils 時間: 2025-3-27 17:32 作者: 走路左晃右晃 時間: 2025-3-27 19:36
Russell L. Ciochon,A. Brunetto Chiarelli the debates on the novel, those on architecture saw different movements attempting to show their suitability to represent the regime’s new political order as well as its idea of modernity, and so become the official .. In order to demonstrate the complementary nature of the novel and architecture a作者: EPT 時間: 2025-3-27 22:20
On the Tarsiiform Origins of Anthropoideatersecting modernizing projects grounded in the principles of rationalization, construction, the moral function of art, and an engagement with the real, and both committed to the construction of a modern Fascist culture. In his writings in ., Bontempelli theorized and advocated an anti-rhetorical, a作者: 燕麥 時間: 2025-3-28 04:46 作者: Banister 時間: 2025-3-28 08:10
On the Tarsiiform Origins of Anthropoideal and conceptual intersections and points of contact between literature and architecture, considered here as convergent aesthetico-political projects aimed at the construction of a modern culture supporting the Fascist dictatorship. Our analysis takes into account the discourses surrounding the prod作者: HAIRY 時間: 2025-3-28 14:24 作者: 大都市 時間: 2025-3-28 15:52
https://doi.org/10.1007/978-3-030-19428-4Open Access; Fascism and Architecture; Fascism and Literature; Italian Artistic System; Architecture and作者: 諂媚于性 時間: 2025-3-28 21:43 作者: 一個攪動不安 時間: 2025-3-29 00:36
