標(biāo)題: Titlebook: Applied Theatre and Sexual Health Communication; Apertures of Possibi Katharine E. Low Book 2020 The Editor(s) (if applicable) and The Auth [打印本頁(yè)] 作者: Inveigle 時(shí)間: 2025-3-21 16:23
書(shū)目名稱Applied Theatre and Sexual Health Communication影響因子(影響力)
書(shū)目名稱Applied Theatre and Sexual Health Communication影響因子(影響力)學(xué)科排名
書(shū)目名稱Applied Theatre and Sexual Health Communication網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Applied Theatre and Sexual Health Communication網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Applied Theatre and Sexual Health Communication被引頻次
書(shū)目名稱Applied Theatre and Sexual Health Communication被引頻次學(xué)科排名
書(shū)目名稱Applied Theatre and Sexual Health Communication年度引用
書(shū)目名稱Applied Theatre and Sexual Health Communication年度引用學(xué)科排名
書(shū)目名稱Applied Theatre and Sexual Health Communication讀者反饋
書(shū)目名稱Applied Theatre and Sexual Health Communication讀者反饋學(xué)科排名
作者: 廚師 時(shí)間: 2025-3-21 23:55 作者: Gratulate 時(shí)間: 2025-3-22 03:58
Contemporary Performance InterActionshttp://image.papertrans.cn/b/image/160199.jpg作者: Heterodoxy 時(shí)間: 2025-3-22 07:50 作者: 我還要背著他 時(shí)間: 2025-3-22 11:26 作者: 不可侵犯 時(shí)間: 2025-3-22 14:20
Stofwisselingsziekten en epilepsiending ways of starting conversations about sexual health are complex. It discusses OPOS, a participatory theatre-led project for understanding sexual health and considers what it is that occurs in the moment of theatrical engagement. It notes how the approach of the project might be seen as contrary作者: troponins 時(shí)間: 2025-3-22 20:01
Koortsconvulsies en epilepsie met koortstre-making within the field of sexual health communication as a way to respond to the HIV/AIDS pandemic and to do something that was effective and meaningful. It notes the understandable desire within the fields of sexual health education and socially engaged theatre-making to evidence impact, a pro作者: 收集 時(shí)間: 2025-3-23 00:28
https://doi.org/10.1007/978-3-662-33032-6African life: health, crime and safety, and South African theatre. The focus of this analysis moves to a consideration of Nyanga, the township in which the OPOS project was based. Here, Nyanga’s experiences under apartheid and during democracy are described and the chapter examines how the Etafeni T作者: 熱心 時(shí)間: 2025-3-23 02:39
https://doi.org/10.1007/978-3-642-57519-8es of exercises and performances created by the participants, I argue that the participants developed an understanding of spatial practices and a verbal and embodied vocabulary about space from their re-enactments, which enabled them to make links between safety from crime and sexual safety, as well作者: expunge 時(shí)間: 2025-3-23 07:08
Ambulanzen für Erwachsene und Jugendlichethe negotiation of safe sex led to the establishment of a moral discourse, this chapter asks key questions about the role of the applied theatre practitioner in these settings, ultimately considering if the practice is a form of ‘nudging’ towards more acceptable behaviour. It also considers the tact作者: insecticide 時(shí)間: 2025-3-23 10:16
https://doi.org/10.1007/978-3-642-57519-8ls of empowerment and transformation that are sometimes ascribed to in the literature. It considers the applied theatre space as a thinking space, within which, by recognising and noticing things that take place, a moment of meaning-making for participants on their own terms is possible. The term . 作者: 軌道 時(shí)間: 2025-3-23 16:57 作者: Sputum 時(shí)間: 2025-3-23 21:01 作者: 圓錐 時(shí)間: 2025-3-24 02:04 作者: 使顯得不重要 時(shí)間: 2025-3-24 04:10
Conclusionractice. I note that in this case, within the complex South African situation, the value of this work lies in these moments of hope, defiance and resistance, and tactical actions. It offers an afterword on the networks of care which have been established between the participants and myself and the . of value.作者: 食道 時(shí)間: 2025-3-24 08:45 作者: Peak-Bone-Mass 時(shí)間: 2025-3-24 11:47
Koortsconvulsies en epilepsie met koortsroaches including Theatre for Development and Theatre in Health Education. It contextualises how the OPOS project was established as a research project. It then addresses a key question in applied theatre around impact and value; the analysis of which informs the thinking in this book.作者: MONY 時(shí)間: 2025-3-24 17:24 作者: Ceremony 時(shí)間: 2025-3-24 23:05 作者: GNAT 時(shí)間: 2025-3-25 00:35
Ambulanzen für Erwachsene und Jugendlichealised within a consideration of sexual transactions in South Africa. Placing these concerns within the challenges of working in a neoliberal climate, I consider how we, as applied theatre practitioners, negotiate the impulse to nudge our participants and how we consider the intentions of our practice.作者: 揮舞 時(shí)間: 2025-3-25 05:14 作者: vasospasm 時(shí)間: 2025-3-25 10:49 作者: 類人猿 時(shí)間: 2025-3-25 15:20 作者: 暖昧關(guān)系 時(shí)間: 2025-3-25 19:12 作者: 遣返回國(guó) 時(shí)間: 2025-3-25 20:46
Chapter 3: Applied Theatre: A Space ‘Safe Enough’ to Take Risks?for new knowledges to emerge, knowledges developed on the participants’ own terms. The chapter addresses the idea that a site of resistance can create different perspectives from which to consider other alternatives.作者: 潛移默化 時(shí)間: 2025-3-26 01:00
Chapter 4: ‘If You Want to Be Safe, You Must Stay at Home’: Dialogical Spaces and Repressive Outcomealised within a consideration of sexual transactions in South Africa. Placing these concerns within the challenges of working in a neoliberal climate, I consider how we, as applied theatre practitioners, negotiate the impulse to nudge our participants and how we consider the intentions of our practice.作者: 使長(zhǎng)胖 時(shí)間: 2025-3-26 07:03 作者: NIL 時(shí)間: 2025-3-26 11:40 作者: 無(wú)可非議 時(shí)間: 2025-3-26 16:05
Book 2020for more outcry about?sexual health and sexual violence, arguing for theatre-making as a route to?multitudes of voices, nuanced understandings, and diverse spaces in which?discussions of sexuality and sexual health are shared, felt, and experienced..作者: 規(guī)章 時(shí)間: 2025-3-26 17:09 作者: Cabinet 時(shí)間: 2025-3-27 00:08
Introduction,nding ways of starting conversations about sexual health are complex. It discusses OPOS, a participatory theatre-led project for understanding sexual health and considers what it is that occurs in the moment of theatrical engagement. It notes how the approach of the project might be seen as contrary作者: pus840 時(shí)間: 2025-3-27 04:48 作者: Mast-Cell 時(shí)間: 2025-3-27 07:56
Chapter 2: The Context for Our Place, Our StageAfrican life: health, crime and safety, and South African theatre. The focus of this analysis moves to a consideration of Nyanga, the township in which the OPOS project was based. Here, Nyanga’s experiences under apartheid and during democracy are described and the chapter examines how the Etafeni T作者: Derogate 時(shí)間: 2025-3-27 10:32 作者: photophobia 時(shí)間: 2025-3-27 14:21
Chapter 4: ‘If You Want to Be Safe, You Must Stay at Home’: Dialogical Spaces and Repressive Outcomethe negotiation of safe sex led to the establishment of a moral discourse, this chapter asks key questions about the role of the applied theatre practitioner in these settings, ultimately considering if the practice is a form of ‘nudging’ towards more acceptable behaviour. It also considers the tact作者: Militia 時(shí)間: 2025-3-27 20:39
Chapter 5: ,: A Subtle Form of Resistance?ls of empowerment and transformation that are sometimes ascribed to in the literature. It considers the applied theatre space as a thinking space, within which, by recognising and noticing things that take place, a moment of meaning-making for participants on their own terms is possible. The term . 作者: 松軟無(wú)力 時(shí)間: 2025-3-27 22:38
Conclusionder the ephemeral nature of the OPOS project’s research findings and the difficulty in capturing outcomes or impact from our work in applied theatre practice. I note that in this case, within the complex South African situation, the value of this work lies in these moments of hope, defiance and resi作者: FAZE 時(shí)間: 2025-3-28 05:29
10樓作者: debris 時(shí)間: 2025-3-28 07:05
10樓作者: 拖網(wǎng) 時(shí)間: 2025-3-28 13:55
10樓
