標(biāo)題: Titlebook: Applications of Digital Signal Processing to Audio and Acoustics; Mark Kahrs,Karlheinz Brandenburg Book 2002 Springer Science+Business Med [打印本頁(yè)] 作者: 拐杖 時(shí)間: 2025-3-21 16:27
書目名稱Applications of Digital Signal Processing to Audio and Acoustics影響因子(影響力)
書目名稱Applications of Digital Signal Processing to Audio and Acoustics影響因子(影響力)學(xué)科排名
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書目名稱Applications of Digital Signal Processing to Audio and Acoustics被引頻次
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書目名稱Applications of Digital Signal Processing to Audio and Acoustics讀者反饋學(xué)科排名
作者: Fretful 時(shí)間: 2025-3-21 22:19
Audio Quality Determination Based on Perceptual Measurement Techniques,of music and speech codecs. For the measurement of quality of telephone-band speech codecs a simplified method is given. This method was standardized by the International Telecommunication Union (Telecom sector) as recommendation P.861.作者: 馬具 時(shí)間: 2025-3-22 03:33 作者: Junction 時(shí)間: 2025-3-22 07:19
Audio Signal Processing Based on Sinusoidal Analysis/Synthesis,ification, sound splicing, morphing and extrapolation, and estimation of sound characteristics such as vibrato. Although this sine-wave analysis/synthesis is applicable to arbitrary signals, tailoring the system to a specific sound class can improve performance. A source/filter phase model is introd作者: Phenothiazines 時(shí)間: 2025-3-22 12:19 作者: NIL 時(shí)間: 2025-3-22 14:17
0893-3405 pter will illustrate the wide variety of technical material presented in the chapters of this book. John Beerends: Perceptual Measurement Techniques. The advent978-1-4757-8386-5978-0-306-47042-4Series ISSN 0893-3405 作者: 猛擊 時(shí)間: 2025-3-22 18:46 作者: 指令 時(shí)間: 2025-3-22 22:23 作者: senile-dementia 時(shí)間: 2025-3-23 03:09
R. Bruce Anderson,Kassandra Galvezed ear has a reduced dynamic range in comparison with the normal ear, and single-channel and multi-channel compression algorithms are described. Noise suppression is also a very important area of research, and several single-microphone approaches are described, including adaptive analog filters, spe作者: 異端邪說(shuō)下 時(shí)間: 2025-3-23 06:50 作者: 獸皮 時(shí)間: 2025-3-23 13:07
https://doi.org/10.1007/978-3-319-32010-6 two-multiply transformer to normalize a one-multiply scattering junction. Conditions for strict passivity of the model are discussed. Use of commutativity of linear, time-invariant elements to greatly reduce computational cost is described. Applications are summarized, and models of the clarinet an作者: 惰性氣體 時(shí)間: 2025-3-23 16:19
The Springer International Series in Engineering and Computer Sciencehttp://image.papertrans.cn/a/image/159372.jpg作者: Aerophagia 時(shí)間: 2025-3-23 19:02
Perceptual Coding of High Quality Digital Audio,pter introduces the basic ideas of perceptual audio coding and discusses the different options for the main building blocks of a perceptual coder. Several well known algorithms are described in detail.作者: 壯麗的去 時(shí)間: 2025-3-23 22:34
Digital Audio System Architecture,ese changes can be seen by examining the implementation of increasingly complex algorithms in less and less hardware. In this chapter, we will describe how machines have been designed to implement DSP algorithms. We will also show how progress in integration has resulted in the special purpose chips designed to execute a given algorithm.作者: 無(wú)可非議 時(shí)間: 2025-3-24 04:48
https://doi.org/10.1007/b117882Audio; Hardware; Signal; acoustics; algorithms; audio signal processing; coding; digital signal processing; 作者: 疏忽 時(shí)間: 2025-3-24 08:41
978-1-4757-8386-5Springer Science+Business Media New York 2002作者: hegemony 時(shí)間: 2025-3-24 11:31 作者: 清澈 時(shí)間: 2025-3-24 18:07
https://doi.org/10.1007/978-1-4419-1005-9pter introduces the basic ideas of perceptual audio coding and discusses the different options for the main building blocks of a perceptual coder. Several well known algorithms are described in detail.作者: sacrum 時(shí)間: 2025-3-24 20:13 作者: 漸變 時(shí)間: 2025-3-25 01:34
Encyclopedia of Behavioral Medicinee perception of the output signal of the audio system. By comparing the degraded output with the ideal (reference), using a model of the human auditory system, predictions can be made about the subjectively perceived audio quality of the system output using any input signal. A perceptual model is us作者: 秘傳 時(shí)間: 2025-3-25 05:12 作者: 搏斗 時(shí)間: 2025-3-25 08:51
Encyclopedia of Behavioral Medicine a concise framework describing the physics and perception of reverberation. This includes a discussion of geometrical, modal, and statistical models for reverberation, the perceptual effects of reverberation, and subjective and objective measures of reverberation. Algorithms for simulating early re作者: amnesia 時(shí)間: 2025-3-25 11:44 作者: Inordinate 時(shí)間: 2025-3-25 17:09
https://doi.org/10.1007/978-1-4614-6439-6ese changes can be seen by examining the implementation of increasingly complex algorithms in less and less hardware. In this chapter, we will describe how machines have been designed to implement DSP algorithms. We will also show how progress in integration has resulted in the special purpose chips作者: 討人喜歡 時(shí)間: 2025-3-25 23:10 作者: Biofeedback 時(shí)間: 2025-3-26 02:06 作者: Ligament 時(shí)間: 2025-3-26 07:07 作者: 旅行路線 時(shí)間: 2025-3-26 11:40 作者: 親愛(ài) 時(shí)間: 2025-3-26 12:40 作者: 嚴(yán)厲譴責(zé) 時(shí)間: 2025-3-26 20:44
Encyclopedia of Behavioral Medicinen chronological order, starting with reverberators based on comb and allpass filters, then discussing allpass feedback loops, and proceeding to recent designs based on inserting absorptive losses into a lossless prototype implemented using feedback delay networks or digital waveguide networks.作者: 違反 時(shí)間: 2025-3-26 21:12 作者: 單挑 時(shí)間: 2025-3-27 04:09 作者: Wallow 時(shí)間: 2025-3-27 05:41 作者: 不在灌木叢中 時(shí)間: 2025-3-27 11:48
Time and Pitch Scale Modification of Audio Signals,al popular methods for the time-scale, pitch-scale and formant-scale modification of audio signals, and summarizes their respective strengths and weaknesses as well as their relative costs in terms of computation power.作者: CRP743 時(shí)間: 2025-3-27 13:55 作者: Mere僅僅 時(shí)間: 2025-3-27 19:59 作者: Palpate 時(shí)間: 2025-3-28 00:03
0893-3405 bandwidth limited speech processing. Today, the main appli cations of audio DSP are high quality audio coding and the digital generation and manipulation of music signals. They share common research topics including percep tual measurement techniques and analysis/synthesis methods. Smaller but nonet作者: 裁決 時(shí)間: 2025-3-28 02:10 作者: prolate 時(shí)間: 2025-3-28 07:35 作者: 取回 時(shí)間: 2025-3-28 13:53 作者: 馬賽克 時(shí)間: 2025-3-28 15:43
Perceptual Coding of High Quality Digital Audio,pter introduces the basic ideas of perceptual audio coding and discusses the different options for the main building blocks of a perceptual coder. Several well known algorithms are described in detail.作者: Demulcent 時(shí)間: 2025-3-28 19:44
Reverberation Algorithms, a concise framework describing the physics and perception of reverberation. This includes a discussion of geometrical, modal, and statistical models for reverberation, the perceptual effects of reverberation, and subjective and objective measures of reverberation. Algorithms for simulating early re作者: 使更活躍 時(shí)間: 2025-3-29 01:03 作者: 熱心 時(shí)間: 2025-3-29 07:02
Digital Audio System Architecture,ese changes can be seen by examining the implementation of increasingly complex algorithms in less and less hardware. In this chapter, we will describe how machines have been designed to implement DSP algorithms. We will also show how progress in integration has resulted in the special purpose chips作者: 袋鼠 時(shí)間: 2025-3-29 08:04 作者: Intrepid 時(shí)間: 2025-3-29 14:20 作者: RUPT 時(shí)間: 2025-3-29 15:41
Wavetable Sampling Synthesis, in sampling include the traditional playback of digitized audio waveforms from RAM wavetables, combined with sample rate conversion to provide pitch shifting. Sampling evolved from traditional computer music wavetable synthesis techniques, where the wavetable size simply grew to include an entire m