標(biāo)題: Titlebook: Appearance and Identity; Fashioning the Body Llewellyn Negrin Book 2008 Llewellyn Negrin 2008 cosmetics.gender.society.surgery [打印本頁] 作者: 搭話 時間: 2025-3-21 16:57
書目名稱Appearance and Identity影響因子(影響力)
書目名稱Appearance and Identity影響因子(影響力)學(xué)科排名
書目名稱Appearance and Identity網(wǎng)絡(luò)公開度
書目名稱Appearance and Identity網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Appearance and Identity被引頻次
書目名稱Appearance and Identity被引頻次學(xué)科排名
書目名稱Appearance and Identity年度引用
書目名稱Appearance and Identity年度引用學(xué)科排名
書目名稱Appearance and Identity讀者反饋
書目名稱Appearance and Identity讀者反饋學(xué)科排名
作者: 智力高 時間: 2025-3-21 21:42
https://doi.org/10.1007/978-3-642-57397-2ch as sailor suits for women, on the other. Other fashion designers such as Gianni Versace, Issey Miyake, Katherine Hamnett, Rei Kawakubo, and Calvin Klein have created androgynous style fashions where there is no longer a clear differentiation between male and female garments.’ Beauty products such作者: 網(wǎng)絡(luò)添麻煩 時間: 2025-3-22 00:43
Appearance and Identity,n which primacy was given to such qualities as citizenship, democracy, duty, work, honor, reputation, and morals. Whereas previously, greater emphasis was placed on other sources of identity formation than that of personal appearance, increasingly, the self is defined primarily in aesthetic terms—th作者: LUT 時間: 2025-3-22 08:33 作者: Deceit 時間: 2025-3-22 10:12 作者: bronchiole 時間: 2025-3-22 14:14
Cosmetic Surgery and the Eclipse of Identity,e with their physical appearance as a result of being relentlessly bombarded with images of perfection by the mass media. As such, the predominant response to such a technology by feminists has been one of rejection..作者: 逢迎白雪 時間: 2025-3-22 17:51
Perkutaner Eingriff an der Harnblasebasis for the criticisms of female fashion in the 1970s and ‘80s by feminist theorists such as Una Stannard (1971), Nancy Baker (1984), Susan Brownmiller (1984), Robin Lakoff and Raquel Scherr (1984), and Rita Freedman (1986).作者: ERUPT 時間: 2025-3-22 22:33
https://doi.org/10.1007/978-3-642-57397-2r than relying on standardized “flash” motifs, today’s tattoo wearers are more likely to choose customized designs as a way of signaling their “uniqueness” and lack of conformity. As Susan Benson writes,“…central to a lot of contemporary tattoo and piercing talk is the idea of . of the tattoo…as a ‘declaration of me-ness” (2000, 245).作者: VEN 時間: 2025-3-23 03:38
Feminism and Fashion,basis for the criticisms of female fashion in the 1970s and ‘80s by feminist theorists such as Una Stannard (1971), Nancy Baker (1984), Susan Brownmiller (1984), Robin Lakoff and Raquel Scherr (1984), and Rita Freedman (1986).作者: CHART 時間: 2025-3-23 06:38
,Body Art and Men’s Fashion,r than relying on standardized “flash” motifs, today’s tattoo wearers are more likely to choose customized designs as a way of signaling their “uniqueness” and lack of conformity. As Susan Benson writes,“…central to a lot of contemporary tattoo and piercing talk is the idea of . of the tattoo…as a ‘declaration of me-ness” (2000, 245).作者: 妨礙 時間: 2025-3-23 09:44
Ornament and the Feminine, as Norma Broude (1982), Naomi Schor (1987), Penny Sparke (1995), and Wendy Steiner (2001) have pointed out, ornament was considered an intrinsically feminine domain. Thus, the devaluation of ornament meant, at the same time, a dismissal of the feminine as inferior.作者: 抓住他投降 時間: 2025-3-23 17:48
Perkutaner Eingriff an der Harnblase as Norma Broude (1982), Naomi Schor (1987), Penny Sparke (1995), and Wendy Steiner (2001) have pointed out, ornament was considered an intrinsically feminine domain. Thus, the devaluation of ornament meant, at the same time, a dismissal of the feminine as inferior.作者: PLIC 時間: 2025-3-23 20:45
Book 2008This book casts a critical look at the dominant position that fashion has come to occupy in contemporary society. It addresses various aspects of fashion in postmodern culture including makeup, cosmetic surgery, tattoos, ornament in dress and the blurring of gender boundaries.作者: Constitution 時間: 2025-3-23 23:41
https://doi.org/10.1057/9780230617186cosmetics; gender; society; surgery作者: 欺騙世家 時間: 2025-3-24 03:42 作者: cuticle 時間: 2025-3-24 10:19
Overview: This book casts a critical look at the dominant position that fashion has come to occupy in contemporary society. It addresses various aspects of fashion in postmodern culture including makeup, cosmetic surgery, tattoos, ornament in dress and the blurring of gender boundaries.978-1-349-37429-8978-0-230-61718-6作者: 擦掉 時間: 2025-3-24 14:12 作者: 繁榮中國 時間: 2025-3-24 15:31 作者: ingestion 時間: 2025-3-24 21:53 作者: Alveolar-Bone 時間: 2025-3-25 02:13 作者: jaunty 時間: 2025-3-25 04:43 作者: Cubicle 時間: 2025-3-25 07:44 作者: panorama 時間: 2025-3-25 15:03 作者: 濕潤 時間: 2025-3-25 19:34
https://doi.org/10.1007/978-3-642-57397-2constant change. As David Curry (1993, 80) states, tattooing “can never be a true fashion…because tattoos cannot be put on and left off by the season.” Ted Polhemus concurs, arguing that “any permanent body decoration like a tattoo is as anti-fashion as it is possible to get— literally making change作者: 鬧劇 時間: 2025-3-25 23:36
Perkutaner Eingriff an der Harnblaselism, which was the central platform of modernist design philosophy, all that did not contribute to or enhance the practical utility of an object was regarded as an unnecessary excrescence. Coupled with the denigration of ornament was its association with the feminine. As a number of theorists, such作者: modifier 時間: 2025-3-26 02:43 作者: 珠寶 時間: 2025-3-26 06:16
http://image.papertrans.cn/a/image/159038.jpg作者: 針葉 時間: 2025-3-26 08:38
Introduction,tigation and its significance in contemporary Western culture. Whereas, in the past, there was a largely dismissive attitude towards fashion, which was seen as a subject unworthy of consideration since it was concerned with the “trivial” realm of appearances, the last two decades have seen a burgeoning of academic studies in this area.作者: 易達到 時間: 2025-3-26 13:46
Cosmetics and the Female Body, been that cosmetics conceal the “true” self behind a “false” mask. For many, the artifice of cosmetics has been regarded as a sign of deception and inauthenticity in which the wearer masquerades as something she is not.作者: 樹上結(jié)蜜糖 時間: 2025-3-26 18:40 作者: Infuriate 時間: 2025-3-26 21:53 作者: 攀登 時間: 2025-3-27 04:06
Feminism and Fashion,of oppression in which women were turned into passive objects of the male gaze. Already in the latter half of the nineteenth century, feminists such as Amelia Bloomer, Elizabeth Cady Stanton, and Susan B. Anthony were criticizing female dress insofar as it hindered the physical mobility of women and作者: Tempor 時間: 2025-3-27 08:12 作者: 表否定 時間: 2025-3-27 11:01 作者: 抵押貸款 時間: 2025-3-27 16:25
,Body Art and Men’s Fashion,constant change. As David Curry (1993, 80) states, tattooing “can never be a true fashion…because tattoos cannot be put on and left off by the season.” Ted Polhemus concurs, arguing that “any permanent body decoration like a tattoo is as anti-fashion as it is possible to get— literally making change作者: Rejuvenate 時間: 2025-3-27 19:46 作者: MILK 時間: 2025-3-28 00:29
The Postmodern Gender Carnival,dress are mixed together in apparently arbitrary ensembles irrespective of the “sex” of the wearer. This has been exemplified by the fashion spreads in . magazine and ., for instance, where both male and female models sport outfits combining a mélange of gender signifiers, such as bomber jackets tea作者: 秘密會議 時間: 2025-3-28 05:02
Sources,rk an electric torch was held against the underside of the breast and the observer viewed the regionally attenuated light from the opposing surface of the breast. The transmitted intensities of light were low since the limiting factor for the light output used was the necessity to avoid burning the 作者: 諄諄教誨 時間: 2025-3-28 06:16 作者: PANIC 時間: 2025-3-28 12:08
