標(biāo)題: Titlebook: Antony and Cleopatra; Michael Scott Textbook 1983Latest edition Macmillan Publishers Limited 1983 Britain.history of literature.literature [打印本頁] 作者: 與生 時間: 2025-3-21 17:23
書目名稱Antony and Cleopatra影響因子(影響力)
書目名稱Antony and Cleopatra影響因子(影響力)學(xué)科排名
書目名稱Antony and Cleopatra網(wǎng)絡(luò)公開度
書目名稱Antony and Cleopatra網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Antony and Cleopatra被引頻次
書目名稱Antony and Cleopatra被引頻次學(xué)科排名
書目名稱Antony and Cleopatra年度引用
書目名稱Antony and Cleopatra年度引用學(xué)科排名
書目名稱Antony and Cleopatra讀者反饋
書目名稱Antony and Cleopatra讀者反饋學(xué)科排名
作者: palliate 時間: 2025-3-21 23:31 作者: 我正派 時間: 2025-3-22 02:56 作者: 染色體 時間: 2025-3-22 05:31
Introductionor at the much smaller . theatre, holding about 400. Either way, the part of Cleopatra would have been taken by a boy actor, as would the roles of Iras, Charmian and Octavia. Even if presented at ., the play’s impact would not have lacked immediacy, even intimacy; such was the design of the theatre 作者: archetype 時間: 2025-3-22 08:45
Designom his rehearsals, practicality demands that major decisions concerning the construction, or non-construction, of the set have to be made early. Such decisions naturally impose artistic limitations on the company and its interpretations of the drama.作者: Pde5-Inhibitors 時間: 2025-3-22 14:15 作者: 名次后綴 時間: 2025-3-22 19:43
Antonyise themselves. The relationship between the two characters requires a difficult balance of contrasting temperament which can pose real dilemmas for a casting director. Antony has to be considered in terms of his Cleopatra (or vice versa), of his infatuation, and of his past and present role as comm作者: Capitulate 時間: 2025-3-22 22:40 作者: 先兆 時間: 2025-3-23 04:12 作者: JOG 時間: 2025-3-23 06:53
Lecture Notes in Computer Scienceinal scene, one does not really know what motivates her being; and even in her death questions remain around her. The task then is to act an enigma. Yet in order to do this Shakespeare has given a few clues to his artist. The most significant comes in the last act where the Queen talks of her future in history:作者: GUILT 時間: 2025-3-23 11:18
Lecture Notes in Computer Scienceom his rehearsals, practicality demands that major decisions concerning the construction, or non-construction, of the set have to be made early. Such decisions naturally impose artistic limitations on the company and its interpretations of the drama.作者: invert 時間: 2025-3-23 17:35
Lecture Notes in Computer Scienceise themselves. The relationship between the two characters requires a difficult balance of contrasting temperament which can pose real dilemmas for a casting director. Antony has to be considered in terms of his Cleopatra (or vice versa), of his infatuation, and of his past and present role as commander and Emperor.作者: 合同 時間: 2025-3-23 21:51
https://doi.org/10.1007/978-3-642-40346-0If Cleopatra is of the order of Venus, Antony is of that of Mars and it is within the natural conflict of these deities that the tragedy lies. The relationship with the gods is constantly brought to mind through the language of the play — for example, her quizzing of Mardian, the eunuch:作者: 凹處 時間: 2025-3-23 23:25 作者: 貴族 時間: 2025-3-24 04:47 作者: Sarcoma 時間: 2025-3-24 09:27 作者: Confidential 時間: 2025-3-24 14:05 作者: 群居動物 時間: 2025-3-24 15:32
Macmillan Publishers Limited 1983作者: blithe 時間: 2025-3-24 21:46 作者: 雪白 時間: 2025-3-25 00:39
Judith Scho?b?ck,Noella Edelmann,Nina Rizuns, difficult both in structure and in theme: .. In the tragedies he had presented the fall of great men: complex individuals conceived with the veracity of psychological insight. In the problem plays he had focused on the structure of society itself. He questioned its conduct, its law and order by e作者: BRAVE 時間: 2025-3-25 05:54 作者: Ccu106 時間: 2025-3-25 09:29
Epameinondas Troulinos,Efthimios Tambouris, George Bernard Shaw, reacting against romantic interpretations, condemned the scene as sentimentally unrealistic. ‘Shakespear’, he says, ‘finally strains all his huge command of rhetoric and stage pathos to give a theatrical sublimity to the wretched end of the business, and to persuade foolish sp作者: chlorosis 時間: 2025-3-25 15:41
Lecture Notes in Computer Scienceor at the much smaller . theatre, holding about 400. Either way, the part of Cleopatra would have been taken by a boy actor, as would the roles of Iras, Charmian and Octavia. Even if presented at ., the play’s impact would not have lacked immediacy, even intimacy; such was the design of the theatre 作者: 虛弱 時間: 2025-3-25 17:39
Lecture Notes in Computer Scienceom his rehearsals, practicality demands that major decisions concerning the construction, or non-construction, of the set have to be made early. Such decisions naturally impose artistic limitations on the company and its interpretations of the drama.作者: CHIP 時間: 2025-3-25 22:25
https://doi.org/10.1007/978-3-030-58141-1 Cleopatras we are considering — Vivien Leigh in 1951, Janet Suzman in 1972, Glenda Jackson in 1978, and Jane Lapotaire in 1980 — form interesting contrasts. The historical Cleopatra was not outstandingly good-looking, although the world’s imaginative concept of her is one of great physical beauty. 作者: pulse-pressure 時間: 2025-3-26 02:12
Lecture Notes in Computer Scienceise themselves. The relationship between the two characters requires a difficult balance of contrasting temperament which can pose real dilemmas for a casting director. Antony has to be considered in terms of his Cleopatra (or vice versa), of his infatuation, and of his past and present role as comm作者: obtuse 時間: 2025-3-26 05:51
,Charge Ordering and?Phase Separation,y on the conception of the lovers: Olivier’s tragic fall was understandable in the context of Leigh’s quiet beauty; Johnson’s aging pragmatist complemented Suzman’s sensual politician; Howard’s despair discovered a strength in Jackson’s calm; Blakely’s weary dissolute found refuge in Lapotaire’s nee作者: 不發(fā)音 時間: 2025-3-26 12:00 作者: Missile 時間: 2025-3-26 13:16
The Queen of Loveinal scene, one does not really know what motivates her being; and even in her death questions remain around her. The task then is to act an enigma. Yet in order to do this Shakespeare has given a few clues to his artist. The most significant comes in the last act where the Queen talks of her future in history:作者: confederacy 時間: 2025-3-26 17:05 作者: 脆弱吧 時間: 2025-3-26 22:30 作者: 減去 時間: 2025-3-27 04:31
CleopatraShakespeare’s Cleopatra, as we have seen, was a boy speaking the words and playing the role of a neo-goddess. The strength of the part lies in characterisation and presence, although there should be no objections if this is fused with beauty.作者: 委屈 時間: 2025-3-27 05:31
Lecture Notes in Computer Sciences, Charmian and Octavia. Even if presented at ., the play’s impact would not have lacked immediacy, even intimacy; such was the design of the theatre that no member of the audience would have been more than twenty-five feet from the action.作者: 陰謀 時間: 2025-3-27 13:21 作者: 不給啤 時間: 2025-3-27 14:55 作者: 飲料 時間: 2025-3-27 18:53
Introductions, Charmian and Octavia. Even if presented at ., the play’s impact would not have lacked immediacy, even intimacy; such was the design of the theatre that no member of the audience would have been more than twenty-five feet from the action.作者: 赦免 時間: 2025-3-28 00:15
The Four Productions: General Comparisonsented Suzman’s sensual politician; Howard’s despair discovered a strength in Jackson’s calm; Blakely’s weary dissolute found refuge in Lapotaire’s need for fulfilment. But the lovers are a part of a complex pattern which these days depends largely on directorial decisions.作者: GREG 時間: 2025-3-28 03:49 作者: 獨白 時間: 2025-3-28 07:50
https://doi.org/10.1007/978-3-030-58141-1Shakespeare’s Cleopatra, as we have seen, was a boy speaking the words and playing the role of a neo-goddess. The strength of the part lies in characterisation and presence, although there should be no objections if this is fused with beauty.作者: 使乳化 時間: 2025-3-28 13:38
Epameinondas Troulinos,Efthimios Tambourisality of the drama ensures that the final scene neither lapses into sentimentality nor fosters an undue empathy between the audience and the stage. Throughout . Shakespeare’s art has been episodic, and this is continued in vii which can be divided into five contrasting phases: Proculeius and Dolabella; Caesar and Seleucus; Clown; Death; Epilogue.作者: Innocence 時間: 2025-3-28 14:59 作者: Assault 時間: 2025-3-28 19:09 作者: Ingest 時間: 2025-3-29 01:13
Introduction focus on the experience of love, not merely in terms of its romance or its comedy or its tragic result, but on the interplay of two people alienated by each other, and their political rival, from the world they should control.作者: Clumsy 時間: 2025-3-29 05:41 作者: 高射炮 時間: 2025-3-29 09:01 作者: 有危險 時間: 2025-3-29 11:43
Vladimir Tosic,Kruti Patel,Bernard Pagurekfor world monetary reform (at least on the liberal criteria presently applied to financial systems), whilst the steps required to make the EMS sufficiently cohesive to produce a ‘trilateral’ solution to the member problem are several and not easy to anticipate. In any case, the essence of the proble作者: Psychogenic 時間: 2025-3-29 15:39 作者: Outshine 時間: 2025-3-29 22:35
Role of α6β1 integrin in leukocyte adhesion and transmigration978-3-642-10976-8作者: Entrancing 時間: 2025-3-30 01:02 作者: 館長 時間: 2025-3-30 05:18
https://doi.org/10.1007/978-1-4471-4087-0he petrochemical industry. This paper presents results of six validation studies which are all related to experimental work carried out in the Shell Group laboratories. On the basis of these studies needs for further improvement and validation of both numerical schemes and turbulence models have bee
