標(biāo)題: Titlebook: Anti-War Theatre After Brecht; Dialectical Aestheti Lara Stevens Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Bertolt Bre [打印本頁] 作者: GRASS 時(shí)間: 2025-3-21 17:32
書目名稱Anti-War Theatre After Brecht影響因子(影響力)
書目名稱Anti-War Theatre After Brecht影響因子(影響力)學(xué)科排名
書目名稱Anti-War Theatre After Brecht網(wǎng)絡(luò)公開度
書目名稱Anti-War Theatre After Brecht網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Anti-War Theatre After Brecht被引頻次
書目名稱Anti-War Theatre After Brecht被引頻次學(xué)科排名
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書目名稱Anti-War Theatre After Brecht年度引用學(xué)科排名
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書目名稱Anti-War Theatre After Brecht讀者反饋學(xué)科排名
作者: 反復(fù)拉緊 時(shí)間: 2025-3-21 20:28
Einführung in die Mikrocomputertechnik of 9/11. The plays I examine are written and devised in precarious times—in times of violent conflict in the Middle East, what President George W. Bush called the ‘War on Terror’, as well as the escalating conditions of the Global Financial Crisis, new revolutionary landscapes in the Middle East an作者: 使無效 時(shí)間: 2025-3-22 00:25
Aufbau von Mikrocomputersystemen,nti-war protests in history, these rallies clearly demonstrated a global lack of popular support for the Iraq War on an unprecedented scale. Yet, unlike the 1963 March on Washington for Jobs and Freedom, the governments of the American-led ‘Coalition of the Willing’ ignored the performing bodies of 作者: alcoholism 時(shí)間: 2025-3-22 07:05 作者: 災(zāi)難 時(shí)間: 2025-3-22 10:31
Zeichnen und Messen der Objekte,e to the AIDS epidemic in the 1980s as a literal and metaphoric exposition of the corruption within the American legal and political system. The work moves between long, didactic political arguments between characters on the state of the American legal and political system to fantastical scenes in w作者: Vertebra 時(shí)間: 2025-3-22 13:36
,Fixieren und H?rten der Objekte,mpany’s inception in 1964. Since then, the Théatre du Soleil have collectively devised works that respond to national and international political issues by developing aesthetics that draw upon a range of European and Asian performance traditions. In the post-9/11 period, the company turned their foc作者: Gustatory 時(shí)間: 2025-3-22 21:01 作者: Fretful 時(shí)間: 2025-3-22 22:16 作者: arbiter 時(shí)間: 2025-3-23 03:04 作者: ESPY 時(shí)間: 2025-3-23 06:11 作者: 取消 時(shí)間: 2025-3-23 12:15 作者: 征兵 時(shí)間: 2025-3-23 17:14
Introduction, of 9/11. The plays I examine are written and devised in precarious times—in times of violent conflict in the Middle East, what President George W. Bush called the ‘War on Terror’, as well as the escalating conditions of the Global Financial Crisis, new revolutionary landscapes in the Middle East an作者: cylinder 時(shí)間: 2025-3-23 20:55 作者: Progesterone 時(shí)間: 2025-3-24 00:29 作者: 遭受 時(shí)間: 2025-3-24 05:04 作者: Blood-Clot 時(shí)間: 2025-3-24 09:19
,The Théatre du Soleil’s ,,mpany’s inception in 1964. Since then, the Théatre du Soleil have collectively devised works that respond to national and international political issues by developing aesthetics that draw upon a range of European and Asian performance traditions. In the post-9/11 period, the company turned their foc作者: NOTCH 時(shí)間: 2025-3-24 11:47
,Caryl Churchill’s , and ,, Churchill began her career writing radio plays in the 1960s, in the political climate of the Cold War. She was particularly interested in capturing the ambiance of fear and paranoia that was indicative of the Cold War historical moment in the West. With the revival of widespread anxiety during the 作者: 妨礙議事 時(shí)間: 2025-3-24 15:10
,Elfriede Jelinek’s ,,oetry, theatre texts, polemical essays, anthologies, novels, translations, screenplays, musical compositions, libretti and ballets, film and video art; a large body of work that continues to expand at a rapid rate. A child musical prodigy, Jelinek studied theatre arts and art history at the Universi作者: Meditate 時(shí)間: 2025-3-24 20:56 作者: 大喘氣 時(shí)間: 2025-3-25 01:31
Book 2016rnet has become a key tool for disseminating anti-war play texts and how online social media forums are changing traditional dramatic aesthetics and broadening opportunities for spectator access, engagement and interaction with a work and the political alternatives it puts forward.?.作者: 蚊子 時(shí)間: 2025-3-25 03:27
w the Internet has become a key tool for disseminating anti-war play texts and how online social media forums are changing traditional dramatic aesthetics and broadening opportunities for spectator access, engagement and interaction with a work and the political alternatives it puts forward.?.978-1-137-53888-8作者: pantomime 時(shí)間: 2025-3-25 08:38 作者: 支架 時(shí)間: 2025-3-25 11:46 作者: 壓倒 時(shí)間: 2025-3-25 16:27 作者: minimal 時(shí)間: 2025-3-25 22:43
,The Théatre du Soleil’s ,,es by developing aesthetics that draw upon a range of European and Asian performance traditions. In the post-9/11 period, the company turned their focus to refugees from different parts of the globe and the contradictions they face when attempting to seek asylum in Western democratic nations.作者: ZEST 時(shí)間: 2025-3-26 03:14 作者: deceive 時(shí)間: 2025-3-26 06:45 作者: Type-1-Diabetes 時(shí)間: 2025-3-26 09:25 作者: 勛章 時(shí)間: 2025-3-26 13:56 作者: 縫紉 時(shí)間: 2025-3-26 19:36 作者: interrupt 時(shí)間: 2025-3-26 21:01 作者: RLS898 時(shí)間: 2025-3-27 01:28 作者: 相同 時(shí)間: 2025-3-27 06:33 作者: insert 時(shí)間: 2025-3-27 11:45
,Performing the ‘War on Terror’,The performative strategies of 1960s-style peaceful protest proved ineffectual models for the twenty-first century. The failure of these protests prompts the question: what is the relationship between politics and performance today?作者: OTHER 時(shí)間: 2025-3-27 15:06 作者: 吞吞吐吐 時(shí)間: 2025-3-27 19:49
,Tony Kushner’s , and ,, flamboyant and playful as well as politically engaged and instructive. The Brechtian imperative that learning should be enjoyable is realized in Kushner’s merging of complex political and philosophical ideas with the glamour and ironic humour of a drag performance.作者: 扔掉掐死你 時(shí)間: 2025-3-27 23:16
,Elfriede Jelinek’s ,,obel Prize in Literature for what the committee described as: ‘her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society’s clichés and their subjugating power’.作者: 無關(guān)緊要 時(shí)間: 2025-3-28 03:26
Conclusion,s to the theatre provides a model for future generations to critique the hidden ideologies that perpetuate the social, economic, political and humanitarian injustices and violences of a post-Brechtian age.作者: Sinus-Node 時(shí)間: 2025-3-28 09:30
Book 2016 respond to the post-9/11 military operations in Afghanistan, Iraq and Palestine. The plays are written by some of the most significant writers of this century and the last including Elfriede Jelinek, Caryl Churchill, .Hélène Cixous. and Tony Kushner...Anti-war Theatre After Brecht. grapples with th作者: 善辯 時(shí)間: 2025-3-28 11:07 作者: 遭受 時(shí)間: 2025-3-28 15:14
Building Bases on a Jim Crow Island,cribes an alternative emerging present in which policymaking and design work together to recognize and build on traditional knowledge and skills while imagining how such efforts will help us develop sustainable futures for cities, landscapes, and bodies of water.作者: WAX 時(shí)間: 2025-3-28 22:34 作者: fatty-streak 時(shí)間: 2025-3-29 02:26
Computer Assisted Planning of Periacetabular Osteotomy with Biomechanical Optimization: Constant Thiion for planning PAO. One key factor that may influence the biomechanical optimization results is the cartilage models used in the FE simulation. In the literature, both constant thickness cartilage models and patient-specific cartilage models have been suggested. Another contribution of our paper i
