標(biāo)題: Titlebook: Animation and Advertising; Malcolm Cook,Kirsten Moana Thompson Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive [打印本頁] 作者: 灰塵 時間: 2025-3-21 17:57
書目名稱Animation and Advertising影響因子(影響力)
書目名稱Animation and Advertising影響因子(影響力)學(xué)科排名
書目名稱Animation and Advertising網(wǎng)絡(luò)公開度
書目名稱Animation and Advertising網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Animation and Advertising被引頻次
書目名稱Animation and Advertising被引頻次學(xué)科排名
書目名稱Animation and Advertising年度引用
書目名稱Animation and Advertising年度引用學(xué)科排名
書目名稱Animation and Advertising讀者反饋
書目名稱Animation and Advertising讀者反饋學(xué)科排名
作者: 觀點(diǎn) 時間: 2025-3-21 20:32
The Supply of Agricultural Products,s how the MoI’s animated films and the ways they were distributed were influenced by techniques in commercial advertising and prestige publicity, and is indicative of the intersecting functions of these films as propaganda, publicity and education.作者: committed 時間: 2025-3-22 04:04 作者: 刺耳 時間: 2025-3-22 07:04
Economics as a Science of Human Behaviourrole of materiality and innovative technology. The relationship between the Philips Company and the Pal Studio is discussed in more detail as their collective marketing strategies indicate transnational advertising prior to World War II.作者: 鞭打 時間: 2025-3-22 12:30
Natural Environment: Fair Siting Proceduresch Reiniger’s animations were targeted at specific audiences. By locating Reiniger’s GPO animations within a broader literary tradition, curious connections emerge between her ‘useful’ filmmaking and the didactic function of traditional fairy tales.作者: Lineage 時間: 2025-3-22 14:54
Systems Description and Models in Economics,park itself also featured number of attractions that promoted other corporations, using both cel animated films and expanded forms of animation. This activity continued into work for the 1964–1965 New York World’s Fair and the later Walt Disney World resort in Florida.作者: Decline 時間: 2025-3-22 18:58 作者: Noctambulant 時間: 2025-3-22 22:21 作者: Uncultured 時間: 2025-3-23 01:25
https://doi.org/10.1007/978-3-662-54828-8ount of animation airing during the earliest years of Japanese television, namely commercials. This chapter re-evaluates the relationship between anime and television by considering early animated advertisements on Japanese television as productive, historically undervalued sites for critical exploration.作者: 扔掉掐死你 時間: 2025-3-23 08:13 作者: resuscitation 時間: 2025-3-23 12:27
George Pal’s ‘Cavalcade of Colours, Music and Dolls’: 1930s Advertising Films in Transnational Conterole of materiality and innovative technology. The relationship between the Philips Company and the Pal Studio is discussed in more detail as their collective marketing strategies indicate transnational advertising prior to World War II.作者: 吞吞吐吐 時間: 2025-3-23 17:32 作者: 食道 時間: 2025-3-23 21:38
Magic Highways and Autopias: Disney and Automobile Advertisingpark itself also featured number of attractions that promoted other corporations, using both cel animated films and expanded forms of animation. This activity continued into work for the 1964–1965 New York World’s Fair and the later Walt Disney World resort in Florida.作者: padding 時間: 2025-3-23 23:49 作者: Spinal-Tap 時間: 2025-3-24 05:55 作者: 使尷尬 時間: 2025-3-24 09:13 作者: 名字 時間: 2025-3-24 14:43 作者: Anecdote 時間: 2025-3-24 18:39
‘A Very Flexible Medium’: The Ministry of Information and Animated Propaganda Films on the Home Frons how the MoI’s animated films and the ways they were distributed were influenced by techniques in commercial advertising and prestige publicity, and is indicative of the intersecting functions of these films as propaganda, publicity and education.作者: antenna 時間: 2025-3-24 19:22 作者: Aggregate 時間: 2025-3-25 01:54 作者: Wallow 時間: 2025-3-25 03:56
Resources in Agriculture: Land,ive features that varied with different styles and?artistic methods, yet remained unmistakable. Moreover, combining animation and slapstick, Schicht advertising commented on and reflected modern industrial principles and advertising techniques, using both humor and exaggeration.作者: 他去就結(jié)束 時間: 2025-3-25 08:49 作者: braggadocio 時間: 2025-3-25 14:47
Animation Across Borders: Schicht Fat Factory and Its Transmedia and Transnational Advertising Strative features that varied with different styles and?artistic methods, yet remained unmistakable. Moreover, combining animation and slapstick, Schicht advertising commented on and reflected modern industrial principles and advertising techniques, using both humor and exaggeration.作者: conformity 時間: 2025-3-25 16:40 作者: Alveoli 時間: 2025-3-26 00:02
The Consumer End of the Food Chain,f animation across these different media, focusing on the animated advertising films of Cinads and Adlets, two companies working at the intersection between the animated film and advertising industries.作者: Accessible 時間: 2025-3-26 01:40
Economics for Lovers of Literatureunction of the tech demo shifted during this period toward demonstrating media industries viability. As a consequence of this shift, the tech demos of SIGGRAPH transformed aesthetically, conforming more to existing film and television conventions.作者: 違法事實(shí) 時間: 2025-3-26 06:09
Animation and Commercial Display in Britain During the 1920sf animation across these different media, focusing on the animated advertising films of Cinads and Adlets, two companies working at the intersection between the animated film and advertising industries.作者: 極微小 時間: 2025-3-26 10:44
Promoting Computer Graphics Research: The Tech Demos of SIGGRAPHunction of the tech demo shifted during this period toward demonstrating media industries viability. As a consequence of this shift, the tech demos of SIGGRAPH transformed aesthetically, conforming more to existing film and television conventions.作者: 大笑 時間: 2025-3-26 13:44 作者: aqueduct 時間: 2025-3-26 20:42 作者: Hectic 時間: 2025-3-26 21:14 作者: VICT 時間: 2025-3-27 02:09
Just Do It, Impossible Is Nothing: Animation and Sports Commercialsmoves commodification beyond sales and into a statement about social mores and assumptions. Particular consideration is given to Nike’s ‘Jordan Air’, ‘Lil’ Penny’ and ‘Here I Am’ advertisements and Adidas’ ‘Impossible is Nothing’ narratives, which privilege the use of ‘cartoonal’ and ‘hyper-realist’作者: Toxoid-Vaccines 時間: 2025-3-27 08:35
Introduction to Animation and Advertising,xamples of this interaction in well-known animation histories but also points towards the large volume of animation production that has received little attention until now. Animation was not only shaped by its use for advertising, but advertising was equally shaped by that process, and this chapter 作者: Prognosis 時間: 2025-3-27 11:49
George Pal’s ‘Cavalcade of Colours, Music and Dolls’: 1930s Advertising Films in Transnational Conteove from the Netherlands to the USA in 1939 was a turning-point in his filmmaking practice as he changed from producing predominantly advertising to entertainment films. The mutual relationship between the advertising filmmaker and the commissioning client is considered, and focuses on three aspects作者: SUGAR 時間: 2025-3-27 14:35 作者: 我不重要 時間: 2025-3-27 18:14
Magic Highways and Autopias: Disney and Automobile AdvertisingA case study of the company’s work in the related fields of automobiles, oil and government highway construction between 1954 and 1964 reveals a complex web of corporate activity with promotion, persuasion and selling at its centre. In conjunction with construction of the Disneyland theme park the a作者: interior 時間: 2025-3-27 22:14
Animation and Commercial Display in Britain During the 1920se cinema, in electric signs and in retail displays. It explores the intermedial influence of poster and print advertising media on the uses and form of animation across these different media, focusing on the animated advertising films of Cinads and Adlets, two companies working at the intersection b作者: 郊外 時間: 2025-3-28 04:04 作者: lethal 時間: 2025-3-28 06:41
‘A Very Flexible Medium’: The Ministry of Information and Animated Propaganda Films on the Home Fronnt animation styles: Halas and Batchelor’s short narrative-focused cartoons, and diagrammatic sequences designed by Francis Rodker in Shell Film Unit documentaries. Drawing on archival evidence of the MoI Films Division’s work and through an examination of the films themselves, the chapter highlight作者: 猛擊 時間: 2025-3-28 13:39 作者: 業(yè)余愛好者 時間: 2025-3-28 17:50 作者: 清楚 時間: 2025-3-28 20:57
‘Don’t Mind Me, I’m Just a Dermatophyte’: The Use of Animation in Direct-to-Consumer Pharmaceutical interrogated how DTC advertising uses animation to construct medical conditions, branded products, potential effects, the body, and the world in ways that place these elements in the best rhetorical light for the brand. The chapter concludes that complex science and medical elements are reduced to 作者: 植物學(xué) 時間: 2025-3-29 01:43 作者: ANA 時間: 2025-3-29 06:31 作者: 嚙齒動物 時間: 2025-3-29 08:33
‘Stupid Little Stories’: Television Interstitial and Advertising Style in the Professional Culture odemand for branded content, met by a growing cluster of boutique animation studios. The interstitial advertising they produced replicated the success of small Western studios for the same types of clients in the early 1980s, and often their production aesthetics as well. This chapter investigates th作者: insolence 時間: 2025-3-29 13:26
Promoting Computer Graphics Research: The Tech Demos of SIGGRAPHh a particular emphasis on the role media industries began to play at the conference during the 1980s. It finds that the promotional and explanatory function of the tech demo shifted during this period toward demonstrating media industries viability. As a consequence of this shift, the tech demos of作者: Deduct 時間: 2025-3-29 19:13 作者: parasite 時間: 2025-3-29 21:16
Economics as a Science of Human Behaviourove from the Netherlands to the USA in 1939 was a turning-point in his filmmaking practice as he changed from producing predominantly advertising to entertainment films. The mutual relationship between the advertising filmmaker and the commissioning client is considered, and focuses on three aspects作者: 斜 時間: 2025-3-30 01:09 作者: 重畫只能放棄 時間: 2025-3-30 06:59
Systems Description and Models in Economics,A case study of the company’s work in the related fields of automobiles, oil and government highway construction between 1954 and 1964 reveals a complex web of corporate activity with promotion, persuasion and selling at its centre. In conjunction with construction of the Disneyland theme park the a作者: 謙卑 時間: 2025-3-30 10:23 作者: 天文臺 時間: 2025-3-30 16:25
https://doi.org/10.1007/978-1-349-18782-9lture, embodying reliability and speed and offering the promise of ‘Better Living Through Electricity’, while encouraging consumers to use new electrical appliances. This paper explores the ways in which Reddy Kilowatt exemplified the prolific fluidity with which sponsored animation moved intermedia作者: Freeze 時間: 2025-3-30 18:55 作者: Plaque 時間: 2025-3-30 23:32
