標(biāo)題: Titlebook: Animated Documentary; Annabelle Honess Roe Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 animation.bibliog [打印本頁] 作者: concession 時(shí)間: 2025-3-21 20:08
書目名稱Animated Documentary影響因子(影響力)
書目名稱Animated Documentary影響因子(影響力)學(xué)科排名
書目名稱Animated Documentary網(wǎng)絡(luò)公開度
書目名稱Animated Documentary網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Animated Documentary被引頻次
書目名稱Animated Documentary被引頻次學(xué)科排名
書目名稱Animated Documentary年度引用
書目名稱Animated Documentary年度引用學(xué)科排名
書目名稱Animated Documentary讀者反饋
書目名稱Animated Documentary讀者反饋學(xué)科排名
作者: 原始 時(shí)間: 2025-3-21 22:20
Varun Dhiman,Deepak Pant,Som Dutt Sharma courtroom demanded the projector be set up in the witness box in order that the court could see the image. This ironic anecdote demonstrates how documentary footage can unquestioningly be taken as evidence — in this case the footage speaking for itself and giving testimony from the witness stand.作者: insular 時(shí)間: 2025-3-22 01:09 作者: 有節(jié)制 時(shí)間: 2025-3-22 06:02 作者: HAIL 時(shí)間: 2025-3-22 12:13 作者: enterprise 時(shí)間: 2025-3-22 13:10 作者: Hearten 時(shí)間: 2025-3-22 19:41 作者: 使閉塞 時(shí)間: 2025-3-22 22:20
Digital Realities,s the official air of navigational charts and military documents. As we are introduced to new ships or airplanes, factual information, such as maximum speed and bomb carriage capacity, is imprinted on the screen.作者: insert 時(shí)間: 2025-3-23 02:13 作者: aplomb 時(shí)間: 2025-3-23 07:44
Afterword,rt from the lack of common sense of many people who make requests of archives, is our desire to transcend the limits of photographic media. While . demonstrates the absurdity of granting unrealistic photographic wishes, it also shows animation’s potential to respond to the shortcomings of the photographic.作者: fabricate 時(shí)間: 2025-3-23 09:53 作者: 遺傳學(xué) 時(shí)間: 2025-3-23 15:36 作者: 補(bǔ)助 時(shí)間: 2025-3-23 18:22
Book 2013iction film and television and explores the ways animation expands the range and depth of what documentary can show us about the world..On behalf of the Society for Animation Studies(SAS), the Chair of the Jury announced the book as the winner of the delayed 2015 SAS McLaren-Lambart Award with the f作者: nitric-oxide 時(shí)間: 2025-3-23 23:21 作者: Boycott 時(shí)間: 2025-3-24 04:00 作者: 直覺好 時(shí)間: 2025-3-24 07:06
nd psychologically distal aspects of life beyond the reach of live action” (p. 22). As a representational strategy, Roe details how animated documentary can be seen to adopt techniques of “mimetic substitution, non-mimetic substitution and evocation” in response to the limitations of live action material (p. 978-1-349-43709-2978-1-137-01746-8作者: 成績上升 時(shí)間: 2025-3-24 11:27
Representational Strategies,ation, or what the animation is doing better than the viable live-action alternative (if there is one). The second half of this chapter addresses animation as a representational strategy for documentary by unpicking how the ontology of film has been theorised. Many of documentary’s claims to represe作者: rods366 時(shí)間: 2025-3-24 16:25
Altering Distribution of Suppliesation, or what the animation is doing better than the viable live-action alternative (if there is one). The second half of this chapter addresses animation as a representational strategy for documentary by unpicking how the ontology of film has been theorised. Many of documentary’s claims to represe作者: Irksome 時(shí)間: 2025-3-24 19:27 作者: Interim 時(shí)間: 2025-3-25 00:26
Representational Strategies,iewing outlets, there was until recently only a handful of published scholarly material on the form. A recent special edition of . (November 2011) on animated documentary and an increase in articles and chapters in other publications hopefully signals the beginnings of a critical mass in this area, 作者: Biofeedback 時(shí)間: 2025-3-25 05:20 作者: Exclude 時(shí)間: 2025-3-25 11:32
Animated Interviews, for the latter. In . Michael Chanan (2007) recalls being summoned to a 1978 trial to present footage shot at an anti-Fascist rally. The layout of the courtroom demanded the projector be set up in the witness box in order that the court could see the image. This ironic anecdote demonstrates how docu作者: cataract 時(shí)間: 2025-3-25 13:48 作者: 胰臟 時(shí)間: 2025-3-25 17:22
Animated Memories, of images flit and flicker on the screen, which often splits to display multiple versions of the same image. Items from the Ravetts’ personal archive are shown along with those from the official archive of public history and family photographs, some of them recently discovered, appear juxtaposed wi作者: 不能平靜 時(shí)間: 2025-3-25 22:08 作者: 轉(zhuǎn)折點(diǎn) 時(shí)間: 2025-3-26 03:33 作者: 天空 時(shí)間: 2025-3-26 05:15
Altering Distribution of Suppliesiewing outlets, there was until recently only a handful of published scholarly material on the form. A recent special edition of . (November 2011) on animated documentary and an increase in articles and chapters in other publications hopefully signals the beginnings of a critical mass in this area, 作者: Allege 時(shí)間: 2025-3-26 11:39 作者: Camouflage 時(shí)間: 2025-3-26 15:25
Varun Dhiman,Deepak Pant,Som Dutt Sharma for the latter. In . Michael Chanan (2007) recalls being summoned to a 1978 trial to present footage shot at an anti-Fascist rally. The layout of the courtroom demanded the projector be set up in the witness box in order that the court could see the image. This ironic anecdote demonstrates how docu作者: Anhydrous 時(shí)間: 2025-3-26 17:38
Narendra N. Dalei,Anshuman Gupta of the live-action alternative, a tendency can be traced wherein animation compensates for the shortcomings of live-action footage. Either the footage does not exist (as in ., because cameras were not allowed into the courtroom in 1968) or it is impossible to film the subject (such as ., where the 作者: 服從 時(shí)間: 2025-3-26 22:49
Narendra N. Dalei,Anshuman Gupta of images flit and flicker on the screen, which often splits to display multiple versions of the same image. Items from the Ravetts’ personal archive are shown along with those from the official archive of public history and family photographs, some of them recently discovered, appear juxtaposed wi作者: PSA-velocity 時(shí)間: 2025-3-27 02:52 作者: Bravado 時(shí)間: 2025-3-27 08:42
https://doi.org/10.1057/9781137017468animation; bibliography; fiction; film; interview; knowledge; television作者: Isometric 時(shí)間: 2025-3-27 12:17 作者: Climate 時(shí)間: 2025-3-27 15:49
http://image.papertrans.cn/a/image/157740.jpg作者: 減去 時(shí)間: 2025-3-27 18:14
9樓作者: Fallibility 時(shí)間: 2025-3-27 22:32
10樓作者: tattle 時(shí)間: 2025-3-28 04:48
10樓作者: Antecedent 時(shí)間: 2025-3-28 09:47
10樓作者: Diastole 時(shí)間: 2025-3-28 11:41
10樓
