標(biāo)題: Titlebook: Animals and Science Fiction ; Nora Castle,Giulia Champion Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licen [打印本頁(yè)] 作者: HARDY 時(shí)間: 2025-3-21 18:06
書(shū)目名稱Animals and Science Fiction 影響因子(影響力)
書(shū)目名稱Animals and Science Fiction 影響因子(影響力)學(xué)科排名
書(shū)目名稱Animals and Science Fiction 網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Animals and Science Fiction 網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Animals and Science Fiction 被引頻次
書(shū)目名稱Animals and Science Fiction 被引頻次學(xué)科排名
書(shū)目名稱Animals and Science Fiction 年度引用
書(shū)目名稱Animals and Science Fiction 年度引用學(xué)科排名
書(shū)目名稱Animals and Science Fiction 讀者反饋
書(shū)目名稱Animals and Science Fiction 讀者反饋學(xué)科排名
作者: Terminal 時(shí)間: 2025-3-21 23:45 作者: gregarious 時(shí)間: 2025-3-22 00:59
Yannis Katsoulakos,Nicholas Tsounis be pivotal in changing attitudes and understandings in the real world. We situate the volume within the context not only of work on animals in sf, but also as part of a nexus of work on ecocriticism, posthumanism, biopolitics, and other related fields. We conclude by providing a roadmap of the sections and chapters that follow.作者: deriver 時(shí)間: 2025-3-22 07:22
Hans Krause Hansen,Kirsten Appendiniwithin the text—firstly, the encounter between a swordfish and an oil pipeline, and secondly, between an alien spaceship and a coral reef—to analyze how Okorafor uses oceanic imaginaries to blur boundaries between the animal and their environment, whereby multispecies “proximity” and symbiosis become methods for Nigerian futurity.作者: 能夠支付 時(shí)間: 2025-3-22 09:08 作者: 褲子 時(shí)間: 2025-3-22 14:38
Africanfuturist Assemblages of the Undersea in Nnedi Okorafor’s within the text—firstly, the encounter between a swordfish and an oil pipeline, and secondly, between an alien spaceship and a coral reef—to analyze how Okorafor uses oceanic imaginaries to blur boundaries between the animal and their environment, whereby multispecies “proximity” and symbiosis become methods for Nigerian futurity.作者: 聰明 時(shí)間: 2025-3-22 18:32 作者: Thrombolysis 時(shí)間: 2025-3-23 00:12 作者: Kernel 時(shí)間: 2025-3-23 05:14 作者: indicate 時(shí)間: 2025-3-23 05:40
“Muzzle for the Queen”: Settler–Nonhuman Entanglements in Australian Speculative Ecofiction20) and Robbie Arnott’s . (2018) represent a shift in the way Australian settler-colonial authors are considering the nonhuman in their work. I also discuss how such works partly uphold problematic notions regarding the animal and settler-colonial belonging in Australia, particularly in their obscuration of Indigenous sovereignty.作者: 不易燃 時(shí)間: 2025-3-23 11:01
Book 2024s. It offers a broad range of theoretical approaches and primary source texts—including novels, short stories, poetry, film and TV, photography, erotica, video games, and urban planning documents—that explore the ways works of science fiction can transform how we see and interact with nonhuman other作者: addition 時(shí)間: 2025-3-23 15:47
Economic Integration and Economic Strategymining these games as works of speculative fiction, this chapter identifies how they imagine the marginalized position of animals in the Anthropocene and reflects on the broader implications of these artifacts for developers creating video games that critically consider animals.作者: 油氈 時(shí)間: 2025-3-23 18:13
Explanatory Note on Data Sources 3: Laoshat the dinosaur voices and the reactions of the human characters to these voices frame the audience’s perspective on the environmental issues presented in the film and the ethical implications arising from the creation of biotechnologically altered animals.作者: intricacy 時(shí)間: 2025-3-23 23:09
Economic Integration in Asia and Indiaward animals and acknowledge that, in order to do so, we must be attentive to the way we are treating technologically engineered animals. In arguing for this empathy, this chapter contrasts the attitudes of ShenCorp and the body tourists with Kit’s beliefs regarding animal communications and various bodily identities.作者: 要求比…更好 時(shí)間: 2025-3-24 02:51 作者: Commodious 時(shí)間: 2025-3-24 09:28
Playing the Animal: Imagining the Nonhuman Animal in Two-Dimensional Action and Adventure Gamesmining these games as works of speculative fiction, this chapter identifies how they imagine the marginalized position of animals in the Anthropocene and reflects on the broader implications of these artifacts for developers creating video games that critically consider animals.作者: Angiogenesis 時(shí)間: 2025-3-24 10:41 作者: Cholecystokinin 時(shí)間: 2025-3-24 17:24 作者: 取回 時(shí)間: 2025-3-24 19:39 作者: Grating 時(shí)間: 2025-3-25 02:57
Book 2024environmental humanities, ocean humanities, postcolonial studies, critical race studies, Indigenous studies, global sf studies, film studies, and food studies. Taken together, the collection works to showcase a diverse and growing field ofscholarly inquiry into animals and science fiction.?.作者: Pigeon 時(shí)間: 2025-3-25 04:15
https://doi.org/10.1007/978-94-017-1362-7w animal studies in sf has developed since, as well as how Vint’s own work and thinking on the topic has evolved, and particularly how it has done so alongside her other research interests in biopolitics, posthumanism, and sf studies.作者: calumniate 時(shí)間: 2025-3-25 08:32 作者: BOOM 時(shí)間: 2025-3-25 12:04
Reading the Speaking Animal: Biotechnology and Animal “Uplift” in Adam Roberts’s tion and moral standing, . critiques the anthropocentric ways that humans culturally construct both their similarities and differences to the nonhuman world. Moreover, the novel emblematizes the problematics of the technofix, demonstrating that differences in embodiment and modes of communication ar作者: anaphylaxis 時(shí)間: 2025-3-25 18:25 作者: 無(wú)禮回復(fù) 時(shí)間: 2025-3-25 20:02
Disemboweling the Hyperreal in Bong Joon-ho’s ppens to them. It depends on that affect to carry the viewer through the horror Okja faces and into the bowels of the slaughterhouse. In the end, the film argues that simulacra can be rejected and that humans can forge other, healthier, and more reciprocal relationships with other-than-human animals作者: 感染 時(shí)間: 2025-3-26 00:14 作者: obsolete 時(shí)間: 2025-3-26 06:05 作者: 散布 時(shí)間: 2025-3-26 09:17 作者: Hypopnea 時(shí)間: 2025-3-26 15:12
Ikuo Kuroiwa (Director General)he theoretical perspective of the chapter mainly relies on posthumanism and new materialism. The scope of examples includes two literary series: Stephen Baxter’s Xeelee Sequence and Nnedi Okorafor’s Binti series; “Boojum,” a short story by Elizabeth Bear and Sarah Monette; and two TV series, . and .作者: eulogize 時(shí)間: 2025-3-26 17:04
https://doi.org/10.1057/9781137432933ppens to them. It depends on that affect to carry the viewer through the horror Okja faces and into the bowels of the slaughterhouse. In the end, the film argues that simulacra can be rejected and that humans can forge other, healthier, and more reciprocal relationships with other-than-human animals作者: ANTE 時(shí)間: 2025-3-26 21:25
https://doi.org/10.1057/9781137432933er suggests that this Black child’s agency in choosing to be the first to receive cutting-edge treatment reimagines histories of abusive experiments on Black bodies and positively speculates on a society without structural health inequities. Acknowledging the complexities in Black posthumanism, this作者: insightful 時(shí)間: 2025-3-27 04:01
2634-6338 ndigenous studies, global sf studies, film studies, and food studies. Taken together, the collection works to showcase a diverse and growing field ofscholarly inquiry into animals and science fiction.?.978-3-031-41697-2978-3-031-41695-8Series ISSN 2634-6338 Series E-ISSN 2634-6346 作者: NEX 時(shí)間: 2025-3-27 08:49
Introduction,e the often-invisible animal. Sf novums can transform the way we see nonhuman others, and these alternate ways of “seeing” or “reading” the animal can be pivotal in changing attitudes and understandings in the real world. We situate the volume within the context not only of work on animals in sf, bu作者: 武器 時(shí)間: 2025-3-27 12:24 作者: 擴(kuò)大 時(shí)間: 2025-3-27 14:55 作者: intoxicate 時(shí)間: 2025-3-27 17:45 作者: folliculitis 時(shí)間: 2025-3-27 23:50
Philip K. Dick’s , and the Species Politics of Riskstic countercultural environmentalism of the .. In depicting a future marked by the temporal insecurity of an apocalypse that is always on the horizon, Dick’s novel articulates what I want to call the .a name for the process whereby ecological relationships are rendered legible through the lens of n作者: CHURL 時(shí)間: 2025-3-28 05:25 作者: OFF 時(shí)間: 2025-3-28 09:05 作者: 悠然 時(shí)間: 2025-3-28 11:42
Reading the Speaking Animal: Biotechnology and Animal “Uplift” in Adam Roberts’s have human speech? This chapter reads Adam Roberts’s 2014 novel . in light of this question. Its novum of microchips implanted in nonhuman animals (NHAs) to give them the capacity for human speech exemplifies the human inclination to try to make NHAs legible to us by making them communicate as we do作者: Ceremony 時(shí)間: 2025-3-28 17:19
Spacefaring Animals and Their Humans: A Study in Extraction, Exploitation, and Co-evolutiongm of subjugation of the nonhuman world by humans. The spaceflight in the body of the spacefaring animal breeds a deep intimacy between the human and the animal and dramatizes the dependence of the human on the nonhuman world. Through spaceflight, the human is exposed to the multiple intra-actions o作者: fabricate 時(shí)間: 2025-3-28 19:15 作者: temperate 時(shí)間: 2025-3-29 02:07
“Alien Guest, Courting the Goodwill of a Demonic Microbe”: Living Poetry, NHAs, and “Aliens Among Ussting project under the same title. The project’s aim is to compose, by means of a biochemical alphabet, a poem encoded in a microbial genome. The poem will be decoded by the bacteria’s amino acids and, by genetic sequencing, it will induce the production of the bacteria’s own work. Analyzing ., the作者: fluffy 時(shí)間: 2025-3-29 06:20 作者: Expertise 時(shí)間: 2025-3-29 07:59
A Change of Heart: Animality, Power, and Black Posthuman Enhancement in Malorie Blackman’s , and identity in relation to the experimental therapy. Common heart metaphors are analyzed to ask how the xenograft shapes the teenage protagonist’s developing selfhood, challenges species boundaries, and conceptualizes a move to the posthuman. While a greater appreciation of biological corresponde作者: 溫和女人 時(shí)間: 2025-3-29 12:08 作者: 圍裙 時(shí)間: 2025-3-29 19:31
To Build a World: The Return of Biota in Thomas King’s mal actors involved in the development of events in the narrative. The coming together of a biotic community ultimately ameliorates the crises of the novel; this community actively works to alter devastating human impacts on the environment, while also ensuring the continuation of our species alongs作者: judicial 時(shí)間: 2025-3-29 22:04
Yannis Katsoulakos,Nicholas Tsounise the often-invisible animal. Sf novums can transform the way we see nonhuman others, and these alternate ways of “seeing” or “reading” the animal can be pivotal in changing attitudes and understandings in the real world. We situate the volume within the context not only of work on animals in sf, bu作者: OTHER 時(shí)間: 2025-3-30 03:20 作者: Breach 時(shí)間: 2025-3-30 06:43
Internationalization of economic processesvoking the .—the nonhuman animal, the hybrid, or even the monster—these texts both portray an (ongoing) shared trauma and express a quiet refusal of narratives of separation and hierarchy. Here I examine how this “uneasy” kinship is critically embraced and operates in the short story “When the Levee作者: 看法等 時(shí)間: 2025-3-30 09:39 作者: 業(yè)余愛(ài)好者 時(shí)間: 2025-3-30 16:17 作者: Inertia 時(shí)間: 2025-3-30 16:44
Explanatory Note on Data Sources 3: Laosons of nonhuman animals in sf film, we can determine which audiovisual methods effectively encourage audiences to empathize with nonhuman animals. This chapter addresses this question by investigating depictions of dinosaurs in . (2018). Several techniques are employed to encourage the audience to e作者: brassy 時(shí)間: 2025-3-30 22:03
Toshihiro Kudo,Toshitaka Gokan,Ikuo Kuroiwangs of Australian settler-colonial belonging. Drawing from multispecies studies and scholarship on Australian postcolonial literature, this chapter discusses how the representation of the nonhuman animal in two works of what I define as “Australian speculative ecofiction” underscores the complexitie作者: 嬰兒 時(shí)間: 2025-3-31 02:54 作者: 合唱隊(duì) 時(shí)間: 2025-3-31 05:38
Ikuo Kuroiwa (Director General)gm of subjugation of the nonhuman world by humans. The spaceflight in the body of the spacefaring animal breeds a deep intimacy between the human and the animal and dramatizes the dependence of the human on the nonhuman world. Through spaceflight, the human is exposed to the multiple intra-actions o作者: 刺耳 時(shí)間: 2025-3-31 12:47 作者: Brocas-Area 時(shí)間: 2025-3-31 16:42 作者: 適宜 時(shí)間: 2025-3-31 20:29
https://doi.org/10.1057/9781137432933erful transnational corporate leaders behave like petulant children, and the horror of the flesh food system is revealed through the eyes of one of its “products.” The film contains two competing narratives: on one side, the disproportionate power of corporations to construct simulacra that obscure 作者: 羊欄 時(shí)間: 2025-4-1 00:02
