標(biāo)題: Titlebook: Animal Horror Cinema; Genre, History and C Katarina Gregersdotter,Johan H?glund,Nicklas H?llé Book 2015 The Editor(s) (if applicable) and T [打印本頁] 作者: Forestall 時間: 2025-3-21 19:18
書目名稱Animal Horror Cinema影響因子(影響力)
書目名稱Animal Horror Cinema影響因子(影響力)學(xué)科排名
書目名稱Animal Horror Cinema網(wǎng)絡(luò)公開度
書目名稱Animal Horror Cinema網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Animal Horror Cinema被引頻次
書目名稱Animal Horror Cinema被引頻次學(xué)科排名
書目名稱Animal Horror Cinema年度引用
書目名稱Animal Horror Cinema年度引用學(xué)科排名
書目名稱Animal Horror Cinema讀者反饋
書目名稱Animal Horror Cinema讀者反饋學(xué)科排名
作者: BUOY 時間: 2025-3-22 00:06
A History of Animal Horror Cinema, the original with the ferocious ape. Frémiet had tried his hand at such a composition before. In 1859 his sculpture . (.) had been banished from the Paris Salon of that year. The complaints were very straightforward. The poet Charles Baudelaire asked in a review of the Salon:作者: packet 時間: 2025-3-22 04:07
Polluting and Perverting Nature: The Vengeful Animals of ,, chains, wreaking havoc on the reproductive capacities of various species of birds, including the bald eagle. With unsparing, blunt prose, she warned that this raptor, this prominent and powerful national symbol, was ‘on the verge of extinction’ (p. 118).作者: pacifist 時間: 2025-3-22 07:18 作者: 變態(tài) 時間: 2025-3-22 11:11 作者: 合唱團 時間: 2025-3-22 15:51
https://doi.org/10.1007/978-3-662-47366-5nt, she wants to keep the stray as her pet. However, in the events that follow shortly afterwards, Julie’s canine companion is unmasked as a very special kind of attack dog: trained by bigoted racists, it is ‘programmed’ to viciously attack black people and savage them to death. It is literally and figuratively a ‘white dog’.作者: 規(guī)范就好 時間: 2025-3-22 19:39
Re-Education as Exorcism: How a White Dog Challenges the Strategies for Dealing with Racism,nt, she wants to keep the stray as her pet. However, in the events that follow shortly afterwards, Julie’s canine companion is unmasked as a very special kind of attack dog: trained by bigoted racists, it is ‘programmed’ to viciously attack black people and savage them to death. It is literally and figuratively a ‘white dog’.作者: esoteric 時間: 2025-3-22 22:26 作者: Insensate 時間: 2025-3-23 01:54 作者: 山崩 時間: 2025-3-23 08:24
Consuming Wildlife: Representations of Tourism and Retribution in Australian Animal Horror,r-known horror films featuring a variety of Australian animals. These films usually revolve around groups of tourists seeking to explore the ‘precarious’ Australian landscape. Here, the enthusiastic groups demonstrate various forms of disrespect for the natural world around them, resulting in animals’ retribution for their transgressions.作者: Antigen 時間: 2025-3-23 12:46
International Research on Poverty Reductioninary warning […] raised him on high, the glass still waving in his hand, and hurled him down upon the hard earth before her […]. Then there was a crushing, crunching noise and everything was quiet’ (Anon., 1902, p. 1).作者: FEAT 時間: 2025-3-23 16:02
International Research on Poverty Reduction the original with the ferocious ape. Frémiet had tried his hand at such a composition before. In 1859 his sculpture . (.) had been banished from the Paris Salon of that year. The complaints were very straightforward. The poet Charles Baudelaire asked in a review of the Salon:作者: SLAG 時間: 2025-3-23 19:36
https://doi.org/10.1007/978-981-19-7888-3 chains, wreaking havoc on the reproductive capacities of various species of birds, including the bald eagle. With unsparing, blunt prose, she warned that this raptor, this prominent and powerful national symbol, was ‘on the verge of extinction’ (p. 118).作者: 狂熱文化 時間: 2025-3-24 00:34 作者: 不發(fā)音 時間: 2025-3-24 05:49
https://doi.org/10.1007/978-3-662-47366-5 characters put on human veneers while eating and killing men as a means to gain power and for survival. Indeed, the limit of humanness is to realize how fierce the will to live is and the extent to which people would consider eating others for their own sake.作者: Capture 時間: 2025-3-24 09:01 作者: LIEN 時間: 2025-3-24 10:40 作者: 色情 時間: 2025-3-24 16:06 作者: adulterant 時間: 2025-3-24 20:15 作者: 詞匯表 時間: 2025-3-25 02:40
Consuming Wildlife: Representations of Tourism and Retribution in Australian Animal Horror,’s flora and fauna. The outback, the bush, subtropical rainforests, rivers and turbulent oceans have brought about both critically acclaimed and lesser-known horror films featuring a variety of Australian animals. These films usually revolve around groups of tourists seeking to explore the ‘precario作者: micronized 時間: 2025-3-25 04:24
Oil and the (Geo)Politics of Blood: Towards an Eco-Gothic Critique of ,,ted by and starring Clint Eastwood, with the Gothic literary mode, which I review briefly before proceeding. In sum, . narrative structure breaks radically from the ‘classic’ conflict often played out in Westerns. That is to say, rather than relying simply on a classically constructed ‘good versus e作者: 慷慨援助 時間: 2025-3-25 09:40
America, Down the Toilet: Urban Legends, American Society and ,,me in Chicago, the family’s patriarch flushes his daughter’s pet reptile — now named ‘Ramon’ — away into the sewer system, only for it to grow into a monster and break out on to the city’s streets twelve years later. Its encounters with humans — principally those who are jointly responsible for its 作者: Congregate 時間: 2025-3-25 12:55
Re-Education as Exorcism: How a White Dog Challenges the Strategies for Dealing with Racism,he owner is nowhere to be found and she feels responsible for the animal’s injury, she takes him home after a visit to the vet. They quickly bond during his recovery, and Julie’s boyfriend Roland (Jameson Parker) even suggests she should keep him as a ‘bodyguard’ since she lives alone out in the hil作者: Estrogen 時間: 2025-3-25 19:25 作者: pessimism 時間: 2025-3-25 23:15 作者: 自制 時間: 2025-3-26 03:39
,, and the Possibilities of Posthumanist Horror,o too have they, with notable frequency since the turn of the twenty-first century, been stealing into film. In . (2004), Adam Green’s . (2010), . (2011), . (2011), . (2012), and even Walt Disney’s . (2013), wolves stalk and sometimes brutally savage humans. To appropriate George Monbiot’s phrase fr作者: 消息靈通 時間: 2025-3-26 05:06
Anthropomorphism and the Representation of Animals as Adversaries,al animal has all but disappeared from human life in modernity, Berger points out. Numerous species that used to be close to us humans, including animals that are still bred for their meat and hide, have been Largely removed from the lives of the vast majority of the population of the Western world.作者: Sarcoma 時間: 2025-3-26 09:21 作者: Sedative 時間: 2025-3-26 13:27
International Research on Poverty Reductionin a fit of rage after having been taunted with an empty glass of whisky. Blount was a ‘hanger on’ at the circus and had been warned to stay away from Topsy, described by her handlers as an intemperate or ‘ugly’ elephant. Blount had not heeded the warning, and Topsy had ‘without the slightest prelim作者: 公社 時間: 2025-3-26 20:49 作者: ARIA 時間: 2025-3-26 21:43 作者: ANTI 時間: 2025-3-27 03:19
https://doi.org/10.1007/978-981-19-7888-3about ecocide, apocalypse and extinction. In her highly influential book . (1962), Rachel Carson warned that agriculturalists using synthetic pesticides such as DDT were spreading ‘elixirs of death’ across the country (p. 15). As she explained, these chemicals washed into riversheds and entered food作者: 不透明性 時間: 2025-3-27 06:01
https://doi.org/10.1007/978-981-19-7888-3’s flora and fauna. The outback, the bush, subtropical rainforests, rivers and turbulent oceans have brought about both critically acclaimed and lesser-known horror films featuring a variety of Australian animals. These films usually revolve around groups of tourists seeking to explore the ‘precario作者: Mingle 時間: 2025-3-27 11:25 作者: Integrate 時間: 2025-3-27 17:39
https://doi.org/10.1007/978-3-662-47366-5me in Chicago, the family’s patriarch flushes his daughter’s pet reptile — now named ‘Ramon’ — away into the sewer system, only for it to grow into a monster and break out on to the city’s streets twelve years later. Its encounters with humans — principally those who are jointly responsible for its 作者: 調(diào)色板 時間: 2025-3-27 20:21
https://doi.org/10.1007/978-3-662-47366-5he owner is nowhere to be found and she feels responsible for the animal’s injury, she takes him home after a visit to the vet. They quickly bond during his recovery, and Julie’s boyfriend Roland (Jameson Parker) even suggests she should keep him as a ‘bodyguard’ since she lives alone out in the hil作者: 巧辦法 時間: 2025-3-27 22:03 作者: CLIFF 時間: 2025-3-28 05:30
https://doi.org/10.1007/978-3-662-47366-5ities and animalistic sides, for ‘the human face is, after all, nothing more nor less than a mask’ (1940, p. 43). In Gordon Chan’s film . (2008), a celluloid adaptation of Pu Songling’s ‘Painted Skin’ (1740, trans. Minford, 2006), the theme of masking is literalized in the ‘painted skin’ when animal作者: 吵鬧 時間: 2025-3-28 08:41 作者: Trabeculoplasty 時間: 2025-3-28 12:53
Ecological Modeling for Resource Managemental animal has all but disappeared from human life in modernity, Berger points out. Numerous species that used to be close to us humans, including animals that are still bred for their meat and hide, have been Largely removed from the lives of the vast majority of the population of the Western world.作者: OCTO 時間: 2025-3-28 15:21 作者: Obligatory 時間: 2025-3-28 21:35
Book 2015This first full-length scholarly study about animal horror cinema defines the popular subgenre and describes its origin and history in the West. The chapters explore a variety of animal horror films from a number of different perspectives. This is an indispensable study for students and scholars of cinema, horror and animal studies.作者: 搬運工 時間: 2025-3-29 02:33 作者: 反抗者 時間: 2025-3-29 04:33 作者: DNR215 時間: 2025-3-29 10:43
est. The chapters explore a variety of animal horror films from a number of different perspectives. This is an indispensable study for students and scholars of cinema, horror and animal studies.978-1-349-55349-5978-1-137-49639-3作者: Postulate 時間: 2025-3-29 15:28 作者: 毛細(xì)血管 時間: 2025-3-29 15:41
,‘They are a fact of life out here’: The Ecocritical Subtexts of Three Early-Twenty-First-Century Aungeness and upside-downness’ (2006, p. 26) and, thus, the uniqueness of Australia. No wonder that the Australian coat of arms features an emu and a red kangaroo, two native animals which were already charged with symbolic meaning in Aboriginal cultures before Europeans arrived Down Under.作者: 殖民地 時間: 2025-3-29 20:17 作者: compassion 時間: 2025-3-29 23:54
We Spiders: Spider as the Monster of Modernity in the Big Bug and Nature-on-a-Rampage Film Genres,ly providing the audience with a key to the film’s morality and a link between the cinematic antagonist, the spider, and the lack of pure Christian faith. The inhabitants of Wisconsin appear to live a rather immoral life before the spider arrives, engaged in boozing, adultery, incest and paedophilia作者: 賄賂 時間: 2025-3-30 05:59
,, and the Possibilities of Posthumanist Horror,irst century? Do its intertwined representations of animals and humans suggest the possibility of a ‘posthumanist’ horror film? Or, is the animal horror film built upon a distinctly humanist scaffold, dependent on the continual drawing and re-drawing of a fixed boundary line between humans and other作者: Lime石灰 時間: 2025-3-30 10:20
Anthropomorphism and the Representation of Animals as Adversaries,s themselves are gone, images of animals that invade human culture proliferate. The visual aspect of human-animal relations, in other words, did not disappear with the animal, but has lived on in forms ranging from anthropomorphic renderings of animals in Beatrix Potter’s books and numerous Disney c作者: 概觀 時間: 2025-3-30 16:19
