標(biāo)題: Titlebook: Angela Carter and Decadence; Critical Fictions/Fi Maggie Tonkin Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 20 [打印本頁] 作者: Radiofrequency 時(shí)間: 2025-3-21 16:34
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書目名稱Angela Carter and Decadence網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Angela Carter and Decadence讀者反饋學(xué)科排名
作者: 不在灌木叢中 時(shí)間: 2025-3-21 22:56
,Olympia’s Revenge,r, that ., a text that long proceeds ., can already be considered in this light. .’s critique hinges on the unnamed doll that haunts it, E.T.A. Hoffmann’s Olympia. Olympia is the female automaton in Hoffmann’s most famous story, ‘The Sandman’, an analysis of which forms the basis of Freud’s attempt 作者: initiate 時(shí)間: 2025-3-22 02:14
The Muse Exhumed,ld feminism alone responsible for the demise of the muse; psychoanalysis is also to blame: ‘If the Muse is dead, it is not the feminists alone who have killed her. As this century passes away into the next, it will be seen, I think, how the popularization of psychiatric notions of the unconscious ha作者: Desert 時(shí)間: 2025-3-22 05:29
The Ambiguous Muse, other in a potentially endless and all-pervasive combination’ (170). Whilst Mikkonen focuses on .’ allusions to the fairytale genre and to the works of Hoffmann, other critics have identified a myriad of other significant intertexts. Colin Manlove lists Blake’s ., Gothic fiction, de Sade, Lautréamo作者: indemnify 時(shí)間: 2025-3-22 11:02
,The ‘Poe-etics’ of Decomposition: ‘The Cabinet of Edgar Allan Poe’ and the Reading-Effect,nes’ buried in his fictions, prematurely or otherwise, he perversely refuses to lie down. Of course, in ‘The Philosophy of Composition’ he claimed to meticulously calculate his effects, to write, so to speak, from the effect backwards. If we take Poe at his word, his notorious statement that ‘the de作者: 環(huán)形 時(shí)間: 2025-3-22 14:37 作者: paradigm 時(shí)間: 2025-3-22 17:09
Whose Fantasy is the ,?,d, but her fascination with the iconic figure of Lulu suffuses her work. Whilst working at the University of Iowa she taught G.W. Pabst’s film version of Wedekind’s plays in her course on twentieth-century narrative entitled ‘Life is Strange and the World is Bad’, declaring ‘nothing else but . would作者: 極小量 時(shí)間: 2025-3-23 00:19 作者: 大都市 時(shí)間: 2025-3-23 01:47
There Never was a Woman like Leilah: ,,ntaining a ‘careful and elaborate discussion of femininity as a commodity, of Hollywood producing illusions as tangible commodities’ (Haffenden 86). Carter cited the Hollywood . film ., or rather the film’s advertising slogan, ‘There never was a woman like Gilda!’, as one of the triggers for its wri作者: 發(fā)酵 時(shí)間: 2025-3-23 06:59 作者: ablate 時(shí)間: 2025-3-23 09:46 作者: endocardium 時(shí)間: 2025-3-23 16:44
https://doi.org/10.1057/9780230393493critique; fiction; literary criticism; British and Irish Literature作者: Breach 時(shí)間: 2025-3-23 18:44 作者: moratorium 時(shí)間: 2025-3-24 01:15
http://image.papertrans.cn/a/image/157218.jpg作者: athlete’s-foot 時(shí)間: 2025-3-24 05:54 作者: 阻止 時(shí)間: 2025-3-24 07:36
Challenges of Big Radio Data Processingor the magical thinking of others, it turns against those who use it, and surreptitiously exposes their own magical thinking’ (90). Attempts to critique representations of fetishism tend to become enmeshed in replicating that long-drawn-out and repetitive lingering over linguistic and visual detail 作者: 有其法作用 時(shí)間: 2025-3-24 13:40 作者: 茁壯成長(zhǎng) 時(shí)間: 2025-3-24 15:41
https://doi.org/10.1007/978-3-031-58468-8ld feminism alone responsible for the demise of the muse; psychoanalysis is also to blame: ‘If the Muse is dead, it is not the feminists alone who have killed her. As this century passes away into the next, it will be seen, I think, how the popularization of psychiatric notions of the unconscious ha作者: 喃喃訴苦 時(shí)間: 2025-3-24 21:29 作者: deceive 時(shí)間: 2025-3-24 23:35 作者: 饑荒 時(shí)間: 2025-3-25 04:23 作者: 十字架 時(shí)間: 2025-3-25 07:40
Interdisciplinary Applied Mathematicsd, but her fascination with the iconic figure of Lulu suffuses her work. Whilst working at the University of Iowa she taught G.W. Pabst’s film version of Wedekind’s plays in her course on twentieth-century narrative entitled ‘Life is Strange and the World is Bad’, declaring ‘nothing else but . would作者: Interregnum 時(shí)間: 2025-3-25 15:35
Interdisciplinary Applied Mathematics to finish that it did not appear in print until two years later. All in all, Carter took five years to bring it to completion. When, in an interview for Sheffield University Television, Les Bedford questioned her about the project, she groaned:.The finished book would not die either. The trouble it作者: 卵石 時(shí)間: 2025-3-25 17:18
Lecture Notes in Computer Sciencentaining a ‘careful and elaborate discussion of femininity as a commodity, of Hollywood producing illusions as tangible commodities’ (Haffenden 86). Carter cited the Hollywood . film ., or rather the film’s advertising slogan, ‘There never was a woman like Gilda!’, as one of the triggers for its wri作者: 支形吊燈 時(shí)間: 2025-3-25 21:04 作者: Cacophonous 時(shí)間: 2025-3-26 02:15
sthetic antithetical to her feminism. Through historical contextualization of the woman-as-doll, muse and femme fatale, Tonkin tests Carter‘s own description of her fiction as a form of literary criticism.978-1-349-32928-1978-0-230-39349-3作者: Lobotomy 時(shí)間: 2025-3-26 05:16 作者: Redundant 時(shí)間: 2025-3-26 09:43
Introduction,d feminism, nor her claim to be engaged in an investigation into the social fiction of femininity, has staunched a flow of accusations by other feminists that her writing reinscribes the misogynistic, highly fetishized representations of women endemic in Western culture.作者: Recessive 時(shí)間: 2025-3-26 13:14 作者: mydriatic 時(shí)間: 2025-3-26 17:26 作者: 巫婆 時(shí)間: 2025-3-26 22:24
https://doi.org/10.1007/978-3-031-62029-4oys’ imperial adventure stories, anthropological idylls according to Rousseau or Lévi-Strauss and the philosophical ideas of de Sade and Nietzsche (‘Enthralment’ 34). Alison Lee identifies the composers Bach, Mozart, Beethoven, Berlioz and Wagner, and the South American magic realist writer Jorge Luis Borges (. 61).作者: 慌張 時(shí)間: 2025-3-27 05:06
Lecture Notes in Computer Sciencen terms of that slogan’ (Haffenden 85–6). As Carter indicates here, by revealing that the ultimate male fantasy of woman, the iconic, Garbo-like Tristessa, is actually a transvestite, . makes literal the logic behind the cinematic commodification of female fantasy figures that bear little relation to actual women.作者: 預(yù)定 時(shí)間: 2025-3-27 09:20 作者: 創(chuàng)造性 時(shí)間: 2025-3-27 12:10
,Olympia’s Revenge,rprising, if we take Freud at his word. Didn’t he say that the repressed always returns? And didn’t he deny that Olympia had any significance to the production of the uncanny? Hence, according to his own master-theorem, her return is inevitable.作者: 某人 時(shí)間: 2025-3-27 15:52 作者: cringe 時(shí)間: 2025-3-27 18:25
The Ambiguous Muse,oys’ imperial adventure stories, anthropological idylls according to Rousseau or Lévi-Strauss and the philosophical ideas of de Sade and Nietzsche (‘Enthralment’ 34). Alison Lee identifies the composers Bach, Mozart, Beethoven, Berlioz and Wagner, and the South American magic realist writer Jorge Luis Borges (. 61).作者: 痛打 時(shí)間: 2025-3-28 01:30 作者: cancellous-bone 時(shí)間: 2025-3-28 02:26 作者: 不再流行 時(shí)間: 2025-3-28 09:40
Interdisciplinary Applied Mathematics took her to write rebounded, and it became her most controversial work. Its reception by feminists, in particular, was markedly divided. Many objected to her founding premise that de Sade’s work offered important insights into the cultural construction of femininity.作者: abnegate 時(shí)間: 2025-3-28 11:51 作者: 扔掉掐死你 時(shí)間: 2025-3-28 15:14
Interdisciplinary Applied Mathematics the most controversial figures in American literature, a writer whose status is always in dispute. Poe is a special case not only in literature, but also in psychoanalysis, where, Shoshana Felman argues, he generates a ‘Poe-etic effect’:作者: AVERT 時(shí)間: 2025-3-28 20:40
https://doi.org/10.1007/978-3-031-62029-4hat of ‘a(chǎn) Negress looking at herself coquettishly in a mirror’ (cited in Lindsay 128). Nevertheless, Anthea Callen adduces that ‘a(chǎn) portrait of Baudelaire’s “Black Venus”, the mulatto Jeanne Duval, at the writer’s side was painted over by Courbet at his special request but can now be dimly seen on th作者: intolerance 時(shí)間: 2025-3-29 02:24 作者: Nonthreatening 時(shí)間: 2025-3-29 05:18 作者: Left-Atrium 時(shí)間: 2025-3-29 09:48
