派博傳思國際中心

標題: Titlebook: And the Mirror Cracked; Feminist Cinema and Anneke Smelik Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 ci [打印本頁]

作者: FORGE    時間: 2025-3-21 16:16
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作者: mydriatic    時間: 2025-3-21 21:17
What Meets the Eye: An Overview of Feminist Film Theory,eproduced, and represented. The stakes of feminist film theory are therefore high. In the early years of feminist film theory Laura Mulvey wrote that women would be better off discarding patriarchal cinema altogether. Women would welcome the destruction of ‘the satisfaction, pleasure and privilege’
作者: 毛細血管    時間: 2025-3-22 02:53

作者: thalamus    時間: 2025-3-22 05:05

作者: installment    時間: 2025-3-22 09:58
And the Mirror Cracked: On Metaphors Of Violence And Resistance,y bound up with dominant cinema. As I pointed out earlier, Mulvey (1989/1975) was the first to unravel Hollywood’s investment in voyeuristic structures that couple eroticism to sadism. Many other feminist critics have further elaborated on cinematic violence directed at the female body.. It is under
作者: AGATE    時間: 2025-3-22 13:32

作者: LINE    時間: 2025-3-22 19:24
The Navel of the Film: On the Abject and the Masquerade,l standards. To paraphrase Sigmund Freud, it is the navel of a film, ‘the spot where it reaches down into the unknown’; a tangle that resists interpretation and ‘which cannot be unravelled’ (., V: 525). It is precisely the unknown that Dorothée, the protagonist of ., wants to explore: in the opening
作者: INCUR    時間: 2025-3-22 23:38
nist directors create alternative film forms, Anneke Smelik highlights cinematic issues which are central to feminist films: authorship, point of view, metaphor, montage and the excessive image. In a continuous mirror game between theory and cinema, this study explains how these cinematic techniques
作者: 朦朧    時間: 2025-3-23 04:37

作者: Mobile    時間: 2025-3-23 08:45
Drought and Water Scarcity in the UKs that couple eroticism to sadism. Many other feminist critics have further elaborated on cinematic violence directed at the female body.. It is understood that a critical analysis of violence against women can yield insight into the sources of misogyny in masculinist society.
作者: Ceremony    時間: 2025-3-23 12:02

作者: Oligarchy    時間: 2025-3-23 17:09

作者: 漫步    時間: 2025-3-23 19:59
Book 1998, montage and the excessive image. In a continuous mirror game between theory and cinema, this study explains how these cinematic techniques are used to represent female subjectivity positively and affirmatively. Among the films considered are A Question of Silence , Bagdad Cafe , Sweetie and The Virgin Machine .
作者: anus928    時間: 2025-3-23 23:44
Drought and Drought Mitigation in Europeh hands. Next morning she serves her father breakfast, still in silence. While father and daughter sit on the porch next to each other, silently looking into the distance, the opening credits of the film . roll on. The film by Marion H?nsel is dedicated ‘to my fathers’.
作者: hegemony    時間: 2025-3-24 04:10

作者: GOUGE    時間: 2025-3-24 10:20

作者: Stricture    時間: 2025-3-24 12:33
https://doi.org/10.1007/978-3-030-65578-5sexuality, as the narrative’s leading question; as the domain to which the ‘navel’ of the film text gives access. What that navel is, where it is situated, will become clear in the course of my analysis.
作者: abracadabra    時間: 2025-3-24 15:34
The Navel of the Film: On the Abject and the Masquerade,sexuality, as the narrative’s leading question; as the domain to which the ‘navel’ of the film text gives access. What that navel is, where it is situated, will become clear in the course of my analysis.
作者: 使習慣于    時間: 2025-3-24 19:48

作者: 不持續(xù)就爆    時間: 2025-3-25 02:20
In Pursuit of the Author: On Cinematic Directorship,sentations of sex and gender in a given film. A second reason is more epistemological and leads to the question of gender-specific representation. I will focus on the question of how the gender of the filmmaker makes a difference for the representability and representations of female subjectivity.
作者: compassion    時間: 2025-3-25 05:46
Book 1998tors create alternative film forms, Anneke Smelik highlights cinematic issues which are central to feminist films: authorship, point of view, metaphor, montage and the excessive image. In a continuous mirror game between theory and cinema, this study explains how these cinematic techniques are used
作者: Mucosa    時間: 2025-3-25 07:59

作者: evaculate    時間: 2025-3-25 12:42

作者: 沙文主義    時間: 2025-3-25 18:10
https://doi.org/10.1007/978-94-015-9472-1978 I saw my first feminist film and I was shocked. My sense of shock was due to the experience that this woman’s film was so very different from any film I had seen before. In a sort of gynocentric epiphany, it made me realize in ways which I had not been able to envisage nor dared to hope for as a
作者: agenda    時間: 2025-3-25 23:14

作者: 他去就結束    時間: 2025-3-26 00:47

作者: seroma    時間: 2025-3-26 06:17
Drought and Drought Mitigation in Europee woman winds a long-case clock and then serves her father dinner, in silence. She looks out of the window into the dry, dusty land while the voice-over says: ‘Since I found no enemy outside I made an enemy of myself’. A sound like an approaching storm increases and the woman grabs her head with bot
作者: infantile    時間: 2025-3-26 11:19
Drought and Water Scarcity in the UKy bound up with dominant cinema. As I pointed out earlier, Mulvey (1989/1975) was the first to unravel Hollywood’s investment in voyeuristic structures that couple eroticism to sadism. Many other feminist critics have further elaborated on cinematic violence directed at the female body.. It is under
作者: mutineer    時間: 2025-3-26 15:40

作者: 浮雕寶石    時間: 2025-3-26 19:12

作者: 暫時中止    時間: 2025-3-26 23:28
Forces of Subversion: On the Excess of the Image, but a similar goal may also be achieved by going through the mirror, in mimetically revisiting and transforming visual and narrative pleasure. Maybe such a process will prove to be equally productive and less painful than smashing mirrors to pieces. This is how I understand the strategy of mimesis as advocated by Irigaray.
作者: Euthyroid    時間: 2025-3-27 01:11

作者: grotto    時間: 2025-3-27 06:15
978-0-333-92041-1Palgrave Macmillan, a division of Macmillan Publishers Limited 1998
作者: beta-carotene    時間: 2025-3-27 13:06

作者: 慢慢啃    時間: 2025-3-27 13:35
http://image.papertrans.cn/a/image/157009.jpg
作者: 品嘗你的人    時間: 2025-3-27 18:27
Drought and Drought Mitigation in Europeeory contains an inbuilt tension between politics and pleasure. This tension has been very productive considering the tremendous development that feminist film practice and feminist film theory have undergone in the past twenty years. In this chapter 1 will outline some of the developments 1 conside
作者: HUSH    時間: 2025-3-28 00:47

作者: Airtight    時間: 2025-3-28 06:02

作者: 消耗    時間: 2025-3-28 07:31
Tommaso Melodia,Mehmet C. Vuran,Dario Pompiling nonequilibrium potentials, a concept which is explained in section 1 and formulated for the case of maps in section 2. In section 3 nonequilibrium potentials are considered for the family of quadratic maps (a) at the Feigenbaum ‘attractor‘ with Gaussian noise, (b) for more general non- Gaussian n
作者: 輕快來事    時間: 2025-3-28 12:40
,Was das Bildungssystem wirklich fürs Leben lehrt,adet überstehen zu k?nnen. über dieses mentale Programm denken wir als Kinder und Jugendliche so gut wie nie nach. Dabei beeinflusst es unser sp?teres Leben deutlich mehr als der Satz des Thales oder Goethes und Schillers Freundschaft. Zu diesem Programm geh?rt beispielsweise, dass Leistung objektiv
作者: 責任    時間: 2025-3-28 15:11

作者: neutral-posture    時間: 2025-3-28 22:48

作者: Crayon    時間: 2025-3-28 23:11





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