標(biāo)題: Titlebook: An Old Melody in a New Song; Aesthetics and the A Luca Tateo Book 2018 Springer International Publishing AG, part of Springer Nature 2018 A [打印本頁(yè)] 作者: HAVEN 時(shí)間: 2025-3-21 19:52
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作者: chondromalacia 時(shí)間: 2025-3-21 23:39 作者: 遺忘 時(shí)間: 2025-3-22 01:35
Imaginative Processes and Culture: Some Philosophical Reflections from Cultural Psychology,ature of psychological processes, the aesthetic dimension of psychological processes, the role of personal agency, and the co-construction between mind and culture. Finally, I discuss the imaginative process as a higher psychological function that can illustrate the approach of cultural psychology.作者: arthrodesis 時(shí)間: 2025-3-22 07:05
https://doi.org/10.1007/978-94-024-2120-0nts and addressing of actions undertaken in the narrative to the otherness; and the ambience/scenario of the story, constructed as metaphors and marked by the ambiguity of meanings, conflicts, and experiences evoked in the course of action.作者: Osmosis 時(shí)間: 2025-3-22 12:16
https://doi.org/10.1007/978-981-19-6941-6words related to learning, teaching, school, or education. This fixed rule unlocked the creative power of the text and words began pouring out, (un)covering the topic of the theory–practice gap in educational practices. Consistent with arts-based research methods in education, this topic is addressed by means of artistic expression and metaphors.作者: 怒目而視 時(shí)間: 2025-3-22 16:17 作者: 秘傳 時(shí)間: 2025-3-22 18:46 作者: 重疊 時(shí)間: 2025-3-23 00:53
https://doi.org/10.1007/978-1-4684-0224-7ve”; the latter is a way of producing meaning that poses the process of experiencing itself as an object. However, I do not oppose “aesthetic” to “rational,” as I think the authors in this volume clearly demonstrate that aesthetics are a legitimate form of knowing.作者: habitat 時(shí)間: 2025-3-23 04:49
Modeling Improvement Processes,world. Finally, I suggest that if we consider top–down processing as a means of interacting with a meaningful world (one where our perceptions are seen as opportunities for action), then our aesthetic experiences can be seen as opportunities for transformation.作者: 無(wú)聊點(diǎn)好 時(shí)間: 2025-3-23 07:44
Modeling of Dynamic Business Systems,d the reified universes (Moscovici) with, second, forms of sociation and socialisation (Simmel) through the tension between contextualisation and decontextualisation as the basis for understanding how social representations can have an aesthetic import.作者: evanescent 時(shí)間: 2025-3-23 09:56
Introduction: The Art of Psychology,ve”; the latter is a way of producing meaning that poses the process of experiencing itself as an object. However, I do not oppose “aesthetic” to “rational,” as I think the authors in this volume clearly demonstrate that aesthetics are a legitimate form of knowing.作者: hangdog 時(shí)間: 2025-3-23 14:14
Playing in Streams of Knowledge: Multimodality in Perception and Action,world. Finally, I suggest that if we consider top–down processing as a means of interacting with a meaningful world (one where our perceptions are seen as opportunities for action), then our aesthetic experiences can be seen as opportunities for transformation.作者: 安定 時(shí)間: 2025-3-23 18:01
Social Representations as Social Forms and Aesthetic Phenomena: Dialogue Between Moscovici and Simmd the reified universes (Moscovici) with, second, forms of sociation and socialisation (Simmel) through the tension between contextualisation and decontextualisation as the basis for understanding how social representations can have an aesthetic import.作者: Anthem 時(shí)間: 2025-3-24 00:07
Book 2018ectives. It offers a comprehensive discussion of the history of aesthetics and psychology from an international perspective, with contributions by leading researchers from Serbia, Austria, Portugal, Norway, Denmark, and Brazil...The first section of the book aims at summarizing the debate of where t作者: Lineage 時(shí)間: 2025-3-24 05:58
An Old Melody in a New Song978-3-319-92339-0Series ISSN 2523-8663 Series E-ISSN 2523-8671 作者: VEN 時(shí)間: 2025-3-24 06:50 作者: Ganglion 時(shí)間: 2025-3-24 10:50 作者: 冬眠 時(shí)間: 2025-3-24 16:29
https://doi.org/10.1007/978-1-4684-0224-7e deepest abysses of terror and abjection (Tateo, 2017a, 2018). The word “aesthetic” has the narrow meaning of a pleasant experience of beauty, pleasure of contemplation, or a mode of artistic consumption peculiar to contemporary societies. In this volume, the term “aesthetic” means a form of human 作者: 身心疲憊 時(shí)間: 2025-3-24 22:13 作者: 戲服 時(shí)間: 2025-3-25 01:01
https://doi.org/10.1007/978-1-4684-0224-7or the study of sensual perception in general. This perspective changed, however, just one generation later, when aesthetics was defined in the narrower sense of a theory of beauty and the fine arts. Kant opposed the application of the term “aesthetics” to a critique of taste and suggested giving up作者: Inflammation 時(shí)間: 2025-3-25 06:59 作者: 暫停,間歇 時(shí)間: 2025-3-25 10:30 作者: Incommensurate 時(shí)間: 2025-3-25 13:02
Gradual Development of a Dynamic Modelinterplay of imagination and understanding as the primary foundation for subjective aesthetic judgments. The chapter shows that this interplay between imagination and understanding not only yields pleasurable contemplation, but it also harbours agency in the form of possible action. However, this po作者: 新手 時(shí)間: 2025-3-25 16:46 作者: 銀版照相 時(shí)間: 2025-3-25 21:29 作者: outrage 時(shí)間: 2025-3-26 03:58
https://doi.org/10.1007/978-981-19-6941-6re on stage: Hands and Brain. They are an old couple who argue and cannot live apart. Is this a metaphor or the very core of the reflexive practitioner’s work in education? How can performance and drama ever be considered as . or . forms of scientific conceptualisation and communication? The author 作者: macrophage 時(shí)間: 2025-3-26 07:28 作者: dilute 時(shí)間: 2025-3-26 12:24 作者: languor 時(shí)間: 2025-3-26 13:07
Multistep Parallel Workflow Processes,ural–historical and –psychological analysis of the . and . domains of an . enterprise. The role of aesthetics in IKEA is to . to the consumer regarding how to imagine and achieve a BEAUTIFUL, SAFE, AND PLEASING .; an eutopia as opposed to the . of Medieval European time, but with some . undertones. 作者: Carcinogenesis 時(shí)間: 2025-3-26 17:03 作者: 步履蹣跚 時(shí)間: 2025-3-27 00:42
978-3-030-06410-5Springer International Publishing AG, part of Springer Nature 2018作者: 強(qiáng)化 時(shí)間: 2025-3-27 01:32 作者: 謊言 時(shí)間: 2025-3-27 08:08 作者: HATCH 時(shí)間: 2025-3-27 11:18 作者: 戲服 時(shí)間: 2025-3-27 16:57
Psychology in Emerging Aesthetics,n in experimental psychology at the turn of the nineteenth to the twentieth century, but also strong opposition from the part of traditional philosophical aesthetics. At that time, the theory of . (empathy) had been developed as the dominating theoretical fundament of psychological aesthetics. In th作者: N斯巴達(dá)人 時(shí)間: 2025-3-27 19:36 作者: antidote 時(shí)間: 2025-3-27 23:12
Between Sublimity and Pleasantness: About Aesthetical Distribution in Music and Psychology,ystematic perspective. Yet, some aspects of Western musical history may demonstrate how the aesthetical phenomena may act, and challenge our understanding of how the perceiving process actually functions. On this basis, this chapter goes into more detail in an attempt to develop a basis for an aesth作者: podiatrist 時(shí)間: 2025-3-28 04:21 作者: Fantasy 時(shí)間: 2025-3-28 06:55
The Aestheticized Pilgrimage to ,ized religions supports and reflects values and norms necessary for living among others in a larger social framework; however, in contemporary times, this means . one’s life-time in wage labor to obtain a salary to be used for acquiring stuff meant to be used in—and decorate—our dwelling-space with 作者: constitute 時(shí)間: 2025-3-28 11:14 作者: 全部逛商店 時(shí)間: 2025-3-28 18:37 作者: 閹割 時(shí)間: 2025-3-28 19:05 作者: MARS 時(shí)間: 2025-3-29 00:19 作者: receptors 時(shí)間: 2025-3-29 06:59
Gradual Development of a Dynamic Modelions of past, present and future (possible) phenomena) and conceptual understanding. In participatory aesthetics, imagination supports agency by imagining a possibility field and conceptual understanding reveals itself to be an instance of fictionalisation, cognitively framing perception and action.作者: 遍及 時(shí)間: 2025-3-29 11:12 作者: consent 時(shí)間: 2025-3-29 15:19
Introduction: The Art of Psychology,e deepest abysses of terror and abjection (Tateo, 2017a, 2018). The word “aesthetic” has the narrow meaning of a pleasant experience of beauty, pleasure of contemplation, or a mode of artistic consumption peculiar to contemporary societies. In this volume, the term “aesthetic” means a form of human 作者: Loathe 時(shí)間: 2025-3-29 17:46 作者: 下船 時(shí)間: 2025-3-29 22:04
Psychology in Emerging Aesthetics,or the study of sensual perception in general. This perspective changed, however, just one generation later, when aesthetics was defined in the narrower sense of a theory of beauty and the fine arts. Kant opposed the application of the term “aesthetics” to a critique of taste and suggested giving up作者: forthy 時(shí)間: 2025-3-30 01:46 作者: 傻瓜 時(shí)間: 2025-3-30 07:03
Between Sublimity and Pleasantness: About Aesthetical Distribution in Music and Psychology,ly, the struggle for one’s voice to be heard and recognized as the voice of a legitimate partner” (Slavo Zizek, “The Lesson of Rancière”, p. 69 ff.). This statement formulates in many ways the core of the aesthetic question when irrationality is mixed up with rationality, enjoyment with shock, and a作者: Factorable 時(shí)間: 2025-3-30 09:36
