標(biāo)題: Titlebook: An Investigative Cinema; Politics and Moderni Fabrizio Cilento Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Investigative [打印本頁(yè)] 作者: intrinsic 時(shí)間: 2025-3-21 18:14
書(shū)目名稱An Investigative Cinema影響因子(影響力)
作者: Ingenuity 時(shí)間: 2025-3-21 21:41
dictatorial Latin America, and the post-Watergate, post-9/11 climate in US society. Investigative cinema is exemplified by the films .Salvatore Giuliano., .The Battle of Algiers., .The Parallax View., .Gomorrah., .Zero Dark Thirty., and .Citizenfour...978-3-030-06489-1978-3-319-92681-0作者: 改變 時(shí)間: 2025-3-22 01:23 作者: 翻動(dòng) 時(shí)間: 2025-3-22 08:30 作者: Crepitus 時(shí)間: 2025-3-22 10:01
Fabrizio CilentoOffers a new approach that blends and expands upon national cinema studies, the author theory, and genre theory.Analyzes films and television series across European and American traditions, such as Th作者: BROW 時(shí)間: 2025-3-22 14:15
http://image.papertrans.cn/a/image/155625.jpg作者: 逢迎春日 時(shí)間: 2025-3-22 17:43
Ansteckungsart und Verbreitung,and commercials. This chapter discusses TV appearances of Pasolini and high modernist directors such as Pontecorvo, Olmi, Montaldo, Maselli, and the Taviani brothers whose work in the advertisement format . helped develop the techniques that provoked a crisis in neorealism. Pasolini’s ., Rosi’s ., a作者: BANAL 時(shí)間: 2025-3-22 22:11 作者: Rinne-Test 時(shí)間: 2025-3-23 03:21
Die gordische Aufl?sung von Knotene study focuses on the two versions, a decade apart (in 1976 and 1986), of Aldo Moro, the Christian Democrats president who was assassinated by Red Brigades in 1978. Volonté shot his last movies in Latin America, and it was a Mexican star that kept this heritage alive. Gael García Bernal played Erne作者: incarcerate 時(shí)間: 2025-3-23 09:36 作者: 發(fā)芽 時(shí)間: 2025-3-23 11:40 作者: Apoptosis 時(shí)間: 2025-3-23 14:12 作者: 禍害隱伏 時(shí)間: 2025-3-23 20:13 作者: albuminuria 時(shí)間: 2025-3-23 23:45
Objectively False: French Cinema and the Algerian Question,ties of modernization while critiquing official representations of a prosperous France surging into American-style consumption patterns. References to the Algerian War are sporadic and indirect. Decolonization and accelerated modernization are deeply interrelated, with the war representing a sort of作者: 解凍 時(shí)間: 2025-3-24 05:26
,Stars and Stardom in Investigative Cinema: The Movies of Gian Maria Volonté and Gael García Bernal,e study focuses on the two versions, a decade apart (in 1976 and 1986), of Aldo Moro, the Christian Democrats president who was assassinated by Red Brigades in 1978. Volonté shot his last movies in Latin America, and it was a Mexican star that kept this heritage alive. Gael García Bernal played Erne作者: Insufficient 時(shí)間: 2025-3-24 07:07
The Ontology of Replay: The Zapruder Video and American Conspiracy Films,he Zapruder footage of Kennedy’s assassination is endlessly repeated, retold, and reframed. If Hollywood’s cinematic time can be imagined as a straight line progressing toward a climax, the Zapruder video is circular—it loops like a snake devouring its own tail/tale, indirectly offering investigativ作者: Eructation 時(shí)間: 2025-3-24 10:53
Unidentified Narrative Objects: The Anti-Mafia and No-Global Films as Transmedia Adaptations,arly 2000s. An overview of broadcasting experiments against the state monopolistic system is followed by an analysis of . and . and the adaptation by Garrone of Saviano’s book .. The book unfolds firsthand information to depict Naples’ organized crime operations within the globalized economy, which 作者: Factorable 時(shí)間: 2025-3-24 18:34
The Ontology of the Digital: War on Terror and Post-9/11 Visual Culture,the indexicality of the image. This confrontation created a withering of the epistemological certainties regarding history and photography-based media. The subsequent wars generated controversies over privacy and surveillance, rendition, civil rights, and prisoner abuses. These events inevitably inf作者: 可忽略 時(shí)間: 2025-3-24 22:17 作者: ADOPT 時(shí)間: 2025-3-25 00:40 作者: olfction 時(shí)間: 2025-3-25 05:49
https://doi.org/10.1007/978-3-642-91693-9bgenre, where the process itself is elevated to a dominant value independent of any particular goal and of any positive value or ideal of justice. Poitras took these themes and transformed them into self-reflective challenges to the transparency of film, marking the future of investigative cinema.作者: Inexorable 時(shí)間: 2025-3-25 08:58
Neorealism and the Double Stain: Television and Italian High Modernist Filmmakers,such as banditry, modernization, and the sexual mores of a nation destabilized by intense regionalism. The directors do not use the cinema to provide information, but the information itself is the core of their work.作者: flaggy 時(shí)間: 2025-3-25 15:25 作者: bioavailability 時(shí)間: 2025-3-25 17:03 作者: AMPLE 時(shí)間: 2025-3-25 21:48
Book 2018iracies. These documentary-like films refrain from a simplistic reconstruction of historical events and are mainly concerned with what does not immediately appear on the surface of events. Consequently, they raise questions about the nature of the “truth” promoted by institutions, newspapers, and me作者: FECT 時(shí)間: 2025-3-26 00:57
n series across European and American traditions, such as Th.This book traces the development of investigative cinema, whose main characteristic lies in reconstructing actual events, political crises, and conspiracies. These documentary-like films refrain from a simplistic reconstruction of historic作者: Palatial 時(shí)間: 2025-3-26 06:40 作者: Mobile 時(shí)間: 2025-3-26 09:13 作者: 手榴彈 時(shí)間: 2025-3-26 13:53
,Stars and Stardom in Investigative Cinema: The Movies of Gian Maria Volonté and Gael García Bernal,sto Che Guevara in . while also appearing in commercials for Nike and Levi’s. Bernal’s stardom is one in which idealism, rebellion, and commerce coexist. In . and ., Bernal self-reflexively problematizes his global popularity, following in Volonté’s tradition.作者: acrimony 時(shí)間: 2025-3-26 17:09
The Ontology of Replay: The Zapruder Video and American Conspiracy Films,e filmmakers a new cinematic time. Consequently, the Maysles brothers in . began exploring if images are able to reveal the true nature of events. Pakula’s . and . are centerpieces of the investigative category in the United States, since they evoke the police-state menace and adopt a documentary-like integration of television news footage.作者: FLIT 時(shí)間: 2025-3-26 22:58 作者: 酷熱 時(shí)間: 2025-3-27 02:29 作者: archetype 時(shí)間: 2025-3-27 07:13
,Die gordische Aufl?sung von Knoten,e filmmakers a new cinematic time. Consequently, the Maysles brothers in . began exploring if images are able to reveal the true nature of events. Pakula’s . and . are centerpieces of the investigative category in the United States, since they evoke the police-state menace and adopt a documentary-like integration of television news footage.作者: GEM 時(shí)間: 2025-3-27 11:51
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