標(biāo)題: Titlebook: An Anthropology of Making in Santa Clara del Cobre; Presence of Absence Michele Avis Feder-Nadoff Book 2024 The Editor(s) (if applicable) a [打印本頁] 作者: 有判斷力 時間: 2025-3-21 19:18
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作者: SSRIS 時間: 2025-3-21 20:19 作者: 討人喜歡 時間: 2025-3-22 00:38 作者: 鎮(zhèn)痛劑 時間: 2025-3-22 04:34 作者: sebaceous-gland 時間: 2025-3-22 09:42 作者: 割讓 時間: 2025-3-22 16:26
978-3-031-36684-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 斥責(zé) 時間: 2025-3-22 18:25 作者: sparse 時間: 2025-3-22 22:04
,Anwendungsm?glichkeit der Luftvorw?rmung,rsmith, Maestro Pérez Ornelas, my primary mentor-teacher. I bring the reader into the ecological and performative landscape of Santa Clara to meet the artisans whose stories form the narrative backbone of this anthropological study of making and artisan agency. The narration weaves back and forth, f作者: AVERT 時間: 2025-3-23 01:32 作者: Optometrist 時間: 2025-3-23 08:18
,Anwendungsm?glichkeit der Luftvorw?rmung,s assert agency, negotiate politics, and cultivate marketplaces. These performances recalibrate self-representation, community coherence, identity, and class assertion. As an official “enchanted village” in the “Tata Vasco” tourist route, Santa Clara’s copper fair events also perform important econo作者: 粗鄙的人 時間: 2025-3-23 11:14 作者: 招募 時間: 2025-3-23 17:23
https://doi.org/10.1007/978-3-662-34066-0 beauty. Maestro Jesús defined the good copper piece as one that is “well-made,” not “beautiful.” Sure, firm hammering and even strokes are required to create the “perfect” piece, free of blemishes, solidly formed, balanced, stable, symmetrical, and clearly articulated. This technical system require作者: 剝削 時間: 2025-3-23 21:52 作者: 口訣法 時間: 2025-3-24 02:07 作者: 枯燥 時間: 2025-3-24 06:16
Siegfried Gr?ff,Leopold Küpferlechanges, production chains, and other relationships are often purposefully made opaque, invisible. To trace this consumption and abduction of maker’s agency and copper things, several scenarios are presented here occurring between artisans, and between artisans and institutions, designers, collector作者: Range-Of-Motion 時間: 2025-3-24 10:01
Siegfried Gr?ff,Leopold Küpferleh to make space for the seedlings he had planted, giving them room to grow until harvest. Maestro Jesús’ life and work—his agency—is seen unfinished through the continuity provided by a homage exhibition of his work, the baptism of a new grandson and the taking up of his staff by his youngest son. T作者: Spinal-Tap 時間: 2025-3-24 13:59 作者: Grating 時間: 2025-3-24 17:50
Field of Corn,rsmith, Maestro Pérez Ornelas, my primary mentor-teacher. I bring the reader into the ecological and performative landscape of Santa Clara to meet the artisans whose stories form the narrative backbone of this anthropological study of making and artisan agency. The narration weaves back and forth, f作者: Postulate 時間: 2025-3-24 22:51
Forge: Hearth and Home, aesthetic re-productive and co-productive performance. This hive of activity is a porous space where rhythms of life and work intertwine. Within its cultivating atmosphere, artisans and materials perform and are formed. Artisan skill is always emergent, practiced, but never obtained, constantly shi作者: Adornment 時間: 2025-3-25 00:19
The Copper Fair,s assert agency, negotiate politics, and cultivate marketplaces. These performances recalibrate self-representation, community coherence, identity, and class assertion. As an official “enchanted village” in the “Tata Vasco” tourist route, Santa Clara’s copper fair events also perform important econo作者: Airtight 時間: 2025-3-25 07:08
Person and Place: ,embellished with emotion and morality tales. Visitors would come to sit near him in the forge to listen to his life stories embroidered together with the history of Santa Clara and the development of popular arts and crafts in Mexico. These autobiographical stories form the radial core at the heart 作者: gastritis 時間: 2025-3-25 08:22
The Good Piece: An Aesthetics of Making, beauty. Maestro Jesús defined the good copper piece as one that is “well-made,” not “beautiful.” Sure, firm hammering and even strokes are required to create the “perfect” piece, free of blemishes, solidly formed, balanced, stable, symmetrical, and clearly articulated. This technical system require作者: vascular 時間: 2025-3-25 12:45 作者: Arboreal 時間: 2025-3-25 16:15 作者: Introvert 時間: 2025-3-25 20:47
Aesthetics of Abduction and Fragmentation,changes, production chains, and other relationships are often purposefully made opaque, invisible. To trace this consumption and abduction of maker’s agency and copper things, several scenarios are presented here occurring between artisans, and between artisans and institutions, designers, collector作者: 詳細目錄 時間: 2025-3-26 01:33
Restoring Aura: Straight from the Heart,h to make space for the seedlings he had planted, giving them room to grow until harvest. Maestro Jesús’ life and work—his agency—is seen unfinished through the continuity provided by a homage exhibition of his work, the baptism of a new grandson and the taking up of his staff by his youngest son. T作者: expansive 時間: 2025-3-26 04:32 作者: 檢查 時間: 2025-3-26 12:29 作者: 原來 時間: 2025-3-26 13:01 作者: INCUR 時間: 2025-3-26 17:22
The Copper Fair,urists, investigators, Catholic priests, each asserting divergent concepts of authenticity, heritage, patrimony, tradition, nationalism, aesthetics, and social rank. These actors all mix to witness, define, interpret, and admire the coppersmiths’ physical “l(fā)abor” re-represented in transformative bal作者: incontinence 時間: 2025-3-26 23:20 作者: JEER 時間: 2025-3-27 03:06 作者: 削減 時間: 2025-3-27 06:30 作者: Engaging 時間: 2025-3-27 10:39
Aesthetics in Time and Space,rts of time, poetry, music, and dance, and concluded that rhythm is common to all of these. Dance, explained Boas, merges all these arts through the use of temporal flux, spatial order, symmetry, balance, and rhythm. How is coppersmithing, like dance, an art of both space and time? How do the aesthe作者: vasospasm 時間: 2025-3-27 15:49 作者: 半身雕像 時間: 2025-3-27 21:36 作者: sed-rate 時間: 2025-3-27 23:11 作者: Ergots 時間: 2025-3-28 04:18
,Anwendungsm?glichkeit der Luftvorw?rmung,nd community and witness the village rituals and activities marking a significant generational transition. In this chapter you become witness to the performances of death and cultivation and enter in-between and betwixt, into the preliminary presence of absence.作者: Implicit 時間: 2025-3-28 08:39 作者: chiropractor 時間: 2025-3-28 13:19
,Anwendungsm?glichkeit der Luftvorw?rmung,urists, investigators, Catholic priests, each asserting divergent concepts of authenticity, heritage, patrimony, tradition, nationalism, aesthetics, and social rank. These actors all mix to witness, define, interpret, and admire the coppersmiths’ physical “l(fā)abor” re-represented in transformative bal作者: 草率女 時間: 2025-3-28 16:40
Monographien zur Feuerungstechnikhis artisan buddies, Maestro Etelberto Ramírez Tinoco and Maestro Felix Parra Espino, all considered living legends of Santa Clara, present despite their absence. His stories spoke of faith and afterlife, about leaving traces and tools for the future generation, endings and beginnings, and an insati作者: Ballad 時間: 2025-3-28 21:10 作者: 事與愿違 時間: 2025-3-28 23:30
,Nomenklatur und Symbole von Atmungsgr??en,rn field. Over time artifacts become synecdochical elements, generating memory through use and reproduction. How are the material aesthetics of things shared between artisan-creators and perceiver? What is aesthetic sociality? How does the mimetic simulacra of reproduction and distribution intensify作者: Inexorable 時間: 2025-3-29 04:41
