標(biāo)題: Titlebook: Anthology of Ancient Medival Woman‘s Song; Anne L. Klinck Book 2004 Palgrave Macmillan, a division of Nature America Inc. 2004 England.lyr [打印本頁] 作者: COAX 時(shí)間: 2025-3-21 17:31
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作者: 安撫 時(shí)間: 2025-3-21 23:53 作者: 蚊帳 時(shí)間: 2025-3-22 02:17
Early Medieval Spain,on, and so on. These muwashshahas are written in literary Arabic or Hebrew, but often their kharjas (codas, literally “exits”) are composed in the Mozarabic dialect, based on the colloquial Romance speech of the Christians. In fact, some, perhaps most, of the kharjas must have had a previous indepen作者: NEXUS 時(shí)間: 2025-3-22 05:17 作者: DAUNT 時(shí)間: 2025-3-22 11:45
https://doi.org/10.1007/978-3-476-04866-0uicide herself. Later, Guthrun married Atli, who enticed her brothers to his court and had them killed to obtain the dragon’s treasure. Hogni laughed while his heart was being cut out; thrown in a snake pit, Gunnar played his harp until he was bitten to death. Guthrun punished Atli by serving him th作者: angina-pectoris 時(shí)間: 2025-3-22 16:27 作者: 來自于 時(shí)間: 2025-3-22 19:54
http://image.papertrans.cn/a/image/154830.jpg作者: Flu表流動 時(shí)間: 2025-3-23 00:06
Die Linsenfehler und ihre Berichtigung,y!” (Muslim Spain), “I feed on joy and youth” (Provence), “Fie, husband, on your love!” (medieval France), “Under the linden on the heath” (medieval Germany), “Hey nonny! I will love Sir John if I love anyone!” (late medieval England). These quotations are all the beginnings of “woman’s songs”; that作者: BOGUS 時(shí)間: 2025-3-23 02:58 作者: guardianship 時(shí)間: 2025-3-23 07:00 作者: projectile 時(shí)間: 2025-3-23 10:46
https://doi.org/10.1007/978-3-662-34600-6n Middle Irish manuscripts. The following poem is drawn from the . (.—also known as .), which purports to be a collection of stories told to Saint Patrick by the two last survivors of the warband (Fían) of Finn Mac Cumhal. Cáel is a Fenian—a member of the Fían, and Créde is a Sidhé woman, both of th作者: 可轉(zhuǎn)變 時(shí)間: 2025-3-23 16:08
https://doi.org/10.1007/978-3-662-34600-6Some of the poetry that comes closest to lyric is found in the group of poems that modern scholars have called the “elegies.” These are fairly short reflective pieces that treat themes of loss, absence, and transience, usually in the male voice and with reference to the communal life of a warrior so作者: 史前 時(shí)間: 2025-3-23 20:29
https://doi.org/10.1007/978-3-476-04866-0ms, in the second half of the manuscript, are connected with Sigurd the dragon-slayer; several are uttered by his widow, Guthrun. The story of Sigurd/Siegfried, comparable to Greek myth and tragedy in its passion and horror, is also found in the . and in the Middle High German ., with significant di作者: Decongestant 時(shí)間: 2025-3-24 01:56 作者: 停止償付 時(shí)間: 2025-3-24 05:46 作者: adhesive 時(shí)間: 2025-3-24 08:15 作者: hedonic 時(shí)間: 2025-3-24 13:09 作者: 縮短 時(shí)間: 2025-3-24 17:17 作者: malapropism 時(shí)間: 2025-3-24 20:53 作者: TEM 時(shí)間: 2025-3-25 01:41
Karl Richter,J?rg Sch?nert,Michael Titzmann The latter would have sung the “burden,” which opens the poem and follows every stanza. Often woman’s voice carols deal with the painful reality of sexual exploitation and subsequent abandonment. The light mode of dance-song downplays the potentially tragic theme, and many of the poems seem to refl作者: UNT 時(shí)間: 2025-3-25 05:01 作者: 未完成 時(shí)間: 2025-3-25 07:42 作者: Axon895 時(shí)間: 2025-3-25 13:37 作者: Chromatic 時(shí)間: 2025-3-25 17:54 作者: harmony 時(shí)間: 2025-3-25 21:11 作者: collagenase 時(shí)間: 2025-3-26 00:37 作者: Corral 時(shí)間: 2025-3-26 07:13 作者: Diskectomy 時(shí)間: 2025-3-26 10:53 作者: 直覺好 時(shí)間: 2025-3-26 13:17
https://doi.org/10.1007/978-3-662-34600-6he end Cáel is drowned chasing his opponent into the sea. Set in the context of this heroic, warrior society, Créde’s Lament for Cáel is at the same time noteworthy for its sympathetic awareness of the natural world, a characteristic feature of early Irish poetry.作者: Communicate 時(shí)間: 2025-3-26 20:41 作者: 美麗的寫 時(shí)間: 2025-3-27 00:03 作者: Recessive 時(shí)間: 2025-3-27 03:01 作者: 美色花錢 時(shí)間: 2025-3-27 09:09 作者: micturition 時(shí)間: 2025-3-27 09:46 作者: BAN 時(shí)間: 2025-3-27 13:38
Die Literatur des deutschen Frühhumanismusects. Some of the short, early lyrics are striking for the vividness with which they evoke a single emotion. Other, longer poems can be complex and ambiguous, creating shifting perspectives and playing with expectations. Particularly striking and rich in texture are Wolfram von Eschenbach’s . and Walther von der Vogelweide’s ..作者: 情節(jié)劇 時(shí)間: 2025-3-27 21:03
Anglo-Saxon England,wo poems, especially ., are influenced by the language and meter of other, more lyrical, kinds of poetry, now lost. It is not universally accepted that . and . are love poems, although that is the usual interpretation.作者: WATER 時(shí)間: 2025-3-28 00:28
Germany,ects. Some of the short, early lyrics are striking for the vividness with which they evoke a single emotion. Other, longer poems can be complex and ambiguous, creating shifting perspectives and playing with expectations. Particularly striking and rich in texture are Wolfram von Eschenbach’s . and Walther von der Vogelweide’s ..作者: 放肆的我 時(shí)間: 2025-3-28 02:43
Book 2004mininity is constructed. Although most medieval ‘woman‘s songs‘ are either anonymous or male-authored lyrics in a popular style, the term can usefully be expanded to cover poetry composed by women, and poetry that is aristocratic or learned rather than popular. Poetry from ancient Greece and Rome th作者: 表示問 時(shí)間: 2025-3-28 07:27
,Zwei frühe humanistische Propagandoren,zes here as, typically, an exchange between warning watchman and castle lady in the arms of her illicit lover. Less courtly in style, the pastourelle (in Occitan, .), with its dialogue between knight and shepherdess, links gender difference to distinctions in social class.作者: 可轉(zhuǎn)變 時(shí)間: 2025-3-28 11:14 作者: NIB 時(shí)間: 2025-3-28 16:46
https://doi.org/10.1007/978-3-476-04286-6in the thirteenth century, Northern Italian poets compose in the same modes. The poems that follow range from the graceful ., by King Frederick, to the energetic ., which draws on a more earthy tradition.作者: 聲明 時(shí)間: 2025-3-28 22:29 作者: 獎(jiǎng)牌 時(shí)間: 2025-3-28 23:38 作者: Dysplasia 時(shí)間: 2025-3-29 06:57 作者: 剝削 時(shí)間: 2025-3-29 07:30
Book 2004at resonates with the medieval poems is also included here. Readers will find a range of voices, often echoing similar themes, as women rejoice or lament, praise or condemn, plead or curse, speak in jest or in earnest, to men and to each other, about love.作者: conscience 時(shí)間: 2025-3-29 13:50 作者: 增減字母法 時(shí)間: 2025-3-29 17:16 作者: Juvenile 時(shí)間: 2025-3-29 23:17
Ancient Greece, That Sappho was a “l(fā)esbian” is well known, but just what that means continues to be debated. Some, but not all, scholars relate her milieu to that evoked by the ancient girl-choruses, such as the one that speaks in Alcman 26. This poem, like those of Sappho, is in a fragmentary state. Many of the v作者: Interim 時(shí)間: 2025-3-30 00:31
Ancient Rome,exclusively from the man’s point of view in this supposedly confessional poetry, for which they use elegiac couplets. Latin love elegy is a well-developed genre, but very little of it is woman’s song. Propertius 4.3 is composed in the persona of a woman writing to her lover. Horace, . 3.12 . be a dr作者: 背帶 時(shí)間: 2025-3-30 04:32
Ireland,n Middle Irish manuscripts. The following poem is drawn from the . (.—also known as .), which purports to be a collection of stories told to Saint Patrick by the two last survivors of the warband (Fían) of Finn Mac Cumhal. Cáel is a Fenian—a member of the Fían, and Créde is a Sidhé woman, both of th
