標(biāo)題: Titlebook: American Women‘s Ghost Stories in the Gilded Age; Dara Downey Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 201 [打印本頁(yè)] 作者: Spring 時(shí)間: 2025-3-21 20:02
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作者: HUMID 時(shí)間: 2025-3-21 21:53
,‘Fitted to a Frame’: Picturing the Gothic Female Body,ified to find himself confronted with what appears to be her specter. As he gradually recalls having read of her death several months previously, he remarks that ‘what had shocked me was that the change was so slight — that between being dead and alive there seemed after all to be so little differen作者: 憤怒事實(shí) 時(shí)間: 2025-3-22 01:39
,‘Handled with a Chain’: Gilman’s ‘The Yellow Wall-Paper’ and the Dangers of the Arabesque,try as one of unmixed influence, instead of studying with jealous care that so large a force be wisely guarded and restrained.’. Her point, throughout ., as well as her phenomenally successful . (1898) and her feminist utopian novel . (1915), was that the middle-class home in Gilded-Age America was 作者: 動(dòng)物 時(shí)間: 2025-3-22 05:25
,‘Dancing Like a Bomb Abroad’: Dawson’s ‘An Itinerant House’ and the Haunting Cityscape,rancisco-based writer (once a close friend of Ambrose Bierce) suggests as much about the public perceptions of female authors, the anonymity of city life, and the slippery nature of Dawson’s own characters, as it does about the woman herself. The title story, ‘An Itinerant House’ (1896), recounts ho作者: overture 時(shí)間: 2025-3-22 11:50
,‘Solemnest of Industries’: Wilkins’ ‘The Southwest Chamber’ and Memorial Culture,it of an elderly woman. When he develops the plates, however, there is something wrong with the picture, and he and his thoroughly spooked boss are reluctant to show them to the woman’s bereaved daughter. Despite the fact that both the daughter and Hoyt confirm that there was nothing covering or obs作者: 浪費(fèi)時(shí)間 時(shí)間: 2025-3-22 13:39
,‘Space Stares All Around’: Peattie’s ‘The House That Was Not’ and the (Un)Haunted Landscape,n the Western plains. Looking around at the landscape, she feels ‘a(chǎn)s if a new world had been made for her’, but her tranquility is broken when she notices a little house off to the west that Burt has never mentioned. Wondering why he has omitted it from conversation, worrying that he seems not to wi作者: IRK 時(shí)間: 2025-3-22 20:42
,‘My Labor and My Leisure Too’: Wynne’s ‘The Little Room’ and Commodity Culture,t of Tantalus.’. Veering sharply from praise to alarmed censure, Ferber’s observation highlighted the ambiguous status of Gilded-Age commodity culture. At once seductive and threatening, the hold that this culture had over the female imagination in particular was exemplified by two novels from 1900 作者: Nebulizer 時(shí)間: 2025-3-23 00:35 作者: 小爭(zhēng)吵 時(shí)間: 2025-3-23 04:27 作者: ADAGE 時(shí)間: 2025-3-23 09:22
Die Verteilung der Fernsehsignale,sh her to meet their only neighbors, she quizzes him repeatedly, until, reluctantly, he gives in, telling her in no uncertain terms that ‘“There ain’t no house there”’, that he himself had gone to investigate it and found nothing. He recounts how, confounded, he asked a neighbor for information, and is told that作者: 大吃大喝 時(shí)間: 2025-3-23 10:10 作者: liaison 時(shí)間: 2025-3-23 15:31
Introduction,the ‘new’ nation from a past that was situated as fundamentally European. John L. O’Sullivan, who coined the term ‘manifest density’ to describe what was seen as the spiritual mission to settle and cultivate the vast North American continent, wrote in 1839 that作者: 隱士 時(shí)間: 2025-3-23 18:47
2634-6214 araphernalia, wallpaper and humble domestic furniture. Featuring uncanny tales from the big city to the small town and the empty prairie, it offers a new perspective on an old genre.??978-1-137-32398-9Series ISSN 2634-6214 Series E-ISSN 2634-6222 作者: OTTER 時(shí)間: 2025-3-23 22:41
Die jüngere Stammesgeschichte des Menschenduction by the living woman would not have been or any less disturbing than by the dead one. The story therefore echoes Emily Dickinson’s poem 510 (c. 1862), which begins, ‘It was not Death, for I stood up./And all the Dead, lie down —’. Despite this initially confident assertion, the poetic voice n作者: 積極詞匯 時(shí)間: 2025-3-24 04:48
Die Verteilung der Fernsehsignale, houses, for the ills found within it. Gilman therefore urged that drunkenness, infidelity, domestic violence, infant and maternal mortality and illness, juvenile delinquency, and psychological disorders such as neurasthenia should not be seen as symptoms of the moral degeneracy of those who display作者: BLA 時(shí)間: 2025-3-24 07:14 作者: 臥虎藏龍 時(shí)間: 2025-3-24 11:13 作者: 拉開(kāi)這車(chē)床 時(shí)間: 2025-3-24 15:07 作者: dyspareunia 時(shí)間: 2025-3-24 23:05 作者: 釘牢 時(shí)間: 2025-3-25 02:59 作者: Resection 時(shí)間: 2025-3-25 03:30
,‘Handled with a Chain’: Gilman’s ‘The Yellow Wall-Paper’ and the Dangers of the Arabesque, houses, for the ills found within it. Gilman therefore urged that drunkenness, infidelity, domestic violence, infant and maternal mortality and illness, juvenile delinquency, and psychological disorders such as neurasthenia should not be seen as symptoms of the moral degeneracy of those who display作者: 和平 時(shí)間: 2025-3-25 09:09 作者: 冷漠 時(shí)間: 2025-3-25 13:31 作者: Dedication 時(shí)間: 2025-3-25 18:19 作者: 假 時(shí)間: 2025-3-25 22:34 作者: JOT 時(shí)間: 2025-3-26 01:54
https://doi.org/10.1007/978-3-642-90908-5 left past inhabitants seeking help from the current owners of the property’, and uncovering that injustice tends to lay the ghost to rest and terminate the haunting, along with the discomfort it causes.. The trouble is that this formulation never quite works in the United States.. American gothic i作者: calumniate 時(shí)間: 2025-3-26 08:11 作者: 連系 時(shí)間: 2025-3-26 12:06
Die Verteilung der Fernsehsignale,try as one of unmixed influence, instead of studying with jealous care that so large a force be wisely guarded and restrained.’. Her point, throughout ., as well as her phenomenally successful . (1898) and her feminist utopian novel . (1915), was that the middle-class home in Gilded-Age America was 作者: 擴(kuò)音器 時(shí)間: 2025-3-26 16:29
Die Grundlagen der Fernsehtechnikrancisco-based writer (once a close friend of Ambrose Bierce) suggests as much about the public perceptions of female authors, the anonymity of city life, and the slippery nature of Dawson’s own characters, as it does about the woman herself. The title story, ‘An Itinerant House’ (1896), recounts ho作者: 肉身 時(shí)間: 2025-3-26 20:24 作者: seroma 時(shí)間: 2025-3-26 21:32 作者: 即席 時(shí)間: 2025-3-27 04:21 作者: 男生如果明白 時(shí)間: 2025-3-27 07:30
Die Verteilung der Fernsehsignale,even until the late 1930s, American women were continuing to produce eerie tales in which material objects play a vital role. However, it was not until Shirley Jackson emerged in the late 1940s and 1950s that the relationship between women and domestic spaces and commodities would surface with such 作者: 一夫一妻制 時(shí)間: 2025-3-27 12:02
American Women‘s Ghost Stories in the Gilded Age978-1-137-32398-9Series ISSN 2634-6214 Series E-ISSN 2634-6222 作者: foppish 時(shí)間: 2025-3-27 16:52
2634-6214 araphernalia, wallpaper and humble domestic furniture. Featuring uncanny tales from the big city to the small town and the empty prairie, it offers a new perspective on an old genre.??978-1-137-32398-9Series ISSN 2634-6214 Series E-ISSN 2634-6222 作者: dura-mater 時(shí)間: 2025-3-27 17:50
Palgrave Gothichttp://image.papertrans.cn/a/image/154607.jpg作者: prosperity 時(shí)間: 2025-3-28 01:58
Book 2014This book shows just how closely late nineteenth-century American women‘s ghost stories engaged with objects such as photographs, mourning paraphernalia, wallpaper and humble domestic furniture. Featuring uncanny tales from the big city to the small town and the empty prairie, it offers a new perspective on an old genre.??作者: Rebate 時(shí)間: 2025-3-28 03:49 作者: Palliation 時(shí)間: 2025-3-28 06:49
Palgrave Macmillan, a division of Macmillan Publishers Limited 2014作者: acolyte 時(shí)間: 2025-3-28 11:00
10樓作者: 漂泊 時(shí)間: 2025-3-28 17:22
10樓作者: 要素 時(shí)間: 2025-3-28 19:53
10樓
