派博傳思國際中心

標題: Titlebook: American Television on British Screens; A Story of Cultural Paul Rixon Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Li [打印本頁]

作者: deliberate    時間: 2025-3-21 18:03
書目名稱American Television on British Screens影響因子(影響力)




書目名稱American Television on British Screens影響因子(影響力)學科排名




書目名稱American Television on British Screens網絡公開度




書目名稱American Television on British Screens網絡公開度學科排名




書目名稱American Television on British Screens被引頻次




書目名稱American Television on British Screens被引頻次學科排名




書目名稱American Television on British Screens年度引用




書目名稱American Television on British Screens年度引用學科排名




書目名稱American Television on British Screens讀者反饋




書目名稱American Television on British Screens讀者反饋學科排名





作者: abduction    時間: 2025-3-22 00:09
Broadcasters as Active Mediators,tual decisions made; forces do not buy programmes, broadcasters do. It is they ‘who are making decisions based on their understanding of domestic audiences, channel requirements, scheduling practices and the prevailing television environment’ (Steemers, 2004: 18–19).
作者: 天賦    時間: 2025-3-22 03:26

作者: Foolproof    時間: 2025-3-22 07:37

作者: 戲法    時間: 2025-3-22 09:22

作者: 協迫    時間: 2025-3-22 15:17

作者: concentrate    時間: 2025-3-22 20:19
The Black Art: Scheduling American Programmes,, are on another level, dynamic, still undergoing change as they are incorporated into and interact with a schedule; in this way their meaning and role are partly the result of the moment of broadcast — their position in the temporal and spatial dimensions of the schedule.
作者: Heretical    時間: 2025-3-23 00:12

作者: Dorsal    時間: 2025-3-23 02:39

作者: AWRY    時間: 2025-3-23 06:06
Das Ende eines Kapitels Weltluftverkehr,ehind any activity also requires an understanding of the political decisions made in relation to the needs and wishes of that society — an understanding and concern that, in some ways, has been forsaken by classical economics since the 19th century (Mosco, 1996: 47–52).
作者: cumber    時間: 2025-3-23 12:16
https://doi.org/10.1007/b138776s well as presenting new ways of enjoying and engaging with the programmes themselves. As Fiske notes in relation to the role of secondary texts, such as television criticism, ‘[they play]… a significant role in influencing which of television’s meanings may be activated in any one reading…’ (Fiske, 1992: 118).
作者: 杠桿    時間: 2025-3-23 16:09

作者: FILTH    時間: 2025-3-23 18:38
Re-evaluating British Television History: From ,ican programmes on British screens. However, as I argue below, the coverage of American programmes has not been the main focus of the above-mentioned work, and therefore there has been little attempt to fully explore the complexity and detail of its changing use and role on British television.
作者: badinage    時間: 2025-3-24 00:49
The Economic Rationale: Push and Pull Factors,ehind any activity also requires an understanding of the political decisions made in relation to the needs and wishes of that society — an understanding and concern that, in some ways, has been forsaken by classical economics since the 19th century (Mosco, 1996: 47–52).
作者: Verify    時間: 2025-3-24 04:07
Discourse of Television Critics,s well as presenting new ways of enjoying and engaging with the programmes themselves. As Fiske notes in relation to the role of secondary texts, such as television criticism, ‘[they play]… a significant role in influencing which of television’s meanings may be activated in any one reading…’ (Fiske, 1992: 118).
作者: Enervate    時間: 2025-3-24 09:22
The Next Generation?,-way form of transmission, one where viewers are generally perceived as being passive, to a form where a limit degree of interactivity is encouraged, but mostly in the benefit of the media organisation; at the end of the day they are there to sell a restricted range of commodities for a profit.
作者: ascend    時間: 2025-3-24 12:54

作者: 贊成你    時間: 2025-3-24 15:36

作者: vocation    時間: 2025-3-24 20:57

作者: 開頭    時間: 2025-3-25 00:13
Introduction,re recently, . and . This does not mean I only watch American programmes but, when discussing my memories and experiences of watching television, these programmes are as likely to surface as British ones. Indeed, from my perspective, I see little difference between the two. American programmes have
作者: Psychogenic    時間: 2025-3-25 05:57
Theories of Cultural Assimilation,culture without, in the first instant, understanding the wider discourse concerning American culture; partly as it has been so influential in later discourse about the role and use of American television programmes within British schedules. I will therefore, in the first chapter, begin by surveying
作者: 腫塊    時間: 2025-3-25 10:00
Re-evaluating British Television History: From ,for example the official history of the BBC by Asa Briggs (1961, 1965, 1970, 1979, 1995: Vols I–V), while others have been single volume affairs often focusing on the history of particular organisations, such as the BBC or ITV, or exploring specific periods or themes (for example, Scannell and Cardi
作者: maladorit    時間: 2025-3-25 12:13
The Economic Rationale: Push and Pull Factors,ular, the use made by British broadcasters of American programmes. I will begin by outlining the main preoccupations of economics, one that focuses on the operations of the market, the chief mechanism for achieving efficiency. While some economists argue for a logical, detached understanding of any
作者: 持久    時間: 2025-3-25 16:53

作者: 忙碌    時間: 2025-3-25 23:00

作者: 細微的差異    時間: 2025-3-26 02:28
Discourse of Television Critics, are important in such a discourse not because they determine the way the public view, understand and value programmes but because they, unlike the public, are able to articulate their views on a regular basis through the media. They are able, through their criticism, or reports, as Jack Gould the A
作者: 雄偉    時間: 2025-3-26 05:59
The Next Generation?,, for Ellis, the seeds of change were evident in the second age with the coming of analogue satellite and cable. Such new forms of distribution have hurried the end of the old broadcasting regimes dominated by a handful of broadcast channels. The emerging multichannel television environment is one w
作者: 六個才偏離    時間: 2025-3-26 09:16

作者: 好色    時間: 2025-3-26 14:20

作者: 痛苦一下    時間: 2025-3-26 20:32
Das Ende eines Kapitels Weltluftverkehr,re recently, . and . This does not mean I only watch American programmes but, when discussing my memories and experiences of watching television, these programmes are as likely to surface as British ones. Indeed, from my perspective, I see little difference between the two. American programmes have
作者: 軟膏    時間: 2025-3-26 21:06

作者: 小說    時間: 2025-3-27 04:19
https://doi.org/10.1007/b138776for example the official history of the BBC by Asa Briggs (1961, 1965, 1970, 1979, 1995: Vols I–V), while others have been single volume affairs often focusing on the history of particular organisations, such as the BBC or ITV, or exploring specific periods or themes (for example, Scannell and Cardi
作者: 圣歌    時間: 2025-3-27 05:20
Das Ende eines Kapitels Weltluftverkehr,ular, the use made by British broadcasters of American programmes. I will begin by outlining the main preoccupations of economics, one that focuses on the operations of the market, the chief mechanism for achieving efficiency. While some economists argue for a logical, detached understanding of any
作者: Mettle    時間: 2025-3-27 10:20
Das Ende eines Kapitels Weltluftverkehr,s are ideally positioned to give an insight into the processes at work in the selection and use of imported programmes. However, I will argue here that they are more than witnesses; indeed, rather than think of them as passive conduits, their actions directed and determined by wider economic forces,
作者: 環(huán)形    時間: 2025-3-27 17:07

作者: Lucubrate    時間: 2025-3-27 18:10
https://doi.org/10.1007/b138776 are important in such a discourse not because they determine the way the public view, understand and value programmes but because they, unlike the public, are able to articulate their views on a regular basis through the media. They are able, through their criticism, or reports, as Jack Gould the A
作者: CYN    時間: 2025-3-28 01:09
Das Ende eines Kapitels Weltluftverkehr,, for Ellis, the seeds of change were evident in the second age with the coming of analogue satellite and cable. Such new forms of distribution have hurried the end of the old broadcasting regimes dominated by a handful of broadcast channels. The emerging multichannel television environment is one w
作者: VEN    時間: 2025-3-28 02:55

作者: pineal-gland    時間: 2025-3-28 09:35
Book 2006This work explores how American programmes have become an important part of British television culture since the 1950‘s, moving from schedule fillers to cornerstones and ‘must see‘ attractions. The book analyses popular and industrial discourses, the changing roles of such programmes on British screens and interviews with key British broadcasters.
作者: overture    時間: 2025-3-28 11:26
https://doi.org/10.1057/9780230625242America; assimilation; bibliography; culture; discourse; history; interaction; interview; knowledge; love; med
作者: 使殘廢    時間: 2025-3-28 15:00
978-1-349-52058-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2006
作者: Biomarker    時間: 2025-3-28 21:30
e fillers to cornerstones and ‘must see‘ attractions. The book analyses popular and industrial discourses, the changing roles of such programmes on British screens and interviews with key British broadcasters.978-1-349-52058-9978-0-230-62524-2
作者: 恭維    時間: 2025-3-29 01:35

作者: 劇本    時間: 2025-3-29 05:37





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