標(biāo)題: Titlebook: American TV Detective Dramas; Serial Investigation Mareike Jenner Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Crime fict [打印本頁] 作者: INFER 時間: 2025-3-21 19:21
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作者: 漂浮 時間: 2025-3-21 21:48
Defining Detection: The Detective Genre,scribes all texts that feature crime as a dominant part of the narrative (the gangster genre, the serial killer genre, the cop drama, the heist film, the courtroom drama, etc.). It is treated here as an umbrella term or umbrella genre that accommodates a number of sub-genres, as will be discussed in作者: PANIC 時間: 2025-3-22 03:49
,Stabilising Detection: Protecting and Serving the Status Quo 1950–68,and a magnifying glass. And though Dick Tracy encounters many action-packed and life-threatening situations during his investigations and the stories are somewhat preposterous, the analysis of clues through science is always emphasised. The series often focusses on technology to analyse clues. Regul作者: 考博 時間: 2025-3-22 07:32
,Diversifying Detection: Proliferation of Channels and Television Cycles 1980–2000,ice force, particularly . and ., with their innovative aesthetics and narrative structure (see Chapter 4). These dramas introduce chaotic diegeses that cannot be ‘ordered’ through rational-scientific police procedure, but necessitate irrational-subjective undercover work or a reliance on coincidence作者: Fatten 時間: 2025-3-22 11:10
Rethinking Detection: Alternative Methods of Detection,nough to enable a new way of thinking about ways to access and attain ‘truth’. This may bring with it ways of resolving the problem with which the forensic drama cycle is equally concerned with as . and .: what to do when postmodern deconstruction leaves us without a clearly outlined ‘code’. The for作者: 雜色 時間: 2025-3-22 15:16
Conclusion, . and . may be extreme examples of rational-scientific and irrational-subjective methods of detection, they are not ‘merely’ television’s responses to 9/11; both are situated in complex industrial and aesthetic discourses and within a rich genre history. To view Jack Bauer as an heir to the Sam Spa作者: constitutional 時間: 2025-3-22 17:55
https://doi.org/10.1007/978-3-322-91721-8ith CGI images, and . with its real-time narrative and split-screen aesthetics. . was in its heyday and found itself within the top five in Nielsen ratings for eight seasons (see Kompare 2010, 4), while . anti-hero Jack Bauer (Kiefer Sutherland) took on a prominent role in the public debate on tortu作者: 猛烈責(zé)罵 時間: 2025-3-22 23:03 作者: Custodian 時間: 2025-3-23 02:02 作者: Champion 時間: 2025-3-23 05:45
W. Knoth,R. C. Knoth-Born,H. Ranftice force, particularly . and ., with their innovative aesthetics and narrative structure (see Chapter 4). These dramas introduce chaotic diegeses that cannot be ‘ordered’ through rational-scientific police procedure, but necessitate irrational-subjective undercover work or a reliance on coincidence作者: BALE 時間: 2025-3-23 12:38 作者: BATE 時間: 2025-3-23 14:50 作者: COLON 時間: 2025-3-23 20:02
Die systemanalytische Betrachtungitically acclaimed and innovative dramas on television, from . to ., are detective narratives. These series, often celebrated for their ‘realism’, break new ground in what television narratives can achieve while using relatively familiar genre frameworks to guide us through complex and complicated stories and narrative structures.作者: Pituitary-Gland 時間: 2025-3-24 00:55 作者: BARB 時間: 2025-3-24 03:45
Investigating Detection: Methods of Detection in American Detective Dramas,itically acclaimed and innovative dramas on television, from . to ., are detective narratives. These series, often celebrated for their ‘realism’, break new ground in what television narratives can achieve while using relatively familiar genre frameworks to guide us through complex and complicated stories and narrative structures.作者: Rinne-Test 時間: 2025-3-24 08:34
,Disillusioned Detection: DNA and 9/11 2000–10,s, . and . are dominant ‘quality TV’ texts for various reasons, as outlined in this chapter. The proliferation of channels in a TVIII environment (as outlined in Chapter 1) and the newfound popularity of detective drama (compared with the 1990s) allowed these innovations to happen in parallel.作者: 紅潤 時間: 2025-3-24 14:17
,Griseofulvinaufnahme durch die N?gel, the spies are handed the results of an investigation and then move to prevent a crime, capture criminals, protect individuals, retrieve objects and documents, or help other agents. This process involves much disguise, gadgetry and suspense, but little investigation.作者: correspondent 時間: 2025-3-24 17:15
,Reforming Detection: Social Change and Political Corruption 1968–80, the spies are handed the results of an investigation and then move to prevent a crime, capture criminals, protect individuals, retrieve objects and documents, or help other agents. This process involves much disguise, gadgetry and suspense, but little investigation.作者: 就職 時間: 2025-3-24 22:29 作者: Microgram 時間: 2025-3-25 00:56 作者: SOW 時間: 2025-3-25 03:49 作者: 側(cè)面左右 時間: 2025-3-25 11:14
Introduction,rican TV detective genre via the methods of detection used to access the ‘truth’ about a crime. To explain what this means, it may be worth looking back a few years to the television landscape of around 2006. During George W. Bush’s second term as president of the USA and amidst revelations of tortu作者: 有權(quán) 時間: 2025-3-25 14:21 作者: arbovirus 時間: 2025-3-25 19:38 作者: interior 時間: 2025-3-26 00:04
Telling Detection: The Narrative Structures of American TV Detective Dramas,r, the detective genre is understood as a vast network of texts that tend to either copy existing structures or react against them. These narrative structures are rooted in the literary traditions of the whodunit in Golden Age fiction, which has proven to be a dominant mode of storytelling for US ne作者: obeisance 時間: 2025-3-26 03:39
,Stabilising Detection: Protecting and Serving the Status Quo 1950–68,s . (NBC, 1949–57) and . (ABC, 1946–51). In cinema, the film series . (dir. James and Taylor 1937) is particularly well-remembered. The film series was an adaptation of a comic strip about a so-called G-Man (short for ‘Government Man’, a colloquial term for FBI agents), which was later also adapted 作者: 起皺紋 時間: 2025-3-26 05:54
,Reforming Detection: Social Change and Political Corruption 1968–80,the domestic hunt for communists taking on a less aggressive tone and the international Cold War posing a more pertinent threat to US citizens with the Cuban missile crisis in 1962, series like . (NBC, 1964–8) or . (NBC, 1965–8), which saw America protected and defeating its enemy over and over agai作者: 精確 時間: 2025-3-26 09:05 作者: 數(shù)量 時間: 2025-3-26 12:53
,Disillusioned Detection: DNA and 9/11 2000–10,res of dramas featuring rational-scientific methods of detection. A supposed ‘quality revolution’ led not only to much aesthetic innovation of the familiar whodunit, but also to the production of a small number of texts that featured irrational-subjective methods of detection. Though small in number作者: 暴發(fā)戶 時間: 2025-3-26 18:32
Rethinking Detection: Alternative Methods of Detection,oblem of how to access ‘truth’. This does not necessarily mean that they offer suggestions for alternative methods of detection — a factor that may be related to their indebtedness to a postmodern tradition, which denies singular ‘grand narratives’. But they offer up new ways of how to think about ‘作者: moratorium 時間: 2025-3-26 22:05 作者: 不安 時間: 2025-3-27 02:34
Crime Fileshttp://image.papertrans.cn/a/image/154599.jpg作者: 無聊點(diǎn)好 時間: 2025-3-27 05:56 作者: 兵團(tuán) 時間: 2025-3-27 10:22
Die systemanalytische Betrachtungdcast all over the world. As such, the familiar narrative structures, ‘stock’ characters, urban settings, and so on seem to be almost taken for granted — the implication often being that because they are familiar, they must be reactionary and conservative. Yet, on the other hand, some of the most cr作者: MELD 時間: 2025-3-27 17:00
https://doi.org/10.1007/978-3-322-91721-8he crime genre and the detective genre, and will then move on to discuss two of the detective genre’s sub-genres: the ‘genius’ detective genre and the police procedural. In the course of outlining and defining the genre, this chapter will also sketch out an understanding of genre as discourse, follo作者: Inordinate 時間: 2025-3-27 18:43 作者: Communal 時間: 2025-3-28 01:31 作者: 復(fù)習(xí) 時間: 2025-3-28 04:36
,Griseofulvinaufnahme durch die N?gel,the domestic hunt for communists taking on a less aggressive tone and the international Cold War posing a more pertinent threat to US citizens with the Cuban missile crisis in 1962, series like . (NBC, 1964–8) or . (NBC, 1965–8), which saw America protected and defeating its enemy over and over agai作者: 不可比擬 時間: 2025-3-28 09:21 作者: intricacy 時間: 2025-3-28 12:30 作者: magnate 時間: 2025-3-28 15:25 作者: 使人入神 時間: 2025-3-28 21:47 作者: 連接 時間: 2025-3-29 01:05
American TV Detective Dramas978-1-137-42566-9Series ISSN 2947-8340 Series E-ISSN 2947-8359 作者: infarct 時間: 2025-3-29 05:49 作者: Callus 時間: 2025-3-29 10:48
https://doi.org/10.1057/9781137425669Crime fiction; Serial crime drama; Politics; Genre; Narrative; crime fiction; Detective drama; drama; fictio作者: 昏睡中 時間: 2025-3-29 15:19 作者: 窒息 時間: 2025-3-29 16:07
