標(biāo)題: Titlebook: American Science Fiction Television and Space; Productions and (Re) Joel Hawkes,Alexander Christie,Tom Nienhuis Book 2023 The Editor(s) (if [打印本頁(yè)] 作者: 動(dòng)詞 時(shí)間: 2025-3-21 16:19
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書(shū)目名稱American Science Fiction Television and Space讀者反饋學(xué)科排名
作者: GORGE 時(shí)間: 2025-3-21 22:05
http://image.papertrans.cn/a/image/154591.jpg作者: Institution 時(shí)間: 2025-3-22 04:03
https://doi.org/10.1007/978-3-031-10528-9science fiction; television; space; heterotopia; production of space作者: Horizon 時(shí)間: 2025-3-22 08:01
978-3-031-10530-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: Immobilize 時(shí)間: 2025-3-22 10:48
https://doi.org/10.1007/978-3-322-98795-2In a moment that would surely cement the cult status of . (1984), the titular hero is asked, “Why is there a watermelon there?” He replies, “I’ll tell you later.” The answer, however, is never given.作者: Rheumatologist 時(shí)間: 2025-3-22 16:29
Disembodied Spaces and Cyborg Utopias in In a moment that would surely cement the cult status of . (1984), the titular hero is asked, “Why is there a watermelon there?” He replies, “I’ll tell you later.” The answer, however, is never given.作者: impale 時(shí)間: 2025-3-22 17:04 作者: GROWL 時(shí)間: 2025-3-23 00:31
,Klinisches Bild der akuten Gonorrh?e, .. What makes it stand out from other popular conlangs like Klingon or Dothraki is that, rather than attempting to sound “exotic,” with a totally invented vocabulary and unfamiliar grammar, Belter Creole strives to sound like real languages that have undergone normal language-change processes (Colb作者: 變異 時(shí)間: 2025-3-23 02:11
Rudolf T. Schmidt,Karlheinz Hülserng corpses while contemplating human life of the past. Long before they start referring to the human hubris that led to environmental crisis and the extinction of civilization, one of them says in disappointment, “You’ve seen one post-apocalyptic city, you’ve seen them all!” Whatever the cause of th作者: Commentary 時(shí)間: 2025-3-23 05:49
https://doi.org/10.1007/978-3-663-00224-6ssible futures where new technologies challenge, hurt and destroy, “San Junipero” appears optimistic, a joyful SF text that explores a technology-enabled utopia. The episode imagines a computer-simulated world, or virtual reality (VR), where old and dying people can spend time as avatars of their yo作者: gerrymander 時(shí)間: 2025-3-23 12:13
https://doi.org/10.1007/978-3-658-09640-3. (Otterson 2018). The critically beloved science fiction (SF) series had been cancelled by cable network SyFy (formerly Sci-Fi Channel) earlier that month but would now be available through—and new seasons would be produced for—Amazon Prime Video. This announcement came after fans of the series had作者: colony 時(shí)間: 2025-3-23 16:40 作者: custody 時(shí)間: 2025-3-23 20:12 作者: scrape 時(shí)間: 2025-3-24 01:40
https://doi.org/10.1007/978-3-322-99078-5to the brink of war, their mechanic, Amos Burton (Wes Chatham), remarks, “we’re just caught in the Churn, that’s all … When the jungle tears itself down and turns into something new” (“Windmills”). Amos does not know it yet, but the “Churn” will not only change the people and politics of human space作者: 串通 時(shí)間: 2025-3-24 04:48
https://doi.org/10.1007/978-3-322-88690-3tion of Falling Stars” is a curious episode in that it was written and filmed at the last minute to replace the series finale, “Sleeping in Light,” after the show was picked up for a fifth and final season by TNT. At this moment, however, about three minutes into the finale, the episode is skipping.作者: 思想流動(dòng) 時(shí)間: 2025-3-24 09:08 作者: Forage飼料 時(shí)間: 2025-3-24 14:00 作者: DEAF 時(shí)間: 2025-3-24 18:08
Lis Hansen,Kerstin Roose,Dennis Senzeluntered and experienced. The embodiment of space happens largely through the Seven, superheroes who either penetrate space, travel through it, or become entangled or enmeshed in it. In . all-of-space seems to be occupied, a contradictory and contested heterotopia in which different worlds collide an作者: sigmoid-colon 時(shí)間: 2025-3-24 19:13
increasingly “space-conscious” age--one dominated by the spThis collection reads the science fiction genre and television medium as examples of heterotopia (and television as science fiction technology), in which forms, processes, and productions of space and time collide – a multiplicity of spaces作者: 逗它小傻瓜 時(shí)間: 2025-3-25 00:02 作者: 后天習(xí)得 時(shí)間: 2025-3-25 07:06
at the Borders: Language, Space, and Power in ies, Belters use their spoken language and its gestures as a critical act of resistance. Belters use language to develop and maintain subject positions—to resist unequal power structures, constructing a semantic space like Gloria Anzaldúa’s ..作者: Radiation 時(shí)間: 2025-3-25 10:18
,Das Erkennen und L?sen der Zinken,strange and alien endeavor of war to viewers in the safety of their homes. News and entertainment blurred, complementing and competing with one another in examination of a world beyond the television screen.作者: FRAUD 時(shí)間: 2025-3-25 12:39
The Wars of Ronald D. Moore: Terrorism, Insurgency, and News Media in , and strange and alien endeavor of war to viewers in the safety of their homes. News and entertainment blurred, complementing and competing with one another in examination of a world beyond the television screen.作者: Hiatus 時(shí)間: 2025-3-25 19:45
https://doi.org/10.1007/978-3-322-88690-3be an even greater science fictional setup. The finale unfolds as an unnamed human in the distant future reviews video footage of the aftermath of the show’s main events through a futuristic television device, reflecting upon the evolution of the human race moments before the sun explodes, destroying humanity’s cosmic home.作者: Painstaking 時(shí)間: 2025-3-25 20:58 作者: Reverie 時(shí)間: 2025-3-26 02:58 作者: Sad570 時(shí)間: 2025-3-26 04:27
,Komplikationen der akuten Gonorrh?e,by reading it against the theories of state space articulated by the influential Marxist philosopher Henri Lefebvre. Lefebvre writes extensively on how state power demarcates, constructs, and constrains the spaces people inhabit; he counters the practices he observes with a liberatory concept of soc作者: botany 時(shí)間: 2025-3-26 11:03 作者: Encoding 時(shí)間: 2025-3-26 16:33
https://doi.org/10.1007/978-3-663-00224-6 this timeless simulated beach town, inhabitants can choose to experience the space in any past year—moving between the early to late 1980s, the 1990s, and the 2000s—enjoying the music and aesthetics of each period and a steady stream of parties in what is described as “immersive nostalgia therapy” 作者: 死亡率 時(shí)間: 2025-3-26 18:22 作者: 星球的光亮度 時(shí)間: 2025-3-26 23:42
https://doi.org/10.1007/978-3-322-99078-5ie trilogy (PT), and over a century after the original movie trilogy (OT). The latter in particular concerned EU fans in the aftermath of the Disney purchase. After all, the novels and comics set after 1983’s . had introduced such elements as the Rebel Alliance’s transformation into a New Republic, 作者: harrow 時(shí)間: 2025-3-27 04:18
https://doi.org/10.1007/978-3-322-99078-5ity, a process of constant change. In ., Marshall Berman invites us to “think of modernism as a struggle to make ourselves at home in a constantly changing world” (1988, 6). The Churn is then the “maelstrom of perpetual disintegration and renewal, of struggle and contradiction, of ambiguity and angu作者: SYN 時(shí)間: 2025-3-27 06:24 作者: Immortal 時(shí)間: 2025-3-27 11:02 作者: countenance 時(shí)間: 2025-3-27 16:55 作者: 下船 時(shí)間: 2025-3-27 18:26 作者: 污穢 時(shí)間: 2025-3-28 00:03
Occupied Space: The Contested Habitation of Terok Nor/Deep Space Nineby reading it against the theories of state space articulated by the influential Marxist philosopher Henri Lefebvre. Lefebvre writes extensively on how state power demarcates, constructs, and constrains the spaces people inhabit; he counters the practices he observes with a liberatory concept of soc作者: visual-cortex 時(shí)間: 2025-3-28 03:21 作者: ineluctable 時(shí)間: 2025-3-28 06:46
“Heaven is a Place on Earth”?: Configuring the Horizon of Queer Utopia in ,’s “San Junipero” this timeless simulated beach town, inhabitants can choose to experience the space in any past year—moving between the early to late 1980s, the 1990s, and the 2000s—enjoying the music and aesthetics of each period and a steady stream of parties in what is described as “immersive nostalgia therapy” 作者: Oscillate 時(shí)間: 2025-3-28 12:55
SVOD: A Place for (Outer) Space?ing service.” After the closure of Legendary Digital’s Alpha in March 2019, the pay-TV channel SyFy remains the (obviously) most prominent “space for SF” on television—and even it could not justify keeping . on its line-up. At the time of acquiring ., Amazon Prime Video had already produced two orig作者: kindred 時(shí)間: 2025-3-28 17:28
“To Ensure the Safety of the Republic, We Must Deregulate the Banks”: A Social Democratic Reading ofie trilogy (PT), and over a century after the original movie trilogy (OT). The latter in particular concerned EU fans in the aftermath of the Disney purchase. After all, the novels and comics set after 1983’s . had introduced such elements as the Rebel Alliance’s transformation into a New Republic, 作者: 不愿 時(shí)間: 2025-3-28 19:54
Enclosing, Opening, and Redefining Modern Space in ity, a process of constant change. In ., Marshall Berman invites us to “think of modernism as a struggle to make ourselves at home in a constantly changing world” (1988, 6). The Churn is then the “maelstrom of perpetual disintegration and renewal, of struggle and contradiction, of ambiguity and angu作者: invert 時(shí)間: 2025-3-29 00:17 作者: opprobrious 時(shí)間: 2025-3-29 03:49 作者: Conclave 時(shí)間: 2025-3-29 09:23
Keep Swinging: Celebrity Bodies in and Between Spacearket forces. By contrast, the Boys, the vengeful vigilantes of the series, occupy marginal and marginalized spaces, and non-places (Augé 1995), their vulnerable human bodies at home in these realist or Other heterotopias. The Boys can travel to and invade the utopic spaces where the Seven reside, b作者: CAJ 時(shí)間: 2025-3-29 14:01 作者: Ingest 時(shí)間: 2025-3-29 16:24 作者: 可觸知 時(shí)間: 2025-3-29 22:05 作者: ULCER 時(shí)間: 2025-3-30 00:42 作者: cultivated 時(shí)間: 2025-3-30 04:47 作者: 考得 時(shí)間: 2025-3-30 08:43 作者: Between 時(shí)間: 2025-3-30 14:43
The Wars of Ronald D. Moore: Terrorism, Insurgency, and News Media in , and ed American warplanes. The report, which featured shots of tracer fire through grainy night vision and the sound of booming explosions, offered viewers drama that competed with any scripted show. War was live in homes across the world. Following Desert Storm, news networks increasingly brought this 作者: grotto 時(shí)間: 2025-3-30 16:36 作者: Junction 時(shí)間: 2025-3-30 21:01
Enclosing, Opening, and Redefining Modern Space in to the brink of war, their mechanic, Amos Burton (Wes Chatham), remarks, “we’re just caught in the Churn, that’s all … When the jungle tears itself down and turns into something new” (“Windmills”). Amos does not know it yet, but the “Churn” will not only change the people and politics of human space
