標題: Titlebook: American Postmodernist Fiction and the Past; Theophilus Savvas Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 20 [打印本頁] 作者: 猛烈抨擊 時間: 2025-3-21 17:35
書目名稱American Postmodernist Fiction and the Past影響因子(影響力)
書目名稱American Postmodernist Fiction and the Past影響因子(影響力)學科排名
書目名稱American Postmodernist Fiction and the Past網(wǎng)絡公開度
書目名稱American Postmodernist Fiction and the Past網(wǎng)絡公開度學科排名
書目名稱American Postmodernist Fiction and the Past被引頻次
書目名稱American Postmodernist Fiction and the Past被引頻次學科排名
書目名稱American Postmodernist Fiction and the Past年度引用
書目名稱American Postmodernist Fiction and the Past年度引用學科排名
書目名稱American Postmodernist Fiction and the Past讀者反饋
書目名稱American Postmodernist Fiction and the Past讀者反饋學科排名
作者: inspiration 時間: 2025-3-21 23:06
,‘Nothing but words’: Chronicling and Storytelling in Robert Coover’s ,al portrait of Richard Nixon. Re-staging the execution as a public ritual in Times Square, Coover’s novel interrogates the creation, and our understanding of the political and historical record, and its symbiotic relationship with the public. When Nixon comments in the novel, ‘Form, ., that’s what i作者: nitric-oxide 時間: 2025-3-22 01:22 作者: Agility 時間: 2025-3-22 07:07
Pynchon Plays Dice: , and Quantum History,ry, but it is the 1997 novel ., with its eighteenth-century setting, language and typography (use of the em dash; capitalisation of real nouns; William Caslon’s ampersand, etc.) which is most deeply embedded in the past.1 As such it is, as most reviewers and critics have noted, the author’s clearest作者: 露天歷史劇 時間: 2025-3-22 09:18 作者: nocturia 時間: 2025-3-22 14:24 作者: jabber 時間: 2025-3-22 19:38
Conclusion: Moving on from Postmodernism,‘a(chǎn)mnesic-confabulatory disorder’, suggests more clearly its dual characteristics of memory loss and the innocent compensatory gap-filling, or ‘confabulation’, of the sufferer. I say ‘innocent’ because sufferers believe their stories to be true, believe that their memories are accurate reflections of作者: 幼稚 時間: 2025-3-22 22:40 作者: 賄賂 時間: 2025-3-23 02:52
,‘Nothing but words’: Chronicling and Storytelling in Robert Coover’s ,s are ‘narrated’ by a seemingly omniscient voice in the third person, which offers an epic, panoramic view of the sweep of history; the oddnumbered chapters and epilogue constitute an interior monologue of then Vice-President Richard Nixon.作者: essential-fats 時間: 2025-3-23 09:31 作者: 減震 時間: 2025-3-23 12:22
Introduction: Representing History, Re-presenting the Past,erican past. This, I believe, offers the prospect of not only a more focused and coherent book, but, it is hoped, will allow for a sense of the multifarious nature of American history to emerge organically, and for a clearer exploration of the ways in which the writers themselves conceive of their h作者: 使害怕 時間: 2025-3-23 16:00
,‘There is a world inside the world’: Don DeLillo’s , and Latent History, that postmodernism is the cultural dominant of the latter half of the twentieth-century. Such is the interplay between theories of the postmodern and the content of DeLillo’s novels, one might be forgiven for thinking either that the theorists who posited such notions have done a fine job of captur作者: 包庇 時間: 2025-3-23 19:33
Pynchon Plays Dice: , and Quantum History,he basis of an enquiry into the reason (and madness) of the Enlightenment, the brutalities of slavery, the nature of time, the origins and futures (I use the plural deliberately) of America, and much more besides. It is of course a furthering of his inquisition into methods of telling (his)stories, 作者: forthy 時間: 2025-3-24 00:36 作者: Horizon 時間: 2025-3-24 02:53
,‘There is only narrative’: E.L. Doctorow and Postmodernism,tional storytelling purposes’.3 It is perhaps the effect of this that led John Updike, in a percipient review of Doctorow’s 2005 novel ., to make theobservation that: ‘Doctorow is a stranger writer than he at first seems; his fiction, though generous with the conventional pleasures of dramatic plot,作者: Plaque 時間: 2025-3-24 08:59 作者: 沉默 時間: 2025-3-24 13:59
Ein- und Ausschalten der Bewegung,erican past. This, I believe, offers the prospect of not only a more focused and coherent book, but, it is hoped, will allow for a sense of the multifarious nature of American history to emerge organically, and for a clearer exploration of the ways in which the writers themselves conceive of their h作者: 注射器 時間: 2025-3-24 17:08 作者: 子女 時間: 2025-3-24 21:39 作者: demote 時間: 2025-3-24 23:45 作者: 淺灘 時間: 2025-3-25 03:49
https://doi.org/10.1007/978-3-642-47834-5tional storytelling purposes’.3 It is perhaps the effect of this that led John Updike, in a percipient review of Doctorow’s 2005 novel ., to make theobservation that: ‘Doctorow is a stranger writer than he at first seems; his fiction, though generous with the conventional pleasures of dramatic plot,作者: mediocrity 時間: 2025-3-25 10:40 作者: Flustered 時間: 2025-3-25 15:16 作者: FLEET 時間: 2025-3-25 16:53 作者: 使成整體 時間: 2025-3-25 20:48
Getriebe mit stufenlosem Regelbereich,ic style and language of what Tom LeClair calls the ‘a(chǎn)rt of excess’, DeLillo’s more measured, reserved style, might, for some, provide evidence that there is, as the . suggests, a form of ‘postmodern realism’.1 Indeed, it is the very presence of the ‘real’ in the novel which, for some critics, means作者: 自然環(huán)境 時間: 2025-3-26 01:05
Die Getriebe für Normdrehzahlenry, but it is the 1997 novel ., with its eighteenth-century setting, language and typography (use of the em dash; capitalisation of real nouns; William Caslon’s ampersand, etc.) which is most deeply embedded in the past.1 As such it is, as most reviewers and critics have noted, the author’s clearest作者: 狂怒 時間: 2025-3-26 07:03 作者: 不規(guī)則的跳動 時間: 2025-3-26 12:10
https://doi.org/10.1007/978-3-642-47834-5concludes that ‘there is no fiction or nonfiction as we commonly understand the distinction: there is only narrative’.2 If this suggests an affiliation with a postmodernist thinker such as Hayden White, the comments in the lecture also imply that such ‘postmodern’ thinking is revolutionary only in t作者: Congregate 時間: 2025-3-26 16:03 作者: semble 時間: 2025-3-26 17:02 作者: flutter 時間: 2025-3-26 22:48 作者: ANIM 時間: 2025-3-27 03:37
Book 2011Through a close-reading of the work of five prominent American postmodernist writers, this book re-evaluates?the role of the past in recent American fiction, outlines the development of the postmodernist historical novel and considers the waning influence of postmodernism in contemporary American literature.作者: sperse 時間: 2025-3-27 09:22
https://doi.org/10.1057/9780230307780America; Amerikanische Literatur; fiction; Narrative; novel; postmodernism作者: 健談的人 時間: 2025-3-27 09:52 作者: JADED 時間: 2025-3-27 14:13 作者: Aphorism 時間: 2025-3-27 17:46
Richard SchardtElement im Bildungsproze? wirksam wird. So ist eine p?dagogische Praxis, die allt?gliche Musikrezeption nicht nur problematisiert, sondern die Jugendlichen auch zu einem qualifizierten und selbstbestimmten Handeln mit Rockmusik zu bef?higen beabsichtigt, eine Ausnahme geblieben .. Allerdings mehren 作者: optional 時間: 2025-3-27 23:13
Unified Face Representation for Individual Recognition in Surveillance Videos,formation from different cameras. Face super-resolution can also be achieved, if desired. We use SIFT flow as a high level alignment tool to warp the faces. Experimental results show that by using the unified face image representation, the recognition performance is better than the result of any sin作者: Neolithic 時間: 2025-3-28 02:53
Introduction, be one of the most imposing animals in the world.” This was written of a beetle by . in his book “The Descent of Man” and all who see either that or another one of the great horned beetles for the first time cannot fail to experience feelings of astonishment. The size of these giant insects ensures作者: 輕率看法 時間: 2025-3-28 06:53 作者: 周興旺 時間: 2025-3-28 11:04
