標(biāo)題: Titlebook: American Horror Fiction and Class; From Poe to Twilight David Simmons Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Horror [打印本頁] 作者: 聯(lián)系 時間: 2025-3-21 18:36
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作者: 開始發(fā)作 時間: 2025-3-21 20:49
Class and Horror Fiction During the Early Twentieth Century,elopment of the Gothic in the shape of Weird Fiction and the pulp magazines that originally published such material. The chapter argues that the work carried out by a host of often culturally derided pulp and popular writers, exemplified by H.P. Lovecraft, was defined by the issue of class. Class wa作者: 總 時間: 2025-3-22 00:43 作者: Affluence 時間: 2025-3-22 06:33
Representing Class During the Horror Boom of the 1970s and 1980s,latty, Anne Rice, and Whitley Strieber) found their work reaching bestseller status across the United States. In particular, the chapter focuses on Stephen King as an exemplar of many of the tendencies at play more widely, specifically trends concerning the depiction of class and the increasingly se作者: acolyte 時間: 2025-3-22 11:42
Horror Fiction and Class in the Contemporary Period,ris, Poppy Z. Brite, Chuck Palahniuk and Bret Easton Ellis have developed and built upon established genre trends, it examines the use of the serial killer as a means of questioning class inequality; the self-conscious reengagement with the genre as ‘bad object’ in order to shock the status quo; and作者: 使高興 時間: 2025-3-22 15:28 作者: 白楊魚 時間: 2025-3-22 17:48
Alan L. Sillars,Pam J. Kalbfleschough to the content of the fiction that was published; in the process giving voice to a set of anxieties and fears concerning the emergent, literate working class, and the changing nature of US identity.作者: Genome 時間: 2025-3-22 22:44 作者: 愛哭 時間: 2025-3-23 02:27 作者: 熱心助人 時間: 2025-3-23 08:32 作者: 完成才會征服 時間: 2025-3-23 11:16
Class and Horror Fiction During the Early Twentieth Century,ough to the content of the fiction that was published; in the process giving voice to a set of anxieties and fears concerning the emergent, literate working class, and the changing nature of US identity.作者: brachial-plexus 時間: 2025-3-23 14:32
Representing Class During the Horror Boom of the 1970s and 1980s,of capitalism and the culture industry, while the author himself enjoys immense (continuing) commercial success producing the sort of work his writing often?appears to criticize. The chapter resituates King’s place within the development and argues for his importance in US popular Gothic’s ongoing depiction of class and popular culture.作者: GOAT 時間: 2025-3-23 21:51
Horror Fiction and Class in the Contemporary Period,’s . (2002), and Max Brooks’ . (2006). This chapter concludes that in an era when even the most mainstream of genre novels, Stephenie Meyer’s . series, explicitly situates its central characters in terms of their socio-economic status, class remains one of the most abundant sources for anxiety in the US popular psyche.作者: 無所不知 時間: 2025-3-23 22:57
2634-6214 the contemporary period.Discusses a comprehensive range of tIn this book, Simmons argues that class, as much as race and gender, played a significant role in the development of Gothic and Horror fiction in a national context. From the classic texts of Edgar Allen Poe and Nathaniel Hawthorne right th作者: 坦白 時間: 2025-3-24 05:49
Book 2017tional context. From the classic texts of Edgar Allen Poe and Nathaniel Hawthorne right through to contemporary examples, such as the novels of Stephen King and Stephenie Meyer’s?.Twilight.?Series, class remains an ever present though understudied element. This study will appeal to scholars of Ameri作者: 圓桶 時間: 2025-3-24 09:32
2634-6214 studied element. This study will appeal to scholars of American Studies, English literature, Media and Cultural Studies interested in class representations in the horror genre from the nineteenth century to the present day..978-1-349-70944-1978-1-137-53280-0Series ISSN 2634-6214 Series E-ISSN 2634-6222 作者: 含沙射影 時間: 2025-3-24 13:35
Class and Horror Fiction at Mid-Century, demonised those that they wrote about, in the post-war period changing sensibilities to the economically marginalised meant that many genre writers increasingly employed psychologically realist approaches to both, evoke sympathy for those living in poverty, and encourage the reader to ask questions about the inequity of US society.作者: 抵制 時間: 2025-3-24 17:32 作者: 不能約 時間: 2025-3-24 22:41 作者: 思考才皺眉 時間: 2025-3-25 02:53
David SimmonsPresents an innovative study of class depictions in American Horror Fiction.Covers US Horror Fiction from the nineteenth century through to the contemporary period.Discusses a comprehensive range of t作者: 灌溉 時間: 2025-3-25 04:13 作者: 撤退 時間: 2025-3-25 09:00
American Horror Fiction and Class978-1-137-53280-0Series ISSN 2634-6214 Series E-ISSN 2634-6222 作者: insomnia 時間: 2025-3-25 13:55 作者: inspiration 時間: 2025-3-25 17:12
Alan L. Sillars,Pam J. Kalbfleschelopment of the Gothic in the shape of Weird Fiction and the pulp magazines that originally published such material. The chapter argues that the work carried out by a host of often culturally derided pulp and popular writers, exemplified by H.P. Lovecraft, was defined by the issue of class. Class wa作者: 調(diào)味品 時間: 2025-3-25 21:07
https://doi.org/10.2991/978-94-6239-160-4arted to close. What resulted was an often conscious hybridisation of the genre that saw writers such as Ray Bradbury, Fritz Leiber, Shirley Jackson, and Robert Bloch look backwards to the urban Gothic work of the nineteenth century. However, this chapter argues that whereas older writers frequently作者: HPA533 時間: 2025-3-26 01:33 作者: perjury 時間: 2025-3-26 08:08
Radomir S. Stankovi?,Du?an Gaji?ris, Poppy Z. Brite, Chuck Palahniuk and Bret Easton Ellis have developed and built upon established genre trends, it examines the use of the serial killer as a means of questioning class inequality; the self-conscious reengagement with the genre as ‘bad object’ in order to shock the status quo; and作者: 小溪 時間: 2025-3-26 12:18 作者: Delectable 時間: 2025-3-26 15:23
978-1-349-70944-1The Editor(s) (if applicable) and The Author(s) 2017作者: 護身符 時間: 2025-3-26 19:39
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