標(biāo)題: Titlebook: American Horror Fiction; From Brockden Brown Brian Docherty Book 1990 Palgrave Macmillan, a division of Macmillan Publishers Limited 1990 [打印本頁] 作者: Glitch 時間: 2025-3-21 16:34
書目名稱American Horror Fiction影響因子(影響力)
作者: Digest 時間: 2025-3-21 23:43
fiction. There are essays on Charles Brockden Brown, Edgar Allan Poe, H.P.Lovecraft, William Faulkner, Robert Bloch, Patricia Highsmith, Shirley Jackson, Stephen King and Suzy McKee Charnas, covering the period from 1798 to 1983. Each essay deals with a major figure in the genre, from Gothic orgina作者: 觀點(diǎn) 時間: 2025-3-22 03:01 作者: Foam-Cells 時間: 2025-3-22 06:05 作者: Magisterial 時間: 2025-3-22 09:34 作者: PLE 時間: 2025-3-22 14:57
,Robert Bloch’s Psycho: Some Pathological Contexts,c questions about it. It needs to be noted at the outset that this is an odd and difficult task, because of a peculiarity in the story itself: which is that it contains its own psychological explanation, attached near the end as an authenticated account by a psychiatrist of a series of events which were, in fact, closely based on real incidents.作者: MOTTO 時間: 2025-3-22 18:58
https://doi.org/10.1007/978-3-662-34618-1ade death the culminating horror, but had concentrated on making the moment of death itself the ultimate horror. For Poe the horror lies in the animation of death itself. In his imagination, and in his hands as a writer, the terror lies in the vitality of death.作者: FLACK 時間: 2025-3-22 22:07 作者: Hay-Fever 時間: 2025-3-23 02:36 作者: DRAFT 時間: 2025-3-23 05:37
https://doi.org/10.1007/978-3-662-34618-1ence, a figure of departure. For it fell to him to take his place as America’s first fiction writer of consequence, a begetter of that line of ‘romance’ which begins at the turn of the nineteenth century, and which, with key stop-overs at the likes of Poe, Melville and Hawthorne, evolves through to Faulkner and well beyond.作者: Aids209 時間: 2025-3-23 10:21
https://doi.org/10.1007/978-3-322-86645-5s greatly from what is usually expected, in so far as it never comes from wondering who the evildoer is; instead it is connected with what kind of person he is, or more accurately it enfolds the reasons which make him progressively deviate from the norm and become a murderer.作者: 金桌活畫面 時間: 2025-3-23 16:33
https://doi.org/10.1007/978-3-663-16111-0 ‘mother’ to ‘text’: in order to show this I must reverse this experiental order to follow the epistemological order of psychoanalytic theory, which developed from a concentration on ‘text’ to a concentration on ‘mother’ in its movement from Freud to Kristeva.作者: 制造 時間: 2025-3-23 18:58
A Darkness Visible: the Case of Charles Brockden Brown,ence, a figure of departure. For it fell to him to take his place as America’s first fiction writer of consequence, a begetter of that line of ‘romance’ which begins at the turn of the nineteenth century, and which, with key stop-overs at the likes of Poe, Melville and Hawthorne, evolves through to Faulkner and well beyond.作者: GORGE 時間: 2025-3-23 23:19 作者: 頌揚(yáng)國家 時間: 2025-3-24 03:49 作者: Kindle 時間: 2025-3-24 10:06 作者: 跟隨 時間: 2025-3-24 11:37 作者: 加入 時間: 2025-3-24 16:08
Poe: Rituals of Life and Death, some important qualities which set it apart and make it uniquely the art of Edgar Allan Poe. By all means let us regard Poe as one of the most distinguished heirs of the Gothic movement, which clearly began with the work of the Graveyard School in the early eighteenth century, following the redisco作者: Intentional 時間: 2025-3-24 21:56
This Revolting Graveyard of the Universe: the Horror Fiction of H. P. Lovecraft,nology has been used to reproduce the Romantic Gothic worlds of Mary Shelley’s ., Gaston Le Roux’s . and Bram Stoker’s .. The work of Universal and other studios creating horror movies has been widely distributed and is well known, appearing nowadays regularly on television. The second major influen作者: 恩惠 時間: 2025-3-25 02:53
,The Evidence of Things Seen and Unseen: William Faulkner’s Sanctuary,vel hastily as a pot-boiler. This cynical claim has now been disproved in every detail by subsequent Faulkner scholarship, but one assertion made in the Introduction still gives us a clue to the effects Faulkner was aiming for: ‘[I] invented the most horrific tale I could imagine’.. The means he cho作者: Institution 時間: 2025-3-25 04:48
,Robert Bloch’s Psycho: Some Pathological Contexts, in its manifestation in Hitchcock’s film. Here I want to say a little about Robert Bloch’s original story, published in 1959, and to put some specific questions about it. It needs to be noted at the outset that this is an odd and difficult task, because of a peculiarity in the story itself: which i作者: 間接 時間: 2025-3-25 10:22
,A Feminist Approach to Patricia Highsmith’s Fiction,ifficulty of ascertaining precisely to what genre her novels belong. To see her as a ‘crime writer’ would be inaccurate as well as limitative, since it would mean ignoring certain elements of her stories which are outside the usual crime-detection-arrest pattern. To call her a mystery writer may be 作者: 沖突 時間: 2025-3-25 11:57 作者: creatine-kinase 時間: 2025-3-25 18:25
Stephen King: Powers of Horror,ersonality offered by psychoanalytic theory, specifically by Freud, Lacan and Julia Kristeva. King’s fiction is concerned above all with origins, with the grounds of being. His work betrays a fascination with those primary/primal movements and experiences which impel or force the construction of the作者: 起草 時間: 2025-3-25 22:56 作者: 踉蹌 時間: 2025-3-26 01:14
https://doi.org/10.1007/978-1-349-20579-0feminism; fiction; novel; William Faulkner作者: Communal 時間: 2025-3-26 05:48
978-0-333-46129-7Palgrave Macmillan, a division of Macmillan Publishers Limited 1990作者: 可轉(zhuǎn)變 時間: 2025-3-26 12:09
Das F?rben der Baumwolle, Wolle und Seides and readers. The name of Edgar Allan Poe, of course, is pre-eminent in both, although he was not the first American writer of horror. That distinction should probably go to the Puritan divine Michael Wigglesworth, whose long poem . (1662) achieved great popularity in Massachusetts as a warning to 作者: sundowning 時間: 2025-3-26 14:25
https://doi.org/10.1007/978-3-662-34618-1etters, at first glance a truly discrepant name to be found in so august an assembly. But, if duly assigned a place at the periphery, ‘a(chǎn)n obscure and shadowy niche’, Brown does have at least one legitimate cause for being named in this roll-call of the great and the good. Like Homer, Dante and Shake作者: 大量 時間: 2025-3-26 20:17
https://doi.org/10.1007/978-3-662-34618-1 some important qualities which set it apart and make it uniquely the art of Edgar Allan Poe. By all means let us regard Poe as one of the most distinguished heirs of the Gothic movement, which clearly began with the work of the Graveyard School in the early eighteenth century, following the redisco作者: Entreaty 時間: 2025-3-26 23:11
Allgemeine Methodik der F?zesuntersuchungnology has been used to reproduce the Romantic Gothic worlds of Mary Shelley’s ., Gaston Le Roux’s . and Bram Stoker’s .. The work of Universal and other studios creating horror movies has been widely distributed and is well known, appearing nowadays regularly on television. The second major influen作者: epidermis 時間: 2025-3-27 03:56
Allgemeine Methodik der F?zesuntersuchungvel hastily as a pot-boiler. This cynical claim has now been disproved in every detail by subsequent Faulkner scholarship, but one assertion made in the Introduction still gives us a clue to the effects Faulkner was aiming for: ‘[I] invented the most horrific tale I could imagine’.. The means he cho作者: Highbrow 時間: 2025-3-27 08:51 作者: 非實體 時間: 2025-3-27 11:17
https://doi.org/10.1007/978-3-322-86645-5ifficulty of ascertaining precisely to what genre her novels belong. To see her as a ‘crime writer’ would be inaccurate as well as limitative, since it would mean ignoring certain elements of her stories which are outside the usual crime-detection-arrest pattern. To call her a mystery writer may be 作者: 反復(fù)拉緊 時間: 2025-3-27 14:52 作者: 六個才偏離 時間: 2025-3-27 18:12 作者: syring 時間: 2025-3-27 23:05
https://doi.org/10.1007/978-3-322-98872-0equal, .. Horror literature, like all fantasy,. has the potential to be either a radical exploration of contemporary definitions of the ‘real’ or a conservative affirmation of that ‘real’, via the political ideologies (of gender, race, class) operative in the text. In this essay I analyse Charnas’s 作者: CURB 時間: 2025-3-28 04:54
http://image.papertrans.cn/a/image/154525.jpg作者: 玩笑 時間: 2025-3-28 07:25
This Revolting Graveyard of the Universe: the Horror Fiction of H. P. Lovecraft, he considered himself a man of letters who wrote exclusively for pulp magazines; he instinctively felt that he was a gentleman but was actually the son of a commercial salesman; and he was a writer in the early twentieth century who owed nothing to the work of James, Eliot, Pound or Lawrence.作者: 闖入 時間: 2025-3-28 11:05
,The Evidence of Things Seen and Unseen: William Faulkner’s Sanctuary,o the plot to such an extent that in virtually every episode a character has a story to tell. This urge is nowhere more plain than in the first major character we meet in the novel, the lawyer Horace Benbow.作者: paragon 時間: 2025-3-28 16:46 作者: 廢除 時間: 2025-3-28 21:34
,De-fanging the Vampire: S. M. Charnas’s The Vampire Tapestry as Subversive Horror Fiction,t, characteristic of the fantastic in its most radically interrogative mode. By tracing Charnas’s textual strategies and their ideological consequences, I present a case for . as an example of the use of generic fiction by a politically committed writer to raise fundamental debate about social and p作者: Irremediable 時間: 2025-3-28 23:47
tion seeking new readings, and readers interested in modern approaches to literature, will find this book useful and informative. The essays are all new, and have been specially written for Insights by leading academics.978-0-333-46129-7978-1-349-20579-0作者: BRACE 時間: 2025-3-29 03:48 作者: 弄污 時間: 2025-3-29 08:32 作者: 生意行為 時間: 2025-3-29 14:22
https://doi.org/10.1007/978-3-663-16111-0 experience of the uncanny arises either when primitive animistic beliefs, previously surmounted, seem once more to be confirmed (Shirley Jackson’s ‘The Lottery’ is a case in point) or when infantile complexes, formerly repressed, are revived (a theory which brings . into sharp focus). For Freud, va作者: 缺陷 時間: 2025-3-29 15:39
https://doi.org/10.1007/978-3-322-98872-0t, characteristic of the fantastic in its most radically interrogative mode. By tracing Charnas’s textual strategies and their ideological consequences, I present a case for . as an example of the use of generic fiction by a politically committed writer to raise fundamental debate about social and p作者: 草率女 時間: 2025-3-29 22:19
Gender, Ethnicity, and Multidirectional Violence in the Last Months of the German Rule in Lithuaniaf ethnic Lithuanians in the predominantly Polish-speaking Vilnius region. The chapter also suggests that Local Force violence should be approached within the context of the multidirectional violence that intensified in south-eastern Lithuania in the spring of 1944 rather than as a manifestation of t
