標(biāo)題: Titlebook: American Film Satire in the 1990s; Hollywood Subversion Johan Nilsson Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 [打印本頁(yè)] 作者: Chylomicron 時(shí)間: 2025-3-21 18:28
書目名稱American Film Satire in the 1990s影響因子(影響力)
書目名稱American Film Satire in the 1990s影響因子(影響力)學(xué)科排名
書目名稱American Film Satire in the 1990s網(wǎng)絡(luò)公開度
書目名稱American Film Satire in the 1990s網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱American Film Satire in the 1990s被引頻次
書目名稱American Film Satire in the 1990s被引頻次學(xué)科排名
書目名稱American Film Satire in the 1990s年度引用
書目名稱American Film Satire in the 1990s年度引用學(xué)科排名
書目名稱American Film Satire in the 1990s讀者反饋
書目名稱American Film Satire in the 1990s讀者反饋學(xué)科排名
作者: neolith 時(shí)間: 2025-3-22 00:02 作者: 多山 時(shí)間: 2025-3-22 02:53
Satire and Politics,ring the information required in order to make rational democratic choices. However, as Gray, Jones, and Thompson argue, “political comedy, satire, and parody all provide important narrative critiques that enable democratic discourse and deliberation.”. I do not wish to overstate the cultural and de作者: 微枝末節(jié) 時(shí)間: 2025-3-22 05:30 作者: 圓錐 時(shí)間: 2025-3-22 08:49
Satire and History,type of film. However, Robert Brent Toplin has put forth the question: If a genre is actualized through a variety of familiar visual elements, is it possible to similarly identify the historical film? While maintaining that filmic history constitutes an important genre in Hollywood, he, nevertheless作者: Anticlimax 時(shí)間: 2025-3-22 16:05
American Film Satire,ough . may be considered quite unusual since it was so massively successful, and since it was the only one produced and distributed by a major studio on its own (Paramount). All the others were either independent (.) or semi-independent (., and .). The three latter films all occupy what King has cal作者: 廢墟 時(shí)間: 2025-3-22 17:17
http://image.papertrans.cn/a/image/154508.jpg作者: 是貪求 時(shí)間: 2025-3-22 23:41
Book 2013This study examines how a particular selection of films turned American cultural material of the 1990s into satirical experiences for viewers and finds that there are elements of resistance to norms and conventions in politics, to mainstream news channels and Hollywood, and to official American history already embedded in the culture.作者: alcoholism 時(shí)間: 2025-3-23 03:58 作者: 恭維 時(shí)間: 2025-3-23 05:52
978-1-349-45334-4Palgrave Macmillan, a division of Nature America Inc. 2013作者: 不可磨滅 時(shí)間: 2025-3-23 11:47
s and finds that there are elements of resistance to norms and conventions in politics, to mainstream news channels and Hollywood, and to official American history already embedded in the culture.978-1-349-45334-4978-1-137-30099-7作者: single 時(shí)間: 2025-3-23 14:32 作者: 擺動(dòng) 時(shí)間: 2025-3-23 19:09
,Der Temperatursprung bei der W?rmeleitung,ok situates aesthetics in the foreground, the issues addressed in this chapter are such that they can be attributed to affect the formal and stylistic (in terms of satire) aspects of the films at hand, and figure as contextual backgrounds. The chapter’s first section concerns itself with matters of 作者: 知識(shí)分子 時(shí)間: 2025-3-24 02:03 作者: 吼叫 時(shí)間: 2025-3-24 02:37 作者: 危機(jī) 時(shí)間: 2025-3-24 09:48 作者: Melanocytes 時(shí)間: 2025-3-24 11:38 作者: peptic-ulcer 時(shí)間: 2025-3-24 18:00 作者: 平躺 時(shí)間: 2025-3-24 21:27
,Innerer Druck der Flüssigkeiten,d parody all provide important narrative critiques that enable democratic discourse and deliberation.”. I do not wish to overstate the cultural and democratic relevance of films dealing in political satire, but as the logic of satire began to gain relevance in the 1990s, political issues in popular film did win some ground.作者: RAG 時(shí)間: 2025-3-25 00:21 作者: 逗它小傻瓜 時(shí)間: 2025-3-25 04:09
,Der Temperatursprung bei der W?rmeleitung,hen we are trying to speak precisely, because the term has lost for us any sense of formal specification.”. If this was the case in 1960, imagine what has happened to satire since then, as the media landscape has grown ever larger and more varied.作者: 鋸齒狀 時(shí)間: 2025-3-25 09:37 作者: 錯(cuò)事 時(shí)間: 2025-3-25 13:37
The 1990s,the contemporary American film industry and discusses the relevance of changing film practices, which took the form of a multilevel conflation of Hollywood and independent cinema, for the satirical film. A discussion of cinematic trends—postclassicism, allusionism, and irony—that help position the 1990s satirical film then closes the chapter.作者: badinage 時(shí)間: 2025-3-25 17:01
,Der innere Druck einer verdünnten L?sung,d material and the expanded importance of media for everyday activities and different institutions (mediatization). As such, the visibility of media in the satirical film of the period seems quite natural, and thus deserving of being included here as one of the central themes.作者: 業(yè)余愛(ài)好者 時(shí)間: 2025-3-25 21:35 作者: cardiovascular 時(shí)間: 2025-3-26 03:58
,Innerer Druck der Flüssigkeiten,dependent fare, respectively.. However, all films can be considered hybrids in terms of combining materials from different traditions of filmmaking.. This kind of mixing of materials, it is interesting to note, is also a long tradition in the history of satire, where works have been considered borrowers of forms.作者: 反復(fù)拉緊 時(shí)間: 2025-3-26 06:12
Satire and the Media,d material and the expanded importance of media for everyday activities and different institutions (mediatization). As such, the visibility of media in the satirical film of the period seems quite natural, and thus deserving of being included here as one of the central themes.作者: 閃光你我 時(shí)間: 2025-3-26 10:37 作者: MIME 時(shí)間: 2025-3-26 16:05
American Film Satire,dependent fare, respectively.. However, all films can be considered hybrids in terms of combining materials from different traditions of filmmaking.. This kind of mixing of materials, it is interesting to note, is also a long tradition in the history of satire, where works have been considered borrowers of forms.作者: 知識(shí) 時(shí)間: 2025-3-26 18:37
,Der Temperatursprung bei der W?rmeleitung,the contemporary American film industry and discusses the relevance of changing film practices, which took the form of a multilevel conflation of Hollywood and independent cinema, for the satirical film. A discussion of cinematic trends—postclassicism, allusionism, and irony—that help position the 1990s satirical film then closes the chapter.作者: scotoma 時(shí)間: 2025-3-26 23:52 作者: 巧思 時(shí)間: 2025-3-27 05:11
Evaluating Ocean Learning—The Principles and Practicalities of Evaluating Formal Education Audiencesarning Outcomes as an evaluation tool flexible enough to measure learning across all of the NMA’s activities. The strengths and limitations of these methods are discussed, with the aim to highlight the benefits of evaluation and to portray the limitations and necessary adaptations to an individual project’s needs.作者: 圓錐體 時(shí)間: 2025-3-27 06:17
Gerhard Raab,Alexander Unger,Fritz Ungerntiated cells as a group in a viable, organized, and functioning state. Short-term incubation methods (24 hr or less) of tissue slices or fragments, as are commonly used in biochemical experiments, short-term isolations, or . procedures used in neurophysiology (e.g., isolated ganglia or nerve—muscle作者: PAD416 時(shí)間: 2025-3-27 09:56 作者: INERT 時(shí)間: 2025-3-27 16:34
Security in Cellular Networks and Communications,s in a cellular phone terminal, an operating system is often needed. While a modern and future model of cellphone can give a lot of convenient services to our daily life, it also introduces many security threats, not only threatening the cellphone terminals, but also the cellular communications. Thi作者: APEX 時(shí)間: 2025-3-27 20:42
Installing Sun Workstations,tswerke zu sperren. Mit der raschen Entwicklung des Verbundbetriebes sah man sich jedoch gen?tigt, auch den Frequenzbereich von 150 kHz bis 300 kHz in Anspruch zu nehmen. Die zahlreichen werks-eigenen Nachrichtenanlagen mit Tr?gerfrequenzen oberhalb von 150 kHz k?nnten ohne Gef?hrdung der Fernstromv作者: Inflamed 時(shí)間: 2025-3-28 01:49 作者: 單色 時(shí)間: 2025-3-28 04:49