作者: 憤憤不平 時(shí)間: 2025-3-21 20:25 作者: 猛烈責(zé)罵 時(shí)間: 2025-3-22 02:56
,Eugene O’Neill,s a tight enclosure, the home of the lower-deck seamen — lower-class or unclassed, de-nationed men existing in a floating, mobile pseudo-home among basic objects: bunks, a lamp, oilskins, seaboots. Movement in enclosure during a voyage or journey, but a stasis of lives — in fact, a sense of enclosure that edges into a trap.作者: irreducible 時(shí)間: 2025-3-22 07:44
David Mamet,escribing the playwright’s own dramatic theory, and then discussing the technique of audience participation in Shakespeare’s problem plays as a possible influence on Mamet’s ideas.. The chapter concludes by applying the theoretical approach developed to two particular moments in . and ..作者: 預(yù)示 時(shí)間: 2025-3-22 09:12 作者: 場(chǎng)所 時(shí)間: 2025-3-22 13:08 作者: lanugo 時(shí)間: 2025-3-22 20:55
Ordnung: Lichenes byssacei Kbr.past, to enact a dialogue between generations. In each sense, a need to revisit the past, in all its fictionalised forms, seems to be an imperative for the Jewish artist in America. In Loren Baritz’s view it is that characteristic that serves to distinguish the Jewish artist in America from his counterpart:作者: 討厭 時(shí)間: 2025-3-23 00:03
Zusammenfassung und Diskussion,l the feminist movement of the late 1960s there had never been a theatre movement that specifically expressed material existence as women experienced it. This radically challenged the structure and substance of theatre and created new theatrical and theoretical work.作者: 加入 時(shí)間: 2025-3-23 02:42 作者: 勾引 時(shí)間: 2025-3-23 07:16 作者: aneurysm 時(shí)間: 2025-3-23 12:45
Neil Simon,past, to enact a dialogue between generations. In each sense, a need to revisit the past, in all its fictionalised forms, seems to be an imperative for the Jewish artist in America. In Loren Baritz’s view it is that characteristic that serves to distinguish the Jewish artist in America from his counterpart:作者: Addictive 時(shí)間: 2025-3-23 16:43
Contemporary Feminist Theatre,l the feminist movement of the late 1960s there had never been a theatre movement that specifically expressed material existence as women experienced it. This radically challenged the structure and substance of theatre and created new theatrical and theoretical work.作者: 航海太平洋 時(shí)間: 2025-3-23 19:33 作者: Allure 時(shí)間: 2025-3-23 22:36 作者: FOLD 時(shí)間: 2025-3-24 05:55
Ordnung: Lichenes byssacei Kbr., and so undid what was in effect a patriarchal literary canon. Recent publications, such as . and . testify that women’s writing was not confined to the ‘homely’ genres of fiction and poetry, and that their writing has indeed borne fruit — for Shakespeare’s sisters have now spoken out.作者: Alienated 時(shí)間: 2025-3-24 10:15
Ordnung: Lichenes phylloblasti Kbr. been secured by the remarkable . (1949), which has been translated and performed across the globe. Yet his legacy embraces plays which, like statues carved in the shadow of a central monolith, focus the attention of his devotees on the recurring themes and impassioned principles of an indefatigable moral vision.作者: 拍下盜公款 時(shí)間: 2025-3-24 12:25 作者: 地名詞典 時(shí)間: 2025-3-24 15:27 作者: 鳥(niǎo)籠 時(shí)間: 2025-3-24 22:36
Ordnung: Lichenes byssacei Kbr., and so undid what was in effect a patriarchal literary canon. Recent publications, such as . and . testify that women’s writing was not confined to the ‘homely’ genres of fiction and poetry, and that their writing has indeed borne fruit — for Shakespeare’s sisters have now spoken out.作者: pus840 時(shí)間: 2025-3-25 00:37 作者: antenna 時(shí)間: 2025-3-25 04:28 作者: Defiance 時(shí)間: 2025-3-25 07:59 作者: occult 時(shí)間: 2025-3-25 11:56
Ordnung: Lichenes byssacei Kbr.war America. The speaker is Clay, hitherto a model of black middle-class composure, who finally turns in rage upon Lula, his undulant white temptress, as they travel the subway ‘in the flying underbelly of the city’. His belief that ‘Murder. Just murder! Would make us all sane’ bespeaks an avenging 作者: insightful 時(shí)間: 2025-3-25 16:01
Ordnung: Lichenes byssacei Kbr.r of history. Hence, Jewish-American writers have returned to Europe for myths of origin, have gone back to Depression America to confront the comfortable present with the radical past, have gone back further still to immigrant experience to create a sense of intimate connection between present and 作者: 幻想 時(shí)間: 2025-3-25 21:02 作者: 滋養(yǎng) 時(shí)間: 2025-3-26 02:56 作者: 打包 時(shí)間: 2025-3-26 07:58 作者: 信任 時(shí)間: 2025-3-26 08:27 作者: 取回 時(shí)間: 2025-3-26 12:42
Ordnung: Lichenes byssacei Kbr.Elmer Rice’s judgement was fairly representative in the mid 1930s. In contrast, Margaret Gibson recorded the tone of the obituaries that followed Odets’s death in 1963:作者: GNAW 時(shí)間: 2025-3-26 17:24
Clifford Odets,Elmer Rice’s judgement was fairly representative in the mid 1930s. In contrast, Margaret Gibson recorded the tone of the obituaries that followed Odets’s death in 1963:作者: commodity 時(shí)間: 2025-3-26 22:19
Susan Glaspell,, and so undid what was in effect a patriarchal literary canon. Recent publications, such as . and . testify that women’s writing was not confined to the ‘homely’ genres of fiction and poetry, and that their writing has indeed borne fruit — for Shakespeare’s sisters have now spoken out.作者: aggressor 時(shí)間: 2025-3-27 03:19 作者: 詼諧 時(shí)間: 2025-3-27 05:38
Sam Shepard,y of family relationships, people are trying to survive. And there aren’t any sanctioned rules. People are trying to do the best they can with what they have within themselves, within their heredity and from their experience of life.作者: 蔑視 時(shí)間: 2025-3-27 12:24
Insightshttp://image.papertrans.cn/a/image/154494.jpg作者: violate 時(shí)間: 2025-3-27 13:45
Book 1995An introduction to American drama, aimed at students, academics and serious readers, which is also concerned that the unfamiliar names and forgotten voices of those who made a major contribution to its history, have been unfairly neglected.作者: Vulnerable 時(shí)間: 2025-3-27 17:49 作者: Initiative 時(shí)間: 2025-3-28 01:41 作者: 不持續(xù)就爆 時(shí)間: 2025-3-28 02:43
Introduction,y. At once experimental and avant-garde and at the same time popular and accessible, such theatre survives as a special vein of American artistic expression. Hardly immune to either Hollywood glamour or the razzmatazz of the Great White Way, this theatre has resolutely created a place of special and作者: 健談的人 時(shí)間: 2025-3-28 09:32 作者: Alcove 時(shí)間: 2025-3-28 11:11 作者: Permanent 時(shí)間: 2025-3-28 17:18
Tennessee Williams,, or does not dare, to write of the gay experience directly. We can arrive at a reading of the plays based on this premise which, nevertheless, does not purport either to invalidate other approaches or to claim comprehensiveness, but which should enlarge our understanding of the texts by exploring p作者: enterprise 時(shí)間: 2025-3-28 20:27 作者: Myocyte 時(shí)間: 2025-3-29 02:30
Imamu Amiri Baraka,war America. The speaker is Clay, hitherto a model of black middle-class composure, who finally turns in rage upon Lula, his undulant white temptress, as they travel the subway ‘in the flying underbelly of the city’. His belief that ‘Murder. Just murder! Would make us all sane’ bespeaks an avenging 作者: aerobic 時(shí)間: 2025-3-29 03:53
Neil Simon,r of history. Hence, Jewish-American writers have returned to Europe for myths of origin, have gone back to Depression America to confront the comfortable present with the radical past, have gone back further still to immigrant experience to create a sense of intimate connection between present and 作者: 無(wú)表情 時(shí)間: 2025-3-29 08:45
Sam Shepard,y of family relationships, people are trying to survive. And there aren’t any sanctioned rules. People are trying to do the best they can with what they have within themselves, within their heredity and from their experience of life.作者: handle 時(shí)間: 2025-3-29 13:24
Marsha Norman,k which won the Pulitzer Prize in 1983 as well as a host of other prizes.. This play marked her out as one of the most promising playwrights of her generation. Norman had, however, been writing since the mid 1970s and had been the recipient of a number of other awards for her first play, ., première作者: 邪惡的你 時(shí)間: 2025-3-29 16:55 作者: 高腳酒杯 時(shí)間: 2025-3-29 23:13 作者: 可行 時(shí)間: 2025-3-30 03:36
Tennessee Williams,d Laura Wingfield’s lameness, and the figure of the unicorn in her glass menagerie, as metaphors for homosexuality. I have argued not that Williams has consciously done this (though of course he may have) but that readers aware of Williams’s homosexuality will recognise that the metaphors do indeed 作者: 甜瓜 時(shí)間: 2025-3-30 07:58 作者: 公司 時(shí)間: 2025-3-30 08:44
Ordnung: Lichenes thamnoblasti Kbr.d Laura Wingfield’s lameness, and the figure of the unicorn in her glass menagerie, as metaphors for homosexuality. I have argued not that Williams has consciously done this (though of course he may have) but that readers aware of Williams’s homosexuality will recognise that the metaphors do indeed 作者: 閑逛 時(shí)間: 2025-3-30 15:33 作者: 障礙 時(shí)間: 2025-3-30 18:33
: Growing a Theatre,ts on time, within budget, and of acceptable quality and reliability have been a staple of industry literature from the early decades of commercial computing to the present. In an industry characterized by rapid change and innovation, the rhetoric of the crisis has proven remarkably persistent. The 作者: FRAX-tool 時(shí)間: 2025-3-30 23:46 作者: 說(shuō)明 時(shí)間: 2025-3-31 03:47
