標(biāo)題: Titlebook: American Comics, Literary Theory, and Religion; The Superhero Afterl A. David Lewis Book 2014 Palgrave Macmillan, a division of Nature Amer [打印本頁] 作者: FLAK 時(shí)間: 2025-3-21 17:26
書目名稱American Comics, Literary Theory, and Religion影響因子(影響力)
書目名稱American Comics, Literary Theory, and Religion影響因子(影響力)學(xué)科排名
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書目名稱American Comics, Literary Theory, and Religion網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱American Comics, Literary Theory, and Religion被引頻次
書目名稱American Comics, Literary Theory, and Religion被引頻次學(xué)科排名
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書目名稱American Comics, Literary Theory, and Religion年度引用學(xué)科排名
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書目名稱American Comics, Literary Theory, and Religion讀者反饋學(xué)科排名
作者: AROMA 時(shí)間: 2025-3-21 22:33
https://doi.org/10.1007/978-3-658-02824-4aracters perform actions, communicate, and experience time largely as they would on Earth and alive. The afterlife and characters’ experiences there can be fairly mundane; heaven and hell are often just another fantastic battlefield on which superheroes can scuffle. It is tempting to consider Russel作者: 譏笑 時(shí)間: 2025-3-22 01:20
The Six Elements of the Superhero Afterlife Subgenre, signals? Theorist Paul Ricoeur stipulates that a genre, what he calls a ., must say something of importance—that it is “worthwhile to analyze it, because something is said that is not said by other kinds of discourse—ordinary, scientific, poetic—or, to put it in more positive terms, that it is mean作者: OGLE 時(shí)間: 2025-3-22 08:36 作者: STERN 時(shí)間: 2025-3-22 09:48 作者: 使困惑 時(shí)間: 2025-3-22 15:58
http://image.papertrans.cn/a/image/154483.jpg作者: Hay-Fever 時(shí)間: 2025-3-22 19:24 作者: explicit 時(shí)間: 2025-3-23 00:21
heroes such as the Green Lantern and the Hulk. This superhero subgenre offers a hermeneutic for those interested in?integrating mutiplicity into religious practices and considerations of the afterlife.978-1-349-49961-8978-1-137-46360-9作者: WAG 時(shí)間: 2025-3-23 01:30 作者: ULCER 時(shí)間: 2025-3-23 08:53
Stabilit?t im Familienunternehmenive us a sense of the power of genre. And the reflection on and refinement of selfhood are what make genre vital to religious studies and literary studies. “Religious studies is a public inquiry into the meaning of symbolic discourses,” a hermeneutical discipline, says Mark I. Wallace, the editor of作者: 易受騙 時(shí)間: 2025-3-23 10:16
https://doi.org/10.1007/978-3-658-02824-4tan and hell. As the idea of heaven fades, its promise for human society does as well. Russell says, “People’s ideas affect the way they act more profoundly than economic and social structures. We all construct grids in order to understand the world,”. and the current world, laments Russell, is one 作者: 天空 時(shí)間: 2025-3-23 17:01 作者: 抒情短詩 時(shí)間: 2025-3-23 18:10 作者: 輕快來事 時(shí)間: 2025-3-24 02:05
https://doi.org/10.1057/9781137463609America; Comic; literary theory; religion作者: 馬籠頭 時(shí)間: 2025-3-24 05:39
978-1-349-49961-8Palgrave Macmillan, a division of Nature America Inc. 2014作者: MOAN 時(shí)間: 2025-3-24 07:11
https://doi.org/10.1007/978-3-8349-8844-7The previous chapter talked all about Hal Jordan. (Don’t worry, I won’t tell anyone if you skipped it.) It talked about Jordan as a human test pilot, Jordan as a superhuman galactic hero, Jordan as a renegade demigod, Jordan as a penitent spirit, or even Jordan as a spiritual force of God. (See what you missed?)作者: 脆弱么 時(shí)間: 2025-3-24 10:45
Complexities of Character in ,The previous chapter talked all about Hal Jordan. (Don’t worry, I won’t tell anyone if you skipped it.) It talked about Jordan as a human test pilot, Jordan as a superhuman galactic hero, Jordan as a renegade demigod, Jordan as a penitent spirit, or even Jordan as a spiritual force of God. (See what you missed?)作者: 赦免 時(shí)間: 2025-3-24 18:33
Stabilit?t im Familienunternehmenly exists. That is, there’s no . of an afterlife, only . in one. So, determining what is “normal” for the afterlife is entirely subjective, largely personal, and ever changing. Yet, somehow, American pop culture has locked in on some rather distinct signs—visual and verbal symbols—for this amorphous afterlife.作者: panorama 時(shí)間: 2025-3-24 21:00
Introduction,ly exists. That is, there’s no . of an afterlife, only . in one. So, determining what is “normal” for the afterlife is entirely subjective, largely personal, and ever changing. Yet, somehow, American pop culture has locked in on some rather distinct signs—visual and verbal symbols—for this amorphous afterlife.作者: 極小量 時(shí)間: 2025-3-25 02:37 作者: STENT 時(shí)間: 2025-3-25 07:21
Introduction,yers in white tunics on load-bearing clouds, majestic pearly gates monitored by St. Peter, pits of blazing red fire and subterranean cries of torment, clawing and feral demons, a chief devil, and so forth. Some level of expectation has become associated with all these signs: a hell without a Satan, 作者: 熱心助人 時(shí)間: 2025-3-25 10:59 作者: Antarctic 時(shí)間: 2025-3-25 14:22 作者: 啞劇 時(shí)間: 2025-3-25 19:40
, and the Multiplicity of Selfhood,e medium. These “superreaders,” as Wolk calls them, will recognize the additional levels beyond narrative plot at which a metacomic is operating, its “commentary on the conventions of superhero stories or on familiar characters.”.作者: CUB 時(shí)間: 2025-3-25 23:21
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