標(biāo)題: Titlebook: Alternative Comedy Now and Then; Critical Perspective Oliver Double,Sharon Lockyer Book 2022 The Editor(s) (if applicable) and The Author(s [打印本頁] 作者: 債務(wù)人 時間: 2025-3-21 19:14
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作者: 平息 時間: 2025-3-21 21:28 作者: 效果 時間: 2025-3-22 04:27 作者: IST 時間: 2025-3-22 07:06 作者: 粗魯?shù)娜?nbsp; 時間: 2025-3-22 09:28 作者: 案發(fā)地點(diǎn) 時間: 2025-3-22 16:11
https://doi.org/10.1007/978-3-642-91757-8em, how their acts developed, their 1981 show at the Edinburgh Fringe, de la Tour’s trip to play republican clubs in Northern Ireland, and what they have done since moving away from stand-up. They also respond to archive recordings of their 1980s comedy routines, which are included here as transcripts.作者: 小木槌 時間: 2025-3-22 18:43 作者: exceed 時間: 2025-3-22 23:31 作者: ALE 時間: 2025-3-23 04:42
Trends with Benefitss—conveying how poorly organised some of these were—and also differentiates between simple and more complex causes. All of this is illustrated by images from Mulligan’s personal archive and explained via humorous and evocative anecdotes, paying particular attention to a show in aid of the Free the Birmingham Six campaign in April 1990.作者: 顯赫的人 時間: 2025-3-23 07:40
Alternative Cabaret in Conversationem, how their acts developed, their 1981 show at the Edinburgh Fringe, de la Tour’s trip to play republican clubs in Northern Ireland, and what they have done since moving away from stand-up. They also respond to archive recordings of their 1980s comedy routines, which are included here as transcripts.作者: 網(wǎng)絡(luò)添麻煩 時間: 2025-3-23 13:25
U. Blum,R. Cesnejvar,S. Fathollahi including UK General Elections and important protest movements. American alternative comedy is covered through venues, groups and tours, including UnCabaret, the Upright Citizen’s Brigade and The Comedians of Comedy.作者: CLEAR 時間: 2025-3-23 17:03
U. Blum,R. Cesnejvar,S. Fathollahiano (Mark Bobinski, James Macabre and Lucinda Denning, and later Monika Bobinska), using handwritten records to show how this DIY enterprise took an idealistic approach to promoting female performers and sharing the profits.作者: 束以馬具 時間: 2025-3-23 21:35 作者: Radiculopathy 時間: 2025-3-23 22:49
Diagnostik von Anpassungsst?rungenders would gain little understanding of the demands either of ideological or of formal innovation in alternative comedy. Coverage focussed on alternative comedy on television, often ridiculing alternative comedy performers for smaller TV audiences than those garnered by ‘old school’ comedians.作者: NUDGE 時間: 2025-3-24 05:22
Verhaltensmanifestationen der Manipulation,litical bite as it becomes more mainstream, more adored by those from all sides of the political spectrum? It also examines how affirmative answers to this question pre-empt a certain kind of defeatism.作者: Insatiable 時間: 2025-3-24 07:06
Die Aufgaben des LeDi-Arithmetik, and perspectives are motivated by the performances and in what ways the interpretations are left for audiences to determine. Finally, what effects unconventional performances may have for comedy more broadly is considered.作者: blithe 時間: 2025-3-24 12:59 作者: Enrage 時間: 2025-3-24 17:15
https://doi.org/10.1007/978-3-642-86198-7edy by comedians such as Stewart Lee and Tony Law. The other battles a crisis of representation and equitability, explored here through analysis of FOC It Up Comedy Club, which provides an exclusive platform for femmes of colour.作者: 悶熱 時間: 2025-3-24 19:46
Alternative Comedy Timeline, including UK General Elections and important protest movements. American alternative comedy is covered through venues, groups and tours, including UnCabaret, the Upright Citizen’s Brigade and The Comedians of Comedy.作者: vector 時間: 2025-3-24 23:59 作者: 委屈 時間: 2025-3-25 07:05
‘A Local Show for Local People’: Alternative Cabaret at the Tower Arts Centre, Winchester, UK, 1981–mpany Forkbeard Fantasy, clowns Zippo and Company, and members of a Youth Training Scheme, Eye to Eye. Performance archaeology is used to reconstruct a double act in which the author, Richard Cuming, performed with clown Graham Newton as a parody punk poet.作者: 我悲傷 時間: 2025-3-25 07:38
Pressing for No Change? Political Correctness, the Defence of the ‘mainstream’ and Class in UK Newspders would gain little understanding of the demands either of ideological or of formal innovation in alternative comedy. Coverage focussed on alternative comedy on television, often ridiculing alternative comedy performers for smaller TV audiences than those garnered by ‘old school’ comedians.作者: 好忠告人 時間: 2025-3-25 12:01
The Dramatic Script of Alternative Comedylitical bite as it becomes more mainstream, more adored by those from all sides of the political spectrum? It also examines how affirmative answers to this question pre-empt a certain kind of defeatism.作者: 自戀 時間: 2025-3-25 16:19 作者: 執(zhí)拗 時間: 2025-3-25 23:36 作者: Lethargic 時間: 2025-3-26 01:08 作者: 蝕刻術(shù) 時間: 2025-3-26 05:10
Book 2022 movement in Britain that began in 1979 and continues to influence contemporary stand-up comedy. The collection examines the contexts, performances and reception of alternative comedy in order to provide a holistic approach to examining the socio-political impact and significance of alternative come作者: Bereavement 時間: 2025-3-26 12:16
2731-4332 er researchers.Provides an alternative comedy timeline outli.Alternative Comedy Now and Then: Critical Perspectives.?is the first academic collection focusing on the history and legacy of the alternative comedy movement in Britain that began in 1979 and continues to influence contemporary stand-up c作者: 商談 時間: 2025-3-26 12:37 作者: investigate 時間: 2025-3-26 20:44 作者: FLAG 時間: 2025-3-27 00:17 作者: CHARM 時間: 2025-3-27 02:16
H.-D. Esperer,F. O. Mahmoud,K. G?hlnce poetry, clowning, mime, improvisation, stunts, and rock music. Acts performed across the entire venue, including the car park, so there is a focus on space, scenography, and spectatorship. The chapter argues that the cabarets were distinctive in that performers mainly came from the local perform作者: 少量 時間: 2025-3-27 06:58
H.-D. Esperer,F. O. Mahmoud,K. G?hlian Jansen. Calling themselves the Fun Committee, they organised alternative cabaret shows at the Broken Doll pub and the Live Theatre on Newcastle’s Quayside during the tail-end of the 1980s. This chapter tells the story of Cabaret A Go Go through the lens of its promotional art. Initially inspired作者: preservative 時間: 2025-3-27 11:42
https://doi.org/10.1007/978-3-642-91757-8sical comedy duo Skint Video, recalls his experiences of performing for a range of causes including striking coal miners, trade unions, Nicaragua solidarity, War on Want and Live Aid at the Hackney Empire. He draws the distinction between big, prestigious benefits and smaller ones in community venue作者: Rinne-Test 時間: 2025-3-27 14:10 作者: inquisitive 時間: 2025-3-27 17:53
Diagnostik von Anpassungsst?rungenss coverage affected public understanding of alternative comedy through a cultural-political battle over its meaning. The battle labelled alternative comedy as ‘politically correct’, negatively understood. This battle took place across the ideological spread of the UK press, most notably in the . in作者: Explicate 時間: 2025-3-28 01:38 作者: Cupidity 時間: 2025-3-28 03:26
Die Aufgaben des LeDi-Arithmetik,cepts of metacomedy and anticomedy, understood as performances that explicitly or implicitly comment on or question conventional aspects of stand-up comedy. It is argued that Nevalainen’s performance is open to different interpretations and can be seen as comedy, metacomedy or anticomedy, depending 作者: 植物茂盛 時間: 2025-3-28 09:49 作者: 知識分子 時間: 2025-3-28 12:56
https://doi.org/10.1007/978-3-642-86198-7se to enjoy unprecedented popularity and commercial clout. Yet alongside this success, alternatives emerged which identify crises within that very genre. The authors discuss two sets of recent alternative practices. One explores a perceived homogeneity of form among the commercial mainstream, and is作者: Adenoma 時間: 2025-3-28 17:28
Oliver Double,Sharon LockyerAdopts a distinctive interdisciplinary approach.Includes a vibrant mix of established international academics in their fields and early-career researchers.Provides an alternative comedy timeline outli作者: Irrepressible 時間: 2025-3-28 20:18
Palgrave Studies in Comedyhttp://image.papertrans.cn/a/image/154042.jpg作者: PRISE 時間: 2025-3-29 01:16
https://doi.org/10.1007/978-3-030-97351-3Alternative Comedy; Cabaret; Stand-Up; Popular; Performance作者: Indict 時間: 2025-3-29 03:57 作者: nutrients 時間: 2025-3-29 07:17 作者: Innovative 時間: 2025-3-29 13:06
Alternative Comedy Now and Then: An Introduction,omedy—or ‘a(chǎn)lternative cabaret’, as it was often known—was more diverse than is often remembered. Flyers from CAST New Variety are analysed to show how diverse the acts could be, in terms of both performers’ identities and performance genre. It goes on to explore manifestations of alternative comedy 作者: 使無效 時間: 2025-3-29 18:20
Alternative Comedy Timeline,its beginnings in 1979–1980 with the opening of the Comedy Store in Soho, London, and the formation of Alternative Cabaret and the Comic Strip. It then traces manifestations of alternative comedy from the 1980s to present, drawing a line that connects Cluub Zarathustra, Robin Ince’s Book Club, Weird作者: ANA 時間: 2025-3-29 21:01
The Meccano Club: The Business of Alternative Comedyfrom the British Stand-Up Comedy Archive at the University of Kent, UK. It starts with a detailed account of the Meccano, explaining how it started, grew and was eventually sold as a going concern, the particular audience it attracted and the nature of the physical spaces in which the shows were run作者: 場所 時間: 2025-3-29 23:58 作者: Aromatic 時間: 2025-3-30 04:22
The Story of Cabaret A Go Goian Jansen. Calling themselves the Fun Committee, they organised alternative cabaret shows at the Broken Doll pub and the Live Theatre on Newcastle’s Quayside during the tail-end of the 1980s. This chapter tells the story of Cabaret A Go Go through the lens of its promotional art. Initially inspired作者: anniversary 時間: 2025-3-30 10:36
Trends with Benefitssical comedy duo Skint Video, recalls his experiences of performing for a range of causes including striking coal miners, trade unions, Nicaragua solidarity, War on Want and Live Aid at the Hackney Empire. He draws the distinction between big, prestigious benefits and smaller ones in community venue
