標(biāo)題: Titlebook: Altered Sensations; Rudolph Koenig’s Aco David Pantalony Book 2009 Springer Science+Business Media B.V. 2009 19th century.Acoustical worksh [打印本頁(yè)] 作者: 日月等 時(shí)間: 2025-3-21 16:39
書目名稱Altered Sensations影響因子(影響力)
書目名稱Altered Sensations影響因子(影響力)學(xué)科排名
書目名稱Altered Sensations網(wǎng)絡(luò)公開度
書目名稱Altered Sensations網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Altered Sensations被引頻次
書目名稱Altered Sensations被引頻次學(xué)科排名
書目名稱Altered Sensations年度引用
書目名稱Altered Sensations年度引用學(xué)科排名
書目名稱Altered Sensations讀者反饋
書目名稱Altered Sensations讀者反饋學(xué)科排名
作者: Allowance 時(shí)間: 2025-3-21 20:44 作者: Hiatal-Hernia 時(shí)間: 2025-3-22 00:53
Transformations in the Workshop,ic flames. There were also artisanal influences work. Helmholtz’s first glass resonators were conceived as products of mathematics, while from Koenig’s workshop the subsequent spun-brass receptacles were more the products of local tuning solutions. The actual analyser also carries evidence of the ma作者: CUMB 時(shí)間: 2025-3-22 05:39 作者: 高歌 時(shí)間: 2025-3-22 10:28
,Constructing a Reputation, 1866–1879,ime-consuming, labour-intensive approach to making and using . fundamental instrument of nineteenth-century acoustics. On a broader level, they represent the values of his Parisian workshop – perfection, purity, precision, mastery, beauty, quality, concealment and dependability. In the 1860?s and 70作者: monologue 時(shí)間: 2025-3-22 13:08
The Faraday of Sound,a scientific instrument maker, earlier trained as a violinmaker, who lived in a workshop/apartment near his products. Since the early 1860s, he had helped refine and spread Hermann von Helmholtz’s studies in acoustics through his creations in steel, brass, wood, glass and cast iron. Later in his car作者: 地殼 時(shí)間: 2025-3-22 17:07
L. Meyer,L. H. Nel,D. E. Carlingc instruments, it is not difficult to spot the woodwork of Rudolph Koenig. One instrument in particular, the Barbareau ., represents the high art of Koenig’s mastery of wood and sound. It displays a finely-grained spruce top covered in light varnish, thin mahogany veneers on the sides, walnut ends (作者: 協(xié)迫 時(shí)間: 2025-3-22 22:01
Alexander J. Kovalic,Herbert L. Bonkovskyuced to elements, or the way light could be separated into a spectrum. Today we take for granted the notion that musical sounds are in fact a compound of simple, pure frequencies. Electronic equipment does this analysis automatically. We play a trumpet into a microphone and a spectrogram appears on 作者: 鬧劇 時(shí)間: 2025-3-23 03:36
W. Carl Jacobs,William A. Ahrensic flames. There were also artisanal influences work. Helmholtz’s first glass resonators were conceived as products of mathematics, while from Koenig’s workshop the subsequent spun-brass receptacles were more the products of local tuning solutions. The actual analyser also carries evidence of the ma作者: extinct 時(shí)間: 2025-3-23 07:29 作者: athlete’s-foot 時(shí)間: 2025-3-23 12:32 作者: 真繁榮 時(shí)間: 2025-3-23 17:15 作者: 槍支 時(shí)間: 2025-3-23 18:40 作者: 擁護(hù) 時(shí)間: 2025-3-24 01:11
978-94-007-3061-8Springer Science+Business Media B.V. 2009作者: 神圣在玷污 時(shí)間: 2025-3-24 02:44
Altered Sensations978-90-481-2816-7Series ISSN 1385-0180 Series E-ISSN 2215-0064 作者: lesion 時(shí)間: 2025-3-24 09:42 作者: 沙文主義 時(shí)間: 2025-3-24 13:08
Archimedeshttp://image.papertrans.cn/a/image/153983.jpg作者: 佛刊 時(shí)間: 2025-3-24 17:56
Diagnosis and Management of Breast TumorsVisitors to the 1876 Philadelphia Centennial Exhibition marvelled at the elements of sound in the form of Rudolph Koenig’s . of over 692 tuning forks, with 800 tones represented, ranging from 16 to 4096?Hz作者: Etymology 時(shí)間: 2025-3-24 20:00 作者: 永久 時(shí)間: 2025-3-25 00:30
Book 2009eginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place 作者: 場(chǎng)所 時(shí)間: 2025-3-25 03:26
L. Meyer,L. H. Nel,D. E. Carlingfor maintaining tension with the pegs), and oak bridges (for strength). Its upper surface has eight steel strings stretched over inlaid boxwood metric scales divided into millimetres and numbered by centimetres along with the standard French musical notations for the physicist and equal termperament scales (CR no. 134).作者: 輕推 時(shí)間: 2025-3-25 09:38 作者: 用樹皮 時(shí)間: 2025-3-25 15:06
Priti A. Shah MD,Valentina Robila MD, PhD?s the context of acoustical practice changed rapidly due to developments in Koenig’s acoustical workshop. Acousticians, like practitioners in many fields, had long been gravitating towards automation and de-skilling.. In post- . acoustics, Koenig encouraged these trends through dozens of graphical instruments and the clock fork (CR no. 32).作者: Prostatism 時(shí)間: 2025-3-25 17:52
https://doi.org/10.1007/978-3-319-57726-5eer, however, he became one of the strongest critics of Helmholtz. In the controversies recounted below, he disputed Helmholtz’s theory and experimental findings related to the elusive, yet fundamental acoustical phenomena of combination tones and timbre.作者: Obvious 時(shí)間: 2025-3-25 20:07
Training,for maintaining tension with the pegs), and oak bridges (for strength). Its upper surface has eight steel strings stretched over inlaid boxwood metric scales divided into millimetres and numbered by centimetres along with the standard French musical notations for the physicist and equal termperament scales (CR no. 134).作者: Friction 時(shí)間: 2025-3-26 02:41 作者: MURKY 時(shí)間: 2025-3-26 05:02 作者: left-ventricle 時(shí)間: 2025-3-26 09:38 作者: rheumatology 時(shí)間: 2025-3-26 15:22 作者: 先行 時(shí)間: 2025-3-26 16:56 作者: 頌揚(yáng)國(guó)家 時(shí)間: 2025-3-26 22:02
Hermann von Helmholtz and the ,,er creator of incalculable and indescribable states of consciousness,”. enter into the laboratory to be analyzed, manipulated and measured? How was this German background different from Koenig’s unique training with sound?作者: fidelity 時(shí)間: 2025-3-27 02:15
Transformations in the Workshop, models, also found on hundreds of Parisian instruments at the time, represent further the popularization of acoustics and the significant influence of the booming Parisian precision trade of the 1860?s.作者: Foreshadow 時(shí)間: 2025-3-27 09:12
1385-0180 a scientific instrument maker.Koenig’s story combines histor.Rudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his ta作者: 巨大沒(méi)有 時(shí)間: 2025-3-27 11:16 作者: 尖叫 時(shí)間: 2025-3-27 13:56
Book 2009products of his workshop which survive in museums and collections around the world. The second section of Altered Sensations provides a Catalogue Raisonné of Koenig’s entire line of instruments, including their history, details from specific examples, locations, and references in the literature. Thi作者: 無(wú)畏 時(shí)間: 2025-3-27 20:58
9樓作者: 不能和解 時(shí)間: 2025-3-27 22:17
9樓作者: anatomical 時(shí)間: 2025-3-28 02:48
10樓作者: mettlesome 時(shí)間: 2025-3-28 09:56
10樓作者: 絆住 時(shí)間: 2025-3-28 11:22
10樓作者: 被詛咒的人 時(shí)間: 2025-3-28 18:11
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