標(biāo)題: Titlebook: Allegory Old and New; In Literature, the F Marlies Kronegger,Anna-Teresa Tymieniecka Book 1994 Springer Science+Business Media Dordrecht 19 [打印本頁] 作者: Annihilate 時(shí)間: 2025-3-21 16:23
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書目名稱Allegory Old and New讀者反饋學(xué)科排名
作者: 蛙鳴聲 時(shí)間: 2025-3-21 22:36
Balzac’s Allegories of Energy in ,f a supersensual nature . . . “. and Balzac as well, through his interest in esoteric lore, often inclines naturally toward allegorical modes of expression. Moreover, in late antiquity and in the Middle Ages, allegory served to bring “ . . . poetry close to philosophy . . . ” — a rapprochement which作者: needle 時(shí)間: 2025-3-22 01:41 作者: 不如樂死去 時(shí)間: 2025-3-22 06:59
Paranoia and the Aesthetics of Chaos in Thomas Pynchon’s ,ations. An awareness of this constructive factor might take us in a new direction: toward the metafictional nature of the “new science”, making us realize a scientific reflexivity based in the awareness of its own power of reorientation. In the end, it appears that science too promotes the paradoxic作者: Dendritic-Cells 時(shí)間: 2025-3-22 12:43 作者: Inflammation 時(shí)間: 2025-3-22 13:53
Blending Boundaries: Design and Technologyf a supersensual nature . . . “. and Balzac as well, through his interest in esoteric lore, often inclines naturally toward allegorical modes of expression. Moreover, in late antiquity and in the Middle Ages, allegory served to bring “ . . . poetry close to philosophy . . . ” — a rapprochement which作者: cardiopulmonary 時(shí)間: 2025-3-22 17:28 作者: nostrum 時(shí)間: 2025-3-23 01:01 作者: 著名 時(shí)間: 2025-3-23 03:08 作者: 鞭打 時(shí)間: 2025-3-23 09:31 作者: 向下五度才偏 時(shí)間: 2025-3-23 12:26 作者: Pepsin 時(shí)間: 2025-3-23 16:13 作者: aristocracy 時(shí)間: 2025-3-23 20:39 作者: 鑲嵌細(xì)工 時(shí)間: 2025-3-24 01:00 作者: hemoglobin 時(shí)間: 2025-3-24 04:43
Allegory, You are WomanIt is our intention to start our study by presenting a modern fable which was written by Guillermo Cabrera Infante, a contemporaneous Cuban writer. Named “The Fox and the Grapes”, this is his text:作者: MOTIF 時(shí)間: 2025-3-24 09:08 作者: MOTIF 時(shí)間: 2025-3-24 11:01
Design Education Across Disciplinesuropean Corpus Christi, or Cycle, Plays,” Richard J. Collier’s ., and Robert Potter’s . are just a few examples of the critical interest in the dramatic aspects of the medieval drama, whether associated with staging, the function of poetry, plot structure, or ideological content. My investigation of作者: 敵意 時(shí)間: 2025-3-24 16:33
Blending Boundaries: Design and Technologyittle. And as the conflict becomes more and more important, it is inevitable that these metaphors should expand and coalesce, and finally turn into the fully-fledged allegorical poem.”. Indeed, allegory may seem as universal as conflict itself, and allegorical poems flourish well beyond the Middle A作者: grounded 時(shí)間: 2025-3-24 20:40
Tore Kristensen,Gorm Gabrielsenn à Corneille. Le mythe de Persée et Andromède, tiré des . d’Ovide, peut se résumer en quelques mots: Cassiope, femme du roi d’Ethiopie, est si vaine de sa beauté qu’elle ose la préférer à celle des Nymphes de la mer; ces dernières pour se venger invoquent Neptune qui libérera un monstre marin, déva作者: breadth 時(shí)間: 2025-3-24 23:43 作者: BURSA 時(shí)間: 2025-3-25 06:21
Adam R. Carberry,Samantha R. Brunhaverlish Literature has preserved anything of him, it has saved not him but one poem (and an extremely powerful one): a mere sonnet, a mere fourteen lines, “Since there’s no helpe, come let us kisse and part.”. For our purposes here, it is significant that Drayton lived from 1563–1631 and that, hence, h作者: 極為憤怒 時(shí)間: 2025-3-25 08:40
https://doi.org/10.1007/978-3-031-25969-2, the metaphor of the sun was used to characterize the role of the sovereign and his assembly. In 1537 Jacques Cappel wrote of King Francis I: “You are as the Sun among the planets,”. and he secularized the mediaeval . of the divine court of God, transforming it into a royal court on earth. Henry IV作者: prostatitis 時(shí)間: 2025-3-25 14:47
https://doi.org/10.1007/978-3-031-79597-8du visible. La figure de l’allégorie est ce lien mouvant, processus de mise en relation de deux mondes qui permettra, ainsi que l’écrit Giordano Bruno dans le ., que ?tant que celui qui regarde a les yeux absorbés par l’image, il ne soit pas envahi par l’amour, mais dès que l’esprit s’arrachant à l’作者: 顧客 時(shí)間: 2025-3-25 17:10
https://doi.org/10.1007/978-3-030-49232-8n with what Julie Ellison has called the “aggressive tendencies of the mode” (102). For example, the American New Critics John Crowe Ransom and Allen Tate argue that the allegorist’s treatment of nature approximates the instrumental, exploitative disposition toward nature expressed in science and te作者: Pander 時(shí)間: 2025-3-25 20:44
https://doi.org/10.1007/978-981-19-6627-9mbrables figures rhétoriques de sens.. L‘intérêt littéraire de ce concept nous a poussées à essayer une approche sur le processus allégorique que celui-?i subit dans deux domaines tout à fait différents; le genre dramatique des . et . de Victor Hugo. Nous avons justifié cette étude comparative dans 作者: miracle 時(shí)間: 2025-3-26 03:04
https://doi.org/10.1007/978-1-4939-0551-5ness as an original abyss from which being arose.”. Instead, nothingness is imposed upon a being which can be situated “before” because it is profoundly atemporal, or, rather, indifferent. Sartre states: “… we could say that every negation is determination. This means that being is prior to nothingn作者: 嘴唇可修剪 時(shí)間: 2025-3-26 06:29
Nonvolatile Memory Computing System,rresponds, not accidently, with various textual strategies that have evolved over the last few decades.. The similarity of these visions has lead some to speculate on the line (i.e., linearity) of influence. The argument generally runs that science has given birth to new insights in the structures o作者: monogamy 時(shí)間: 2025-3-26 12:21
S. Shitharth,K. Sangeetha,B. Praveen Kumarn the process of interpretation, calling such discourse “allegory”, the mere “rhetorical” and “didactic” procedure in which the literal meaning is “eliminated once it has done its job”. The point emerged that Ricoeur needs two categories — one in which the initial sense is destroyed (Ricoeur’s “alle作者: 使饑餓 時(shí)間: 2025-3-26 12:58 作者: 終端 時(shí)間: 2025-3-26 16:52
https://doi.org/10.1007/978-94-011-1946-7Jean-Paul Sartre; Maurice Merleau-Ponty; Paul Ricoeur; aesthetics; phenomenology作者: 性別 時(shí)間: 2025-3-26 23:55
978-0-7923-2348-8Springer Science+Business Media Dordrecht 1994作者: 依法逮捕 時(shí)間: 2025-3-27 05:09
Allegory and Maxim: Power and Faith, Passions and Virtuesambitions. Our goal is to present a panorama rather than a map of Queen Christine’s quest as it is: a) immortalized in allegorical engravings based on historical reality and idealized in emblems and allegories of civil and religious accomplishments (these are recorded by and for the outside observer作者: 事情 時(shí)間: 2025-3-27 06:00
Allegory and the Dramatic Foundations of the Medieval Theateruropean Corpus Christi, or Cycle, Plays,” Richard J. Collier’s ., and Robert Potter’s . are just a few examples of the critical interest in the dramatic aspects of the medieval drama, whether associated with staging, the function of poetry, plot structure, or ideological content. My investigation of作者: Mumble 時(shí)間: 2025-3-27 13:25 作者: 消極詞匯 時(shí)間: 2025-3-27 14:42 作者: 苦笑 時(shí)間: 2025-3-27 21:28 作者: 逃避系列單詞 時(shí)間: 2025-3-28 01:33
Michael Drayton’s ‘Ideas’ and the ‘Where’ and the ‘Whence’ of Allegorylish Literature has preserved anything of him, it has saved not him but one poem (and an extremely powerful one): a mere sonnet, a mere fourteen lines, “Since there’s no helpe, come let us kisse and part.”. For our purposes here, it is significant that Drayton lived from 1563–1631 and that, hence, h作者: Terminal 時(shí)間: 2025-3-28 03:05
, la Toison D’or of 1661 and 1683, the metaphor of the sun was used to characterize the role of the sovereign and his assembly. In 1537 Jacques Cappel wrote of King Francis I: “You are as the Sun among the planets,”. and he secularized the mediaeval . of the divine court of God, transforming it into a royal court on earth. Henry IV作者: Dorsal 時(shí)間: 2025-3-28 08:15 作者: Curmudgeon 時(shí)間: 2025-3-28 13:53 作者: Servile 時(shí)間: 2025-3-28 17:22
L’Allégorie Du Mal. Deux époques, Deux perspectivesmbrables figures rhétoriques de sens.. L‘intérêt littéraire de ce concept nous a poussées à essayer une approche sur le processus allégorique que celui-?i subit dans deux domaines tout à fait différents; le genre dramatique des . et . de Victor Hugo. Nous avons justifié cette étude comparative dans 作者: exhilaration 時(shí)間: 2025-3-28 19:05
From Metaphor to Matter: Sartre, Merleau-Ponty and the Subject of Sightness as an original abyss from which being arose.”. Instead, nothingness is imposed upon a being which can be situated “before” because it is profoundly atemporal, or, rather, indifferent. Sartre states: “… we could say that every negation is determination. This means that being is prior to nothingn作者: 愉快嗎 時(shí)間: 2025-3-28 23:28
Paranoia and the Aesthetics of Chaos in Thomas Pynchon’s ,rresponds, not accidently, with various textual strategies that have evolved over the last few decades.. The similarity of these visions has lead some to speculate on the line (i.e., linearity) of influence. The argument generally runs that science has given birth to new insights in the structures o作者: adduction 時(shí)間: 2025-3-29 04:13 作者: Devastate 時(shí)間: 2025-3-29 11:13 作者: MIME 時(shí)間: 2025-3-29 14:37
Oracle et Allégorie Dans , De Pierre Corneillestateur du royaume. Pour apaiser sa colère, l’oracle de Jupiter ordonne qu’Andromède, fille unique du roi et de la reine, soit dévorée par la bête. Attachée à un rocher et prête à être sacrifiée, Andromède est sauvée par le valeureux Persée qui plonge du ciel pour abattre le monstre.作者: 修飾語 時(shí)間: 2025-3-29 18:26
Le Jeu Allégorique Chez Poussinimage rentre en soi-même et con?oit l’au-delà du visible, surgisse l’amour?. Ces ., figures de l’Eros antique, héritiers des . pourraient renvoyer à ce noeud d’images et d’idées que partagent, dans l’imaginaire, le peintre et le spectateur.作者: 胡言亂語 時(shí)間: 2025-3-29 21:20 作者: 反復(fù)拉緊 時(shí)間: 2025-3-30 03:35
Tore Kristensen,Gorm Gabrielsenstateur du royaume. Pour apaiser sa colère, l’oracle de Jupiter ordonne qu’Andromède, fille unique du roi et de la reine, soit dévorée par la bête. Attachée à un rocher et prête à être sacrifiée, Andromède est sauvée par le valeureux Persée qui plonge du ciel pour abattre le monstre.作者: sclera 時(shí)間: 2025-3-30 05:57
https://doi.org/10.1007/978-3-031-79597-8image rentre en soi-même et con?oit l’au-delà du visible, surgisse l’amour?. Ces ., figures de l’Eros antique, héritiers des . pourraient renvoyer à ce noeud d’images et d’idées que partagent, dans l’imaginaire, le peintre et le spectateur.作者: BIPED 時(shí)間: 2025-3-30 11:49 作者: 清真寺 時(shí)間: 2025-3-30 16:22 作者: 悅耳 時(shí)間: 2025-3-30 20:18 作者: remission 時(shí)間: 2025-3-30 22:14
Adam R. Carberry,Samantha R. Brunhaver, “Since there’s no helpe, come let us kisse and part.”. For our purposes here, it is significant that Drayton lived from 1563–1631 and that, hence, his life overlapped with that of the great allegorist, Spenser, and extended well beyond that time: 1631 was also the year that John Donne died. Allegory, by then, was no longer in fashion.作者: Frequency 時(shí)間: 2025-3-31 02:47 作者: 波動(dòng) 時(shí)間: 2025-3-31 07:35 作者: 嘲弄 時(shí)間: 2025-3-31 09:51
Allegory Then and Now: The Physician and Disease most out of life is at the epicenter of those universals. To the writer, the physician is not just a prescriber of medicaments but a symbol of all that is transferable from one human to another short of immortality..作者: kidney 時(shí)間: 2025-3-31 15:29 作者: aneurysm 時(shí)間: 2025-3-31 20:28
L’Allégorie Du Mal. Deux époques, Deux perspectivesi-?i subit dans deux domaines tout à fait différents; le genre dramatique des . et . de Victor Hugo. Nous avons justifié cette étude comparative dans deux manifestations si disparates, en nous appuyant sur l’identité de la matière thématique qui informe ces oeuvres: le mythe biblique.作者: COM 時(shí)間: 2025-4-1 00:47
