標(biāo)題: Titlebook: Alice Munro‘s Narrative Art; Isla Duncan Book 2011 Palgrave Macmillan, a division of Nature America Inc. 2011 complex.fiction.linguistics. [打印本頁] 作者: Lampoon 時(shí)間: 2025-3-21 16:36
書目名稱Alice Munro‘s Narrative Art影響因子(影響力)
作者: Interferons 時(shí)間: 2025-3-21 22:05 作者: 遺傳 時(shí)間: 2025-3-22 01:05 作者: Optometrist 時(shí)間: 2025-3-22 05:31 作者: 清醒 時(shí)間: 2025-3-22 11:27
http://image.papertrans.cn/a/image/153329.jpg作者: 不足的東西 時(shí)間: 2025-3-22 16:10 作者: emulsify 時(shí)間: 2025-3-22 19:23
Der praktische Maschinenzeichnerook, the collection entitled ., published in Canada in 1978, and as . in the United States in 1979 and Britain in 1980. She explains that Munro had submitted the original manuscript with stories by two different first-person narrators, Rose and Janet, but by the time the stories reached the stage of作者: 加花粗鄙人 時(shí)間: 2025-3-22 21:29 作者: 笨重 時(shí)間: 2025-3-23 04:50
Projektionen und deren praktische Anwendung,k.”. All the stories in ., published as . in the United States and Britain, are told from a third-person point of view. Reference has already been made to this book’s complicated publishing history, one that illustrates Munro’s enthrallment to her artistic principles.作者: 傲慢物 時(shí)間: 2025-3-23 08:21 作者: carotid-bruit 時(shí)間: 2025-3-23 10:10
,Was im t?glichen Leben passiert,s doing at its highest level,” but she is of the opinion that the stories generally lack “the intense visceral solidity of most of [her] earlier work.” She is disappointed with the title story, which she deems to be “a pale evocation of all the usual Munro elements,” and is also critical of “An Alba作者: ADAGE 時(shí)間: 2025-3-23 15:21 作者: 延期 時(shí)間: 2025-3-23 20:49 作者: 使乳化 時(shí)間: 2025-3-24 01:06
,?Blutersatz“ mit Ringerlactat,tween spaces in a structure she likens to a house, whose enclosed spaces may be “ample and easy, or full of crooked turns, or sparsely or opulently furnished.”. In her essay on the “Rose and Janet” manuscript, Helen Hoy examines the extraordinary lengths Munro will go to before she is satisfied with作者: cacophony 時(shí)間: 2025-3-24 04:58 作者: 清晰 時(shí)間: 2025-3-24 07:32 作者: 嘴唇可修剪 時(shí)間: 2025-3-24 11:41 作者: inquisitive 時(shí)間: 2025-3-24 15:19
G. Bestgen (Erster Staatsanwalt)n in “Oh, What Avails” and Rose in “Privilege,” from . like the adult Rose in “Mischief,” too, the adult Joan plans a risky extramarital adventure, feeling herself “l(fā)oosed, in jeopardy” at the prospect (., p. 200).作者: grovel 時(shí)間: 2025-3-24 19:34
,Was im t?glichen Leben passiert,” She is disappointed with the title story, which she deems to be “a pale evocation of all the usual Munro elements,” and is also critical of “An Albanian Virgin,” labeling it “definitely the weirdest story in the book [and] unlikely to win the heart of the true Munro fan.”作者: alabaster 時(shí)間: 2025-3-25 03:11
,Durchführung der Untersuchung,rs. Much in the fictive territory is familiar — the southwest Ontario settings; one narrator’s impulsive infidelity, another’s long-practiced aloofness — but the reader will notice some changes in the landscape.作者: 無表情 時(shí)間: 2025-3-25 03:48 作者: Ossification 時(shí)間: 2025-3-25 11:31 作者: 防止 時(shí)間: 2025-3-25 13:12 作者: 單調(diào)女 時(shí)間: 2025-3-25 16:54
Der praktische Maschinenzeichnerceeded in arresting the publication, extracting from her publisher (Macmillan) a fresh deadline, before which she had transformed the collection into ten third-person stories about Rose. The Janet narratives were revised, to be included in the subsequent collection, . (1982).作者: dowagers-hump 時(shí)間: 2025-3-25 21:32 作者: 有法律效應(yīng) 時(shí)間: 2025-3-26 03:51
,Durchführung der Untersuchung,n at all.”. I believe that the problems are posed in other places besides the ending: to negotiate one’s way through fiction that Catherine Sheldrick Ross calls “a garden of forking paths” is an exhilarating but also demanding experience, where the reader is on constant alert for diversions and ambushes.作者: Largess 時(shí)間: 2025-3-26 04:22
Introduction,ceeded in arresting the publication, extracting from her publisher (Macmillan) a fresh deadline, before which she had transformed the collection into ten third-person stories about Rose. The Janet narratives were revised, to be included in the subsequent collection, . (1982).作者: 載貨清單 時(shí)間: 2025-3-26 11:48 作者: excursion 時(shí)間: 2025-3-26 15:00 作者: 一條卷發(fā) 時(shí)間: 2025-3-26 20:48
Introduction,ook, the collection entitled ., published in Canada in 1978, and as . in the United States in 1979 and Britain in 1980. She explains that Munro had submitted the original manuscript with stories by two different first-person narrators, Rose and Janet, but by the time the stories reached the stage of作者: cauda-equina 時(shí)間: 2025-3-26 22:42
The Confiding First-Person Narrator,rrative perspective and their subject matter is not entirely within the writer’s experience.. The story “At The Other Place,” published in the . in September 1955, marks a significant change, for in it Munro draws upon her family’s circumstances, employing the first-person narration that, according 作者: 改良 時(shí)間: 2025-3-27 05:00 作者: IRATE 時(shí)間: 2025-3-27 07:07 作者: 笨拙的你 時(shí)間: 2025-3-27 10:01
,The “Queer Bright Moment”,s doing at its highest level,” but she is of the opinion that the stories generally lack “the intense visceral solidity of most of [her] earlier work.” She is disappointed with the title story, which she deems to be “a pale evocation of all the usual Munro elements,” and is also critical of “An Alba作者: 特別容易碎 時(shí)間: 2025-3-27 15:43 作者: 嚙齒動(dòng)物 時(shí)間: 2025-3-27 19:15 作者: itinerary 時(shí)間: 2025-3-28 01:23
,“A Constant Reworking of Close Personal Material”,tween spaces in a structure she likens to a house, whose enclosed spaces may be “ample and easy, or full of crooked turns, or sparsely or opulently furnished.”. In her essay on the “Rose and Janet” manuscript, Helen Hoy examines the extraordinary lengths Munro will go to before she is satisfied with作者: 尖 時(shí)間: 2025-3-28 05:35
,“Marooned on Islands of Their Own Choosing”,ome Women,” of a summer so hot “the streets of the town… were sprinkled with water to lay the dust”. recalls the scene Louisa, from “Carried Away,” captures in a letter to soldier Jack Agnew, in the summer of 1917, when she tells of the watering tank dousing the “.” (., p. 8). The startling image fo作者: Mast-Cell 時(shí)間: 2025-3-28 10:18
,“Marooned on Islands of Their Own Choosing”,ing at the side of the road, bleeding, the “trickle of pink” oozing from under his head “l(fā)ike the stuff you skim off from strawberries when you’re making jam” (., p. 30). The graphic image is in keeping with the idiolect of both narrator and focalizer, for it is an ordinary, domestic analogy that wo作者: accessory 時(shí)間: 2025-3-28 13:21
https://doi.org/10.1007/978-3-322-98704-4ing at the side of the road, bleeding, the “trickle of pink” oozing from under his head “l(fā)ike the stuff you skim off from strawberries when you’re making jam” (., p. 30). The graphic image is in keeping with the idiolect of both narrator and focalizer, for it is an ordinary, domestic analogy that wo作者: Oversee 時(shí)間: 2025-3-28 18:36
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