標(biāo)題: Titlebook: Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral; Robert J. Belton Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Hit [打印本頁(yè)] 作者: 聲音會(huì)爆炸 時(shí)間: 2025-3-21 18:37
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral影響因子(影響力)
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral影響因子(影響力)學(xué)科排名
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral網(wǎng)絡(luò)公開度
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral被引頻次
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral被引頻次學(xué)科排名
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral年度引用
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral年度引用學(xué)科排名
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral讀者反饋
書目名稱Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral讀者反饋學(xué)科排名
作者: 替代品 時(shí)間: 2025-3-22 00:11
The Hermeneutic Spiral,e beyond which some will put too much of themselves into their interpretations. Years ago, for instance, I had a friend who was utterly convinced that ., the 1978 Richard Donner film starring Christopher Reeve, was a sequel to Stanley Kubrick’s . (1968). Should the meditations of such critical “outl作者: 新鮮 時(shí)間: 2025-3-22 01:33
Vertigo,id-twentieth-century film history, generating dozens of psychoanalytical, feminist, postfeminist, Lacanian, formalist and other readings. Many of these interpretations depend on revisions of earlier observations within the work and/or the production of new observations. The chapter “Vertigo” provide作者: incubus 時(shí)間: 2025-3-22 08:03
Forcing Insight with Sight and the Availability Heuristic,terial, followed by a consideration of two psychological phenomena, the availability heuristic and confirmation bias. The latter begins to explain differences of critical opinion in the light of differing individual experiences, which, though they occur outside ., are as constitutive of its “meaning作者: 卡死偷電 時(shí)間: 2025-3-22 08:45
,,, Duchamp’s , and a ?i?ekian Brassiere,gh the availability heuristic and confirmation bias. Certain details that would have passed unnoticed in early viewings of . now stand out as more meaningful than first thought. I argue that some of these are examples of “Hitchcockian blots,” after ?i?ek, that have gone unnoticed. A case in point is作者: Adornment 時(shí)間: 2025-3-22 14:14
,,, Man Ray’s ,, and Flowers,d greater emphasis on symbolic details in .. A close-up of a hyacinth in the early film seems to symbolize both a threat to sexuality and a reinforcement of it, making it an example of an auto-antonym (or contranym). Words like “dust” or “trim” can mean either “add” or “remove,” as one might dust a 作者: STRIA 時(shí)間: 2025-3-22 20:50 作者: Observe 時(shí)間: 2025-3-22 23:49
,,, Lynch’s , and the Record Player,nt-garde alike, turntables serve as devices that generate anxiety and symbolize sexual activity and violent acts. In ., however, they cast light on the possibility that there is a rich vein of risqué humor in the film, serving to disguise an underlying meditation on masculine virility as a wobbly rh作者: Landlocked 時(shí)間: 2025-3-23 03:34 作者: reptile 時(shí)間: 2025-3-23 09:30
,, Spatial Mental Models and the Uncanny,ychological structures that are malfunctioning. Scattered within them are objects that signify cognitive distress. They take the form of Uncanny objects teetering between an inanimate world and a threateningly animate one.作者: hardheaded 時(shí)間: 2025-3-23 12:49
https://doi.org/10.1007/978-3-319-55188-3Hitchcock studies; visual culture; philosophy of art; psychology of art; Vertigo; psychoanalysis; semiotic作者: Circumscribe 時(shí)間: 2025-3-23 15:30
978-3-319-85590-5The Editor(s) (if applicable) and The Author(s) 2017作者: 夾死提手勢(shì) 時(shí)間: 2025-3-23 20:53
Forcing Insight with Sight and the Availability Heuristic,terial, followed by a consideration of two psychological phenomena, the availability heuristic and confirmation bias. The latter begins to explain differences of critical opinion in the light of differing individual experiences, which, though they occur outside ., are as constitutive of its “meaning” as the elements of the film themselves.作者: 爭(zhēng)吵加 時(shí)間: 2025-3-24 01:05
,, Spatial Mental Models and the Uncanny,ychological structures that are malfunctioning. Scattered within them are objects that signify cognitive distress. They take the form of Uncanny objects teetering between an inanimate world and a threateningly animate one.作者: ACE-inhibitor 時(shí)間: 2025-3-24 03:56 作者: nutrition 時(shí)間: 2025-3-24 09:50
,How Shall We Store it? — Datatypes,e beyond which some will put too much of themselves into their interpretations. Years ago, for instance, I had a friend who was utterly convinced that ., the 1978 Richard Donner film starring Christopher Reeve, was a sequel to Stanley Kubrick’s . (1968). Should the meditations of such critical “outl作者: 合唱隊(duì) 時(shí)間: 2025-3-24 12:00
Sharing MySQL data with MyODBC,id-twentieth-century film history, generating dozens of psychoanalytical, feminist, postfeminist, Lacanian, formalist and other readings. Many of these interpretations depend on revisions of earlier observations within the work and/or the production of new observations. The chapter “Vertigo” provide作者: 假裝是我 時(shí)間: 2025-3-24 15:05
Springer Professional Computingterial, followed by a consideration of two psychological phenomena, the availability heuristic and confirmation bias. The latter begins to explain differences of critical opinion in the light of differing individual experiences, which, though they occur outside ., are as constitutive of its “meaning作者: 序曲 時(shí)間: 2025-3-24 19:40 作者: 預(yù)測(cè) 時(shí)間: 2025-3-25 02:54 作者: set598 時(shí)間: 2025-3-25 05:47
MySQL with PHP, Apache and Perl, crucial moments that occur on stairs, which a conventionally Freudian analysis would describe in terms of psychosexual fear. Interpreted in different ways, however, this fear can be flipped on its head to serve as a signifier of psychosexual appetite, which in turn can be seen as a call for sexual 作者: 鉤針織物 時(shí)間: 2025-3-25 08:02
Springer Professional Computingnt-garde alike, turntables serve as devices that generate anxiety and symbolize sexual activity and violent acts. In ., however, they cast light on the possibility that there is a rich vein of risqué humor in the film, serving to disguise an underlying meditation on masculine virility as a wobbly rh作者: 簡(jiǎn)潔 時(shí)間: 2025-3-25 15:17 作者: obsolete 時(shí)間: 2025-3-25 17:50 作者: 事與愿違 時(shí)間: 2025-3-25 20:32 作者: 天真 時(shí)間: 2025-3-26 03:37 作者: 記憶 時(shí)間: 2025-3-26 06:30 作者: 輕而薄 時(shí)間: 2025-3-26 09:42
http://image.papertrans.cn/a/image/152371.jpg作者: Decrepit 時(shí)間: 2025-3-26 15:59 作者: arsenal 時(shí)間: 2025-3-26 18:32
Alfred Hitchcock‘s Vertigo and the Hermeneutic Spiral作者: 騷動(dòng) 時(shí)間: 2025-3-26 21:34 作者: Aspirin 時(shí)間: 2025-3-27 03:30 作者: 胰島素 時(shí)間: 2025-3-27 05:43 作者: dearth 時(shí)間: 2025-3-27 12:52
MySQL with PHP, Apache and Perl, ways, however, this fear can be flipped on its head to serve as a signifier of psychosexual appetite, which in turn can be seen as a call for sexual liberty. In this way, we return to the contronym and elaborate it in a new direction.作者: 積云 時(shí)間: 2025-3-27 17:01
Springer Professional Computinge possibility that there is a rich vein of risqué humor in the film, serving to disguise an underlying meditation on masculine virility as a wobbly rhythm of psychosexual loss-replacement-loss-replacement, and so on.作者: Obvious 時(shí)間: 2025-3-27 18:04
,,, Duchamp’s , and a ?i?ekian Brassiere,ningful than first thought. I argue that some of these are examples of “Hitchcockian blots,” after ?i?ek, that have gone unnoticed. A case in point is the symbolism of a brassiere, which I take further here than do the relatively few scholarly articles that allude to it.作者: 倒轉(zhuǎn) 時(shí)間: 2025-3-27 23:17 作者: DAMP 時(shí)間: 2025-3-28 03:59 作者: 宏偉 時(shí)間: 2025-3-28 08:17 作者: Commentary 時(shí)間: 2025-3-28 10:47
Springer Professional Computingcake with powdered sugar or trim a Christmas tree, as opposed to dusting a mantle to remove dirt or trimming toenails. There are, in ., numerous examples of one signifier that generates opposing signifieds. Through confirmation bias influenced by ., we can find that one of them is flowers.作者: Oration 時(shí)間: 2025-3-28 18:35 作者: 四指套 時(shí)間: 2025-3-28 20:09
,,, Man Ray’s ,, and Flowers,cake with powdered sugar or trim a Christmas tree, as opposed to dusting a mantle to remove dirt or trimming toenails. There are, in ., numerous examples of one signifier that generates opposing signifieds. Through confirmation bias influenced by ., we can find that one of them is flowers.作者: aspect 時(shí)間: 2025-3-29 00:15
,How Shall We Store it? — Datatypes, what is “good” criticism and what is excessive? Or is it all just a series of positions on an ever-changing interpretive trajectory that moves outward from the work into the various contexts around it?作者: pessimism 時(shí)間: 2025-3-29 06:16
Sharing MySQL data with MyODBC,s, which makes it possible for them to come to different conclusions. The chapter introduces numerous examples of how material outside the film itself comes to play a role in our interpretations of it.作者: 秘傳 時(shí)間: 2025-3-29 10:21 作者: 說(shuō)笑 時(shí)間: 2025-3-29 14:46
