派博傳思國際中心

標題: Titlebook: Aging, Creativity and Art; A Positive Perspecti Martin S. Lindauer Book 2003 Springer Science+Business Media New York 2003 Action.Creativit [打印本頁]

作者: DEBUT    時間: 2025-3-21 17:31
書目名稱Aging, Creativity and Art影響因子(影響力)




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作者: 使成波狀    時間: 2025-3-21 21:13

作者: Diverticulitis    時間: 2025-3-22 02:54
https://doi.org/10.1007/978-3-662-69099-4o growing old, and intelligent compensations for physical and sensory losses. To test these assumptions, up to 63 empirically determined characteristics of the old-age style (Chapter 13) can be applied to at least 38 historical artists with an old-age style and 68 without one (Chapter 12).
作者: 現(xiàn)代    時間: 2025-3-22 07:50

作者: 木訥    時間: 2025-3-22 12:42
Contemporary Old Artists on Their Late-Life Creativity efforts (Chapter 3). Late-life creativity therefore takes two contradictory trends (Chapter 3), either that of decline or continuation. Opposing trajectories could be the result of comparing test scores of nonartists with real-world achievements of artists, or of contrasting cross-sectional measures with longitudinal achievements over time.
作者: 斥責(zé)    時間: 2025-3-22 16:14

作者: Macronutrients    時間: 2025-3-22 17:30
https://doi.org/10.1007/978-981-97-2317-1t artistic creativity has more than one high point, it is not only in youth, and it is sustained, refreshed, and emergent in old age (Chapter 5). These conflicting assertions about artistic creativity among painters are examined in this chapter. (For details of the research on which this chapter was based, see Lindauer, 1993b.)
作者: 休戰(zhàn)    時間: 2025-3-23 00:25
Book 2003sted by the accomplishments of aging artists, late artistic works, and elderly arts audiences. The book draws on scholarship in the humanities, primarily in art history; examines mainly paintings and painters, both historical and contemporary; reviews empirical research on creativity and cognition,
作者: 大火    時間: 2025-3-23 04:23

作者: APEX    時間: 2025-3-23 08:08
Cognitive Aspects of Virtual Realityhat creativity peaked for some who were older than 30 and 40. These and other problems with the decline model are critically examined in this chapter, especially the methods used to investigate it and the attitudes that underlie it. Research in opposition to this model is reviewed in subsequent chapters.
作者: Vulvodynia    時間: 2025-3-23 12:16

作者: Veneer    時間: 2025-3-23 15:55

作者: 沖突    時間: 2025-3-23 21:31

作者: backdrop    時間: 2025-3-24 01:57

作者: 大猩猩    時間: 2025-3-24 04:19
1566-709X are manifested by the accomplishments of aging artists, late artistic works, and elderly arts audiences. The book draws on scholarship in the humanities, primarily in art history; examines mainly paintings and painters, both historical and contemporary; reviews empirical research on creativity and c
作者: 聲明    時間: 2025-3-24 09:46
Sense of Presence in Desktop?VRbe ranked among the most important contributions?- to the literature on genius” (p. v). Ironically, Terman was a proponent of the . of creativity, rather than its early declinethe position championed by Lehman.
作者: 泥土謙卑    時間: 2025-3-24 11:01
Bérengère G. Digard,Rachael Davisand point to an old-age style among some artists, which like wisdom, emerges late in life. Unexpected shifts occurred in the techniques, composition, subject matter, and affective tone in the later works, for example, of Cezanne, Goya, Michelangelo, Rembrandt, and Titian.
作者: PAD416    時間: 2025-3-24 16:32

作者: 有助于    時間: 2025-3-24 22:44

作者: ENDOW    時間: 2025-3-25 01:59

作者: debase    時間: 2025-3-25 06:24
Late-Life Creativityity model, in which creativity continues beyond the middle years, is the most prominent alternative. It was first formulated around the end of the 19th century, long before the work of Lehman (1953) and the ascendancy of the decline position. Other options come from the humanities, and from anecdotal evidence.
作者: Noisome    時間: 2025-3-25 11:10
Identifying Artists with an Old-Age Style: Contributions from Experts, Laypersons, and Artists criteria for choosing certain artists have to be spelled out, including those . an old-age style. With these broad guidelines in mind, artists with an old-age style were identified in two studies, and their distinguishing characteristics investigated in a third. (Details are in Lindauer, 1993a; Lindauer, Orwoll, & Kelley, 1997.)
作者: Anguish    時間: 2025-3-25 15:31

作者: DIKE    時間: 2025-3-25 16:21
Cultural Models: A Constructed Realityf the nation, reflecting a worldwide pattern (McDonald, 1997; Perlmutter, 1990). Average life expectancy has not only increased but has led to two new categories of old age, the very-old and the old-old. There are more than 664 million people over 80 in the world, 1 for every 100 on earth, a number
作者: 語源學(xué)    時間: 2025-3-25 21:14
Cognition In and Out of the Mindal accomplishments. A glance at a painting, the sound of the opening chords of a symphony, and the sight of the first few lines of a novel instantly arouse interest or indifference. Artists, too, are attractive: they are adept at translating abstract ideas into concrete images, illustrating broad ge
作者: 來自于    時間: 2025-3-26 00:10

作者: hypotension    時間: 2025-3-26 07:41
Cognitive Aspects of Virtual Realityith aging, creativity falters (Chapter 3), echoing a gen- eral stance toward aging as a time of decline (Chapter 1).Yet many older individuals in a variety of fields are creative (Chapter 1); decline and age are not necessarily synonymous. Further, decrements in creativity with age are not explained
作者: Fibrillation    時間: 2025-3-26 09:20
https://doi.org/10.1007/978-3-031-68130-1ity model, in which creativity continues beyond the middle years, is the most prominent alternative. It was first formulated around the end of the 19th century, long before the work of Lehman (1953) and the ascendancy of the decline position. Other options come from the humanities, and from anecdota
作者: correspondent    時間: 2025-3-26 14:09

作者: 增減字母法    時間: 2025-3-26 18:24
https://doi.org/10.1007/978-981-97-2317-1otal creative output declines by the 40s, and earlier and more sharply for artists than for scientists and scholars (Dennis, 1966). Thus, creativity reaches its highest point in young adulthood and falls by the early middle years, a span of only about 10 years or so. Art historians, though, hold tha
作者: 獸皮    時間: 2025-3-26 21:04
https://doi.org/10.1007/978-981-97-2317-1 lack of women (except for one, O’Keefe), raise questions about its representativeness. Consequently another 24 long-lived artists were added to the original sample of 21, all with Catalog Raisonnes (complete collections of their life’s work). The enlarged sample of 45 long-lived artists encompassed
作者: anatomical    時間: 2025-3-27 03:09
https://doi.org/10.1007/978-981-97-2317-1 creative well beyond their youth and middle years (Chapters 7 and 8). Masterpieces of art were produced in the artists’ 40s and later, and artists remained productive until at least their 50s, with many continuing into their 70s and up to their deaths. Artists of renown, in short, exhibited relativ
作者: 走調(diào)    時間: 2025-3-27 07:51

作者: biosphere    時間: 2025-3-27 13:02

作者: Excitotoxin    時間: 2025-3-27 17:35

作者: Amplify    時間: 2025-3-27 21:23

作者: dowagers-hump    時間: 2025-3-28 01:25
https://doi.org/10.1007/978-1-4419-9202-4Action; Creativity; cognition; development; psychology
作者: 時代    時間: 2025-3-28 05:13
978-1-4613-4835-1Springer Science+Business Media New York 2003
作者: 實施生效    時間: 2025-3-28 10:08

作者: ARBOR    時間: 2025-3-28 11:00

作者: calorie    時間: 2025-3-28 17:37

作者: Devastate    時間: 2025-3-28 20:01
Paula Kalaja,Ana Maria F. Barcelos criteria for choosing certain artists have to be spelled out, including those . an old-age style. With these broad guidelines in mind, artists with an old-age style were identified in two studies, and their distinguishing characteristics investigated in a third. (Details are in Lindauer, 1993a; Lindauer, Orwoll, & Kelley, 1997.)
作者: hemorrhage    時間: 2025-3-29 01:34
Strategies in English Language Learning subsequent inquiries into this phenomenon of late-life creativity (Chapter 11). The second crucial question is . works done in the old-age style, which is also another way of identifying artists whose paintings show this sign of late-life creativity.
作者: 狂熱文化    時間: 2025-3-29 04:59

作者: 前兆    時間: 2025-3-29 07:15
New Ideas and Approaches by Aging ArtistsThe 60-80-year-old artists of some repute who completed a questionnaire on the quality and quantity of their work (Chapter 9) also responded to two other kinds of changes in their creativity with age (Lindauer, Orwoll, & Kelley, 1997): (1) in the sources of their ideas, or the “creative process”; and (2) the approach taken to their work, or style.
作者: 錫箔紙    時間: 2025-3-29 12:32
Late-Life Creativityf the nation, reflecting a worldwide pattern (McDonald, 1997; Perlmutter, 1990). Average life expectancy has not only increased but has led to two new categories of old age, the very-old and the old-old. There are more than 664 million people over 80 in the world, 1 for every 100 on earth, a number
作者: 織布機    時間: 2025-3-29 15:35
Old Age and Old Artistsal accomplishments. A glance at a painting, the sound of the opening chords of a symphony, and the sight of the first few lines of a novel instantly arouse interest or indifference. Artists, too, are attractive: they are adept at translating abstract ideas into concrete images, illustrating broad ge
作者: certitude    時間: 2025-3-29 20:26
The Youthful Rise,Early Fall, and Short Span of Creativityy grow older. For youngsters who enter music competitions, for example, “Victory [in youth] is not a guaranteed ticket into the classical music pantheon. Politics, personal health, changing musical fashions, and the mysterious vagaries of personality, not to mention sheer luck, can be as strong dete
作者: Cognizance    時間: 2025-3-30 01:45

作者: athlete’s-foot    時間: 2025-3-30 07:42
Late-Life Creativityity model, in which creativity continues beyond the middle years, is the most prominent alternative. It was first formulated around the end of the 19th century, long before the work of Lehman (1953) and the ascendancy of the decline position. Other options come from the humanities, and from anecdota
作者: MAPLE    時間: 2025-3-30 10:32

作者: 天文臺    時間: 2025-3-30 16:02

作者: 無彈性    時間: 2025-3-30 18:42

作者: 無孔    時間: 2025-3-31 00:30

作者: 運動的我    時間: 2025-3-31 02:33

作者: Keratin    時間: 2025-3-31 06:04
Identifying Artists with an Old-Age Style: Contributions from Experts, Laypersons, and Artists criteria for choosing certain artists have to be spelled out, including those . an old-age style. With these broad guidelines in mind, artists with an old-age style were identified in two studies, and their distinguishing characteristics investigated in a third. (Details are in Lindauer, 1993a; Lin




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