標(biāo)題: Titlebook: Ageing Women in Literature and Visual Culture; Reflections, Refract Cathy McGlynn,Margaret O‘Neill,Michaela Schrage-Fr Book 2017 The Editor [打印本頁] 作者: eternal 時間: 2025-3-21 16:51
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作者: Inflated 時間: 2025-3-21 22:37 作者: 印第安人 時間: 2025-3-22 00:39
Losing One’s Self: The Depiction of Female Dementia Sufferers in , (2001) and , (2011)ypically independent younger selves and their highly dependent older selves provides the dramatic power of these two films. It examines the effects this dichotomy imposes on the way of narrating Alzheimer’s Disease and contrasts the two approaches taken in the films.作者: Insufficient 時間: 2025-3-22 06:59 作者: 騎師 時間: 2025-3-22 11:21 作者: MAPLE 時間: 2025-3-22 14:08
Closing In: Restrictive Spaces for Ageing Mothers in Jane Austen’s Novels and increasingly restricted the spaces they were permitted to occupy. This paper explores the various physical, social and psychological spaces that women were permitted to occupy within society and within the home and proposes a correlation between the closing in of those spaces and the conflict in the mother-daughter dynamic.作者: 潔凈 時間: 2025-3-22 18:24
Stories of Motherhood and Ageing in ABC’s Television Programme , older values (and the older woman) must be abandoned for characters to gain social acceptance in the programme. Centrally, this paper argues that the programme perpetuates the idealisation of youth and maintains a narrative of the devil woman as crone through the characters’ embodiment of contemporary post-feminist expectations of motherhood.作者: 喪失 時間: 2025-3-22 23:18
“She Says She’s Thirty-Five but She’s Really Fifty-One”: Rebranding the Middle-Aged Postfeminist Pron’s lives at midlife and beyond. Some of postfeminism’s harmful outcomes are revealed, both through an examination of Bridget’s world within the novel, and in a study of its reception, each of which exposes how ageist discourses are naturalised as part of this ideology.作者: exhibit 時間: 2025-3-23 01:37
Older Women and Sexuality On-Screen: Euphemism and Evasion? range of ageing female stars and the emergence of a number of high-profile “silvering screen” films. A close reading of three films, . (2012), .. (2013) and . (2015) explores the parameters, both visual and narrative, of recent representations of ageing women and sexuality.作者: 效果 時間: 2025-3-23 09:25 作者: BOOM 時間: 2025-3-23 10:29
Future and Present Imaginaries: The Politics of the Ageing Female Body in Lena Dunham’s , (HBO, 2012body is complex; while . is largely unable to transcend dominant negative tropes configured around biomedical notions of old age as success or decline, through the postmaternal mother . offers a more diverse and powerful vision of older age which differs from hegemonic representations.作者: llibretto 時間: 2025-3-23 14:34
The New Model Subject: “Coolness” and the Turn to Older Women Models in Lifestyle and Fashion Advert calendar, this chapter argues that crucially the notion of . is reinscribed across these labels by way of the “edgy” older woman subject, and examines to what extent this challenges (or merely relocates) established norms pertaining to what kinds of bodies warrant our desire and attention.作者: 小卷發(fā) 時間: 2025-3-23 19:01 作者: HAIL 時間: 2025-3-23 23:24 作者: Fester 時間: 2025-3-24 03:52
https://doi.org/10.1007/978-3-7091-8517-9e elderly female body could be seen as representative of the irony underlying the complex, paradoxical tensions governing societal change and the impetus towards ideologies centred on newness and youthfulness.作者: Soliloquy 時間: 2025-3-24 07:07 作者: discord 時間: 2025-3-24 12:18 作者: ornithology 時間: 2025-3-24 17:23 作者: 先驅(qū) 時間: 2025-3-24 19:51
https://doi.org/10.1057/9780230389052ter Lolly Willowes as its starting-point, it analyses the construction of spinsterhood in a selection of Warner’s critically neglected short stories, demonstrating the author’s increasingly subversive critique of a youth culture that marginalises the old and unmarried.作者: 讓步 時間: 2025-3-25 00:30 作者: PAD416 時間: 2025-3-25 03:45 作者: antipsychotic 時間: 2025-3-25 08:38 作者: Affiliation 時間: 2025-3-25 14:46
https://doi.org/10.1007/978-3-030-66591-3ypically independent younger selves and their highly dependent older selves provides the dramatic power of these two films. It examines the effects this dichotomy imposes on the way of narrating Alzheimer’s Disease and contrasts the two approaches taken in the films.作者: preservative 時間: 2025-3-25 18:55
https://doi.org/10.1007/978-3-030-66591-3covery. Analysing Lily’s journey inward and backward in time as an example of fictional life review, this chapter shows how Lily’s rich inner life complicates conventional notions of the protagonist’s identity as wife, widow and elderly mother as well as the concept of ageing as a linear narrative of decline.作者: bypass 時間: 2025-3-25 22:47
Understanding Reflective Practiceteroception” (Leder in . .) in order to analyse Shaw’s subversion of behavioural scripts to which the aged female body is subject. It also examines how interruption, as a strategy employed in ., negotiates the cognitive, material and professional status of Shaw’s post-stroke body, and produces an explicitly fragile age-performance.作者: 小卒 時間: 2025-3-26 01:50 作者: Free-Radical 時間: 2025-3-26 04:58 作者: gastritis 時間: 2025-3-26 08:33 作者: 裁決 時間: 2025-3-26 16:16
Critical Reflections on ICT and Education range of ageing female stars and the emergence of a number of high-profile “silvering screen” films. A close reading of three films, . (2012), .. (2013) and . (2015) explores the parameters, both visual and narrative, of recent representations of ageing women and sexuality.作者: 地名詞典 時間: 2025-3-26 20:44
Tuyen Van Nguyen,Helena Sit,Shen Chene charges women to “allow their faces to show the lives they have lived”?(1972, 38). If only it were that simple. In response, this paper presents studies of ageing within fiction by Irish women writers, to gauge how far women have really responded to Sontag’s directive.作者: Corporeal 時間: 2025-3-27 00:44 作者: 使閉塞 時間: 2025-3-27 04:28
https://doi.org/10.1007/978-90-481-8838-3 calendar, this chapter argues that crucially the notion of . is reinscribed across these labels by way of the “edgy” older woman subject, and examines to what extent this challenges (or merely relocates) established norms pertaining to what kinds of bodies warrant our desire and attention.作者: 后退 時間: 2025-3-27 08:37 作者: contradict 時間: 2025-3-27 12:37
Book 2017geing are constructed and challenged across a variety of media and genres, the editors bring together experts in literature and visual culture to foster a dialogue across disciplines. Exploring the process of ageing in its cultural reflections, refractions and reimaginings, the contributors to Agein作者: CLIFF 時間: 2025-3-27 16:48
Introduction,visual culture to foster a much-needed dialogue across disciplines. In doing so, it analyses the power these constructions exert over public and private conceptions of age, and explores the ways in which the figure of the ageing woman is reimagined or reinscribed across media, genres and cultures. T作者: 多節(jié) 時間: 2025-3-27 19:30 作者: Femish 時間: 2025-3-27 22:32
Losing One’s Self: The Depiction of Female Dementia Sufferers in , (2001) and , (2011)s Murdoch, and . (2011), a biopic about former Prime Minister Margaret Thatcher. This chapter analyses the filmic portrayal of Iris Murdoch and Margaret Thatcher and examines the depiction of autonomy and dependency in the different stages of their lives. It argues that the tension between their unt作者: miscreant 時間: 2025-3-28 05:03
“Embarking, Not Dying”: Clare Boylan’s , as ,novel about seventy-five-year-old Lily Butler counteracts the cultural myth of ageing as a narrative of decline without denying its validity. In fact, it is her husband’s mental and physical decline, and eventual death, that forces Lily to review her own life and embark on a journey towards self-dis作者: 對待 時間: 2025-3-28 07:46 作者: Canary 時間: 2025-3-28 11:11 作者: 任意 時間: 2025-3-28 16:28
“No One Noticed Her”: Ageing Spinsters and Youth Culture in Sylvia Townsend Warner’s Short Storiesanning the author’s long writing career from the interwar period in the 1930s to her later work in the 1960s. Taking Warner’s most famous ageing spinster Lolly Willowes as its starting-point, it analyses the construction of spinsterhood in a selection of Warner’s critically neglected short stories, 作者: FLIRT 時間: 2025-3-28 22:00 作者: 有權(quán) 時間: 2025-3-29 01:01 作者: saturated-fat 時間: 2025-3-29 03:44
Older Women and Sexuality On-Screen: Euphemism and Evasion?ng attitudes about the supposed?asexuality of older women. This paper will track the extent to which this ideological shift has continued to gain ground over the last number of years, given factors such as changing demographics, the perceived power of the “grey pound,” the continuing popularity of a作者: 微生物 時間: 2025-3-29 08:09
A Certain Truth in Fiction: Perceptions of the Ageing Process in Irish Women’s Fiction where ageing has become a disproportionate marker in terms of control and success. How we manage our relationship with our own maturation is crucial to how we sustain a viable place among communities. This weighs hardest on women, as Susan Sontag suggests in “The Double Standard of Aging,” where sh作者: 細(xì)絲 時間: 2025-3-29 14:54
Future and Present Imaginaries: The Politics of the Ageing Female Body in Lena Dunham’s , (HBO, 2012ological age and the ideal female body have been dominant aspects of the intertextual context of the series from the outset and much has been made of Dunham’s own youth and body type. With the politics of cultural ageism in mind, this chapter argues that . representation of older age and the female 作者: ambivalence 時間: 2025-3-29 18:59 作者: 起草 時間: 2025-3-29 19:47 作者: mediocrity 時間: 2025-3-30 02:28
“I Become Shameless as a Child”: Childhood, Femininity and Older Age in J.M. Coetzee’s ,thus releases his elderly female protagonist from the enervation conventionally associated with senescence. This is achieved by inscribing the aged female body with images of childhood that disrupt the hegemonic flow of sequential, linear time. Instead, the novel posits that both childhood and older作者: 橡子 時間: 2025-3-30 04:13
Cathy McGlynn,Margaret O‘Neill,Michaela Schrage-FrStellar contributor list: includes an afterword by world-renowned feminist writer Germaine Greer, and contributions from leading scholars in the field.Ambitious approach: essays are interdisciplinary 作者: 品牌 時間: 2025-3-30 08:51
http://image.papertrans.cn/a/image/151035.jpg作者: 得體 時間: 2025-3-30 14:35 作者: 雪白 時間: 2025-3-30 18:16
978-3-319-87593-4The Editor(s) (if applicable) and The Author(s) 2017作者: TIA742 時間: 2025-3-30 23:29
https://doi.org/10.1007/978-3-319-01955-0visual culture to foster a much-needed dialogue across disciplines. In doing so, it analyses the power these constructions exert over public and private conceptions of age, and explores the ways in which the figure of the ageing woman is reimagined or reinscribed across media, genres and cultures. T作者: elucidate 時間: 2025-3-31 04:36
Understanding Reflective PracticeLama as they reached middle age? due to their purported lack of physical attractiveness. This chapter follows up on Greer’s work and further examines verbal and visual characterisations of older women artists of the early modern period (i.e. 1400?1800) to consider whether this discourse of humiliati作者: 深淵 時間: 2025-3-31 05:29 作者: 因無茶而冷淡 時間: 2025-3-31 09:15 作者: 好忠告人 時間: 2025-3-31 15:37
Understanding Reflective PracticeShaw, particularly her performances . (1998), . (2009) and . (2013), in order to illuminate the ways that Shaw disrupts the specific identity position of “old woman” and offers a multifaceted performance of the old, female body. The chapter engages concepts of “intersection” (Crenshaw 1988), and “in作者: Malleable 時間: 2025-3-31 19:18
