標(biāo)題: Titlebook: Against Theatre; Creative Destruction Alan Ackerman (Associate Professor),Martin Puchner Book 2006 Palgrave Macmillan, a division of Macmil [打印本頁] 作者: Fillmore 時(shí)間: 2025-3-21 17:42
書目名稱Against Theatre影響因子(影響力)
書目名稱Against Theatre影響因子(影響力)學(xué)科排名
書目名稱Against Theatre網(wǎng)絡(luò)公開度
書目名稱Against Theatre網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Against Theatre被引頻次
書目名稱Against Theatre被引頻次學(xué)科排名
書目名稱Against Theatre年度引用
書目名稱Against Theatre年度引用學(xué)科排名
書目名稱Against Theatre讀者反饋
書目名稱Against Theatre讀者反饋學(xué)科排名
作者: Cloudburst 時(shí)間: 2025-3-21 23:20
Avant-garde scenography and the frames of the theatrethe first American comedy), the good-hearted but simple character Jonathan is tricked into going to the theatre – an activity that he perceives as immoral, but of which he has had no experience. Questioned afterward, he comments on the peculiar architecture to be found in New York City that permits 作者: 裂口 時(shí)間: 2025-3-22 04:00 作者: Firefly 時(shí)間: 2025-3-22 07:59 作者: FLASK 時(shí)間: 2025-3-22 09:14 作者: 老巫婆 時(shí)間: 2025-3-22 13:53 作者: probate 時(shí)間: 2025-3-22 17:53
Mallarmé, Maeterlinck and the symbolist via negativa of theatret’s engagement with theatre. The verbal play from . to . is at the hub of the matter: a rejection of theatre that leads to – that is perhaps even the . – a triumphant reclaiming of the theatrical. Mallarmé, theatre critic for the ., is ostensibly giving his reasons for not going to the theatre – he 作者: 精美食品 時(shí)間: 2025-3-22 23:47 作者: limber 時(shí)間: 2025-3-23 04:25
The curse of legitimacyities, a ‘paradise for playwrights’, in Brenda Murphy’s words.1 On the average, more than 200 new productions opened each year on the Great White Way.2 By 1927, there were 76 theatres in New York City used for plays and musical comedies, twice as many as had been available only 12 years before.3 Alt作者: declamation 時(shí)間: 2025-3-23 07:03 作者: 滔滔不絕地講 時(shí)間: 2025-3-23 13:14 作者: 昏睡中 時(shí)間: 2025-3-23 14:17 作者: Mercurial 時(shí)間: 2025-3-23 21:10
Yeop Chang,Taeyeon Kim,Woonyon Kimthe first American comedy), the good-hearted but simple character Jonathan is tricked into going to the theatre – an activity that he perceives as immoral, but of which he has had no experience. Questioned afterward, he comments on the peculiar architecture to be found in New York City that permits 作者: extemporaneous 時(shí)間: 2025-3-24 00:18
Luca Faramondi,Gabriele Oliva,Roberto SetolaLionel Abel’s brief essays in .. Abel claimed that a new dramatic ‘form’ had arisen in the English Renaissance and the Spanish Golden Age. ‘[T]ragedy would be replaced by metatheatre’ in the theatres of Shakespeare and Calderon, Abel argued, after whom extended a lineage that stretched to Pirandello作者: expansive 時(shí)間: 2025-3-24 04:29
https://doi.org/10.1007/978-3-030-93200-8e reality, a certain inauthenticity that, as Jonas Barish demonstrated in his magisterial book The Antitheatrical Prejudice, has been an issue within Western thought since its beginnings. The term operatic implies the exaggeration of a theatrical stance already assumed to be exaggerated. Thus, an op作者: 顯而易見 時(shí)間: 2025-3-24 10:32 作者: 啞巴 時(shí)間: 2025-3-24 14:39
https://doi.org/10.1007/978-3-030-05849-4nded emphatically:.No. I love the theater. In fact, I used to think when we were so close together – Earle Brown, Morton Feldman, Christian Wolff, David Tudor, myself [in the early and mid-1950s] – I used to think that the thing that distinguished my work from theirs was that mine was theatrical. I 作者: paragon 時(shí)間: 2025-3-24 17:00 作者: parsimony 時(shí)間: 2025-3-24 20:06
Lecture Notes in Computer Scienceis striking in its attempts to translate the narrative’s innovative theatricality into the play’s literal theatre. That the translation largely fails is telling, to be sure, about Conrad’s limitations as a dramatist, but it is telling also about a misfit between the modernist content of Conrad’s nov作者: 小隔間 時(shí)間: 2025-3-25 02:24
https://doi.org/10.1007/11962977ities, a ‘paradise for playwrights’, in Brenda Murphy’s words.1 On the average, more than 200 new productions opened each year on the Great White Way.2 By 1927, there were 76 theatres in New York City used for plays and musical comedies, twice as many as had been available only 12 years before.3 Alt作者: 不容置疑 時(shí)間: 2025-3-25 06:23
Engla Ling,Robert Lagerstr?m,Mathias Ekstedto’, modelled on that at the Chicago World’s Fair, and featuring teenage Oriental dancers performing a ‘.’ (see Figure 1).1 After the performance opened, with four musicians costumed as Turks seated on a divan on ‘the rickety stage’, the dancers emerged: Zuleika, ‘a(chǎn)rrayed in red silk Turkish trousers作者: cumber 時(shí)間: 2025-3-25 10:16
Finding Fast Flux Traffic in DNS Haystacking through every nerve-end to the dubious heart of drama, which has from whatever beginnings always distrusted the theatre. I’m not merely referring here, with the author living or dead, to a certain protectionism of the text against the depredations of the stage, a tradition extending, at times wi作者: 確定方向 時(shí)間: 2025-3-25 13:31 作者: 先兆 時(shí)間: 2025-3-25 17:42 作者: RADE 時(shí)間: 2025-3-25 23:43
‘All the Frame’s a Stage’: (Anti-)theatricality and cinematic modernismThe history of cinema is often treated as the history of its emancipation from theatrical models . . . Movies are regarded as advancing from theatrical stasis to cinematic fluidity, from theatrical artificiality to cinematic naturalness and immediateness. But this view is far too simple.作者: unstable-angina 時(shí)間: 2025-3-26 01:34
Against Theatre978-0-230-28908-6Series ISSN 2947-5600 Series E-ISSN 2947-5619 作者: conjunctiva 時(shí)間: 2025-3-26 06:32 作者: 脖子 時(shí)間: 2025-3-26 09:00
https://doi.org/10.1057/9780230289086clown; drama; film; Modernism; Narrative; naturalism; stage; theatre作者: Allodynia 時(shí)間: 2025-3-26 15:06
978-0-230-53745-3Palgrave Macmillan, a division of Macmillan Publishers Limited 2006作者: 頂點(diǎn) 時(shí)間: 2025-3-26 18:50 作者: 木質(zhì) 時(shí)間: 2025-3-26 23:35
Mihael Marovi?,Ante Derek,Stjepan Gro?new methods of . in both theatrical and economic senses.2 In referring to Schumpeter, the dark theorist of capitalism, we want to indicate how modernist theatre responds to, represents and critiques the forces unleashed by rapid industrialization and the capitalist mode of production.作者: 退出可食用 時(shí)間: 2025-3-27 01:10 作者: Arrhythmia 時(shí)間: 2025-3-27 05:29
Lecture Notes in Computer Sciencewell: his narratives use theatrical metaphors that depend not on the absence of a stage, but on the ubiquity of staging. . is theatrical because it attributes the characteristics of natives and foreigners to the effects of social performance; but it is also anti-theatrical, because its theatre of culture resists the temporality of dramatic forms.作者: alliance 時(shí)間: 2025-3-27 09:27 作者: incontinence 時(shí)間: 2025-3-27 15:36 作者: 不確定 時(shí)間: 2025-3-27 21:15
Avant-garde scenography and the frames of the theatrence of a frame and thus perceives the on-stage action as an extension of his own world, no matter how peculiar. The situation in this play serves to demonstrate that without a frame there can be no theatre.作者: abject 時(shí)間: 2025-3-27 23:23
Narrative theatricality: Joseph Conrad’s drama of the pagewell: his narratives use theatrical metaphors that depend not on the absence of a stage, but on the ubiquity of staging. . is theatrical because it attributes the characteristics of natives and foreigners to the effects of social performance; but it is also anti-theatrical, because its theatre of culture resists the temporality of dramatic forms.作者: BOLUS 時(shí)間: 2025-3-28 05:32
Seeming, seeming: The illusion of enoughial construction, the liability of the prejudice, whose contingency is theatre, is that it’s constrained ontologically even before it’s thought, for as Heidegger said of language: ‘Language itself is – language and nothing else besides. Language itself is language.’作者: 怪物 時(shí)間: 2025-3-28 09:33 作者: 荒唐 時(shí)間: 2025-3-28 11:33
John Cage’s living theatredidn’t think of Morty’s work as being theatrical. It seemed to me to be more, oh, you might say, lyrical . . . And Christian’s work seemed to me more musical . . . whereas I seemed to be involved in theater. What could be more theatrical than the silent pieces – somebody comes on the stage and does absolutely nothing.作者: Mirage 時(shí)間: 2025-3-28 18:35 作者: ARK 時(shí)間: 2025-3-28 22:43
https://doi.org/10.1007/978-3-030-05849-4didn’t think of Morty’s work as being theatrical. It seemed to me to be more, oh, you might say, lyrical . . . And Christian’s work seemed to me more musical . . . whereas I seemed to be involved in theater. What could be more theatrical than the silent pieces – somebody comes on the stage and does absolutely nothing.作者: 牲畜欄 時(shí)間: 2025-3-29 00:42 作者: CHOIR 時(shí)間: 2025-3-29 05:25
Luca Faramondi,Gabriele Oliva,Roberto Setolawould be replaced by metatheatre’ in the theatres of Shakespeare and Calderon, Abel argued, after whom extended a lineage that stretched to Pirandello, Genet, Brecht and Beckett. These plays had not been recognized as a distinct form, Abel said, and had no name: ‘I shall presume to designate them. I call them metaplays, works of metatheatre.’作者: aesthetician 時(shí)間: 2025-3-29 08:33 作者: 使出神 時(shí)間: 2025-3-29 14:59 作者: Affectation 時(shí)間: 2025-3-29 18:33 作者: SPER 時(shí)間: 2025-3-29 21:02
Seungoh Choi,Jeong-Han Yun,Sin-Kyu Kime stage is inevitably a mere symptom for some other, less effable social or metaphysical malady. The case ‘a(chǎn)gainst’ the theatre is fascinating precisely because it stages such a broad spectrum of transhistorical anxieties in historically and culturally specific terms, such that anti-theatrical diatr作者: 單片眼鏡 時(shí)間: 2025-3-30 03:32
https://doi.org/10.1007/11962977han any other playwright, succeeded in establishing ‘America’s kinship’, in the words of one of his earliest champions, ‘with the stage of the modern world’.5 With O’Neill’s long string of Broadway successes during the 1920s, from . to ., ‘American drama’, Barnard Hewitt announced, finally ‘came of 作者: 任命 時(shí)間: 2025-3-30 07:47
Engla Ling,Robert Lagerstr?m,Mathias Ekstedt spell-bound’, ‘flouncing [her] clothing’, ‘wriggl[ing] and twist[ing], turn[ing], cavort[ing], and kick[ing]’, one Inspector Williams advanced toward the footlights and said: ‘ “Stop that!” ’ Defiantly continuing, the dancers were arrested and charged with ‘performing a dance contrary to good moral作者: Harbor 時(shí)間: 2025-3-30 10:17 作者: CHURL 時(shí)間: 2025-3-30 13:28 作者: Root494 時(shí)間: 2025-3-30 19:39 作者: crumble 時(shí)間: 2025-3-30 23:57 作者: 細(xì)菌等 時(shí)間: 2025-3-31 03:18 作者: 征服 時(shí)間: 2025-3-31 07:29
10樓作者: Afflict 時(shí)間: 2025-3-31 10:27
10樓
