作者: Reverie 時(shí)間: 2025-3-21 22:47
Where Is Africa in the Nation? History as Transformative Praxis,med unsuited for social and economic access and mobility. If not deemed peripheral, African cultural markers were modified, co-opted, and renamed to suit the prevailing myth of democracia racial. Through the process of “.” [cleaning the blood] (Mattoso 191), the deliberate choice of racial and cultu作者: Infant 時(shí)間: 2025-3-22 02:09 作者: corpus-callosum 時(shí)間: 2025-3-22 07:29
,From Candomblé to Carnaval: Secularizing Africa and Visualizing Blackness,e identities, and reposition themselves in hierarchical social arrangements. Dichotomies such as self and Other cease to represent binary opposites, given that they often coexist during rites of spirit possession, masking, or the simple act of dressing up or down. In this complex play of identities,作者: 發(fā)出眩目光芒 時(shí)間: 2025-3-22 11:24 作者: Dna262 時(shí)間: 2025-3-22 16:33 作者: 表狀態(tài) 時(shí)間: 2025-3-22 19:44
Centering Blackness: Hip-Hop and the Outing of Marginality,ural injunctions and imperatives, social contradictions, and social change. Like most literary and performative artistic forms, it reorders existence and allows us to inhabit a different world through its imaginative cultural narratives. Complementarily, popular music, says George Lipsitz, is by nat作者: Vulvodynia 時(shí)間: 2025-3-23 00:30 作者: 完整 時(shí)間: 2025-3-23 01:40 作者: 損壞 時(shí)間: 2025-3-23 07:31 作者: 謊言 時(shí)間: 2025-3-23 12:15 作者: gene-therapy 時(shí)間: 2025-3-23 15:03 作者: GNAW 時(shí)間: 2025-3-23 19:11
https://doi.org/10.1007/978-3-8349-8323-7and displacement, queries such as who am I? and where do I belong? arise out of the modern subject. This is why Paul Gilroy (1993 ) relocates the discourse of modernity to the triangular route of the slave trade, renaming it the black Atlantic. For who else but the enslaved Other (and their descenda作者: inculpate 時(shí)間: 2025-3-23 22:40
https://doi.org/10.1007/978-3-030-80791-7med unsuited for social and economic access and mobility. If not deemed peripheral, African cultural markers were modified, co-opted, and renamed to suit the prevailing myth of democracia racial. Through the process of “.” [cleaning the blood] (Mattoso 191), the deliberate choice of racial and cultu作者: 分離 時(shí)間: 2025-3-24 06:18
Swee Kiong Wong,Regina Garai Abdullahterized by their attempts at reviving or vivifying the past, generating normative standards of conduct for individuals and their societies, while allowing for celebratory moments that access a shared reality (Myeroff 1984).. Rituals reify social order, contends Néstor García Canclini (2005), but the作者: 陪審團(tuán)每個(gè)人 時(shí)間: 2025-3-24 07:51 作者: Derogate 時(shí)間: 2025-3-24 13:29 作者: Muffle 時(shí)間: 2025-3-24 18:39
Shona K. Paterson,Kristen Guida concerned with addressing social impediments, theatric arts become a venue in which to recognize race, debate racism, and reconfigure racial subjectivity and agency on the part of Afro-Brazilians. Transposing Franz Fanon’s amazingly satirical quip immediately forges a connection between the burden 作者: insular 時(shí)間: 2025-3-24 22:49
https://doi.org/10.1007/978-1-4842-9783-4ural injunctions and imperatives, social contradictions, and social change. Like most literary and performative artistic forms, it reorders existence and allows us to inhabit a different world through its imaginative cultural narratives. Complementarily, popular music, says George Lipsitz, is by nat作者: Psa617 時(shí)間: 2025-3-25 01:06
https://doi.org/10.1007/978-1-4842-9783-4ed, totalizing designations are found wanting, and affiliations taken for granted are scrutinized based on their centrality to the definitions of position and power. In these times when negotiation, mutual imbrication, and ambivalence rule, why is it important to discuss Afro-Brazilian identity? In 作者: 瘙癢 時(shí)間: 2025-3-25 03:36 作者: 商談 時(shí)間: 2025-3-25 11:30 作者: hysterectomy 時(shí)間: 2025-3-25 15:06
Where Is Africa in the Nation? History as Transformative Praxis,rican/black and choosing a black identity stands as a revolutionary, subversive act aimed at challenging the national consciousness and the processes of power construction and consolidation. Since most Afro-Brazilians are of mixed heritage, the pivotal query is, How is this African and black identit作者: BOLUS 時(shí)間: 2025-3-25 17:48 作者: 廣大 時(shí)間: 2025-3-25 21:43
,From Candomblé to Carnaval: Secularizing Africa and Visualizing Blackness,ated through his role as the Dragon Masker during carnival in Trinidad, it is the time when the dispossessed can be seen and, by extension, heard. While in Da Matta’s formulation carnival hides sociopolitical realities, for Aldrick, carnival reveals them. Political engagement, we can infer, appears 作者: FUME 時(shí)間: 2025-3-26 02:54
Aesthetically Black: The Articulation of Blackness in the Black Arts Movement and Quilombhoje, concept of propaganda to the creation of beauty in truth and freedom. While Walter Benjamin (1969) critiques the attachment to the political in the reproductability of art (224), the Black Arts Movement (BAM) and Quilombhoje call for its intrinsic imbrication, likening artistic production to decolo作者: 艦旗 時(shí)間: 2025-3-26 05:41 作者: 輕彈 時(shí)間: 2025-3-26 11:34 作者: 怕失去錢 時(shí)間: 2025-3-26 15:39
Conclusion: Uma Luta que Nos Transcende,, battles over territory, and battles over oil are testaments to the contestations between hegemonic structures and the Others they have created. Whether identity is constructed by national discourse, state ideologies, and dominant paradigms, or asserted by the speaking self, depends on the ability 作者: Classify 時(shí)間: 2025-3-26 20:30 作者: CARK 時(shí)間: 2025-3-27 00:37
Swee Kiong Wong,Regina Garai Abdullahw on African traditions to construct Afro-Brazilian identity. Cultural reconversions happening through the hybridic, rhizomatic transposition of ritual forms, I contend, reassemble concepts of Africanness/blackness as markers and anchors for that identity. Ritual life is often conducted through both作者: grounded 時(shí)間: 2025-3-27 03:53
https://doi.org/10.1007/978-3-030-80791-7ated through his role as the Dragon Masker during carnival in Trinidad, it is the time when the dispossessed can be seen and, by extension, heard. While in Da Matta’s formulation carnival hides sociopolitical realities, for Aldrick, carnival reveals them. Political engagement, we can infer, appears 作者: cleaver 時(shí)間: 2025-3-27 05:56 作者: Impugn 時(shí)間: 2025-3-27 10:43
Shona K. Paterson,Kristen Guidaiven a choice of heads in Orun’s realm of the unborn, and that choice is metaphorically linked to the effectuation of destiny. Personal agency begins in the spiritual, for that recreated or rebirthed essence becomes the . human being in Ayé. When metaphysical discourse enters into the realm of tangi作者: 某人 時(shí)間: 2025-3-27 16:09
https://doi.org/10.1007/978-1-4842-9783-4ral identity through its direct, experiential nature and its impact on the body, on levels of sociability, and on personal engagement. Turning the lens to black music styles, the global dissemination creates a polemic in understanding how music reshapes orthodoxies and constructs cultural narratives作者: 放逐 時(shí)間: 2025-3-27 19:14 作者: 可商量 時(shí)間: 2025-3-27 22:23
2662-8562 on.Studies unique questions of adaptation relevant to Gaiman.Fantasy author Neil Gaiman’s 1996 novel .Neverwhere. is not just a marvelous self-contained novel, but a terrifically useful text for introducing students to fantasy as a genre and issues of adaptation. Jeffrey Andrew Weinstock’s briskly w作者: Basilar-Artery 時(shí)間: 2025-3-28 02:21 作者: Functional 時(shí)間: 2025-3-28 06:44
Research scholars, climate activists, institutional and non-institutional organisations, people interested in environmental science, social science and policymakers will find this book very relevant.??.978-3-031-54929-8978-3-031-54927-4
