標題: Titlebook: Affirmative Aesthetics and Wilful Women; Gender, Space and Mo Maud Ceuterick Book‘‘‘‘‘‘‘‘ 2020 The Editor(s) (if applicable) and The Author [打印本頁] 作者: 本義 時間: 2025-3-21 19:41
書目名稱Affirmative Aesthetics and Wilful Women影響因子(影響力)
書目名稱Affirmative Aesthetics and Wilful Women影響因子(影響力)學(xué)科排名
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書目名稱Affirmative Aesthetics and Wilful Women網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Affirmative Aesthetics and Wilful Women被引頻次
書目名稱Affirmative Aesthetics and Wilful Women被引頻次學(xué)科排名
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書目名稱Affirmative Aesthetics and Wilful Women讀者反饋學(xué)科排名
作者: bourgeois 時間: 2025-3-21 23:13 作者: Palpable 時間: 2025-3-22 03:56 作者: 總 時間: 2025-3-22 06:20 作者: 的染料 時間: 2025-3-22 10:36 作者: Conquest 時間: 2025-3-22 13:46 作者: STALE 時間: 2025-3-22 20:37
g the binary social distinctions created and reinforced by m.Fifty years of feminist thought have made the idea that women stay at home while men dominate the streets seem outdated; nevertheless, Ceuterick argues that theoretical considerations of gender, space, and power in film theory remain limit作者: GLOOM 時間: 2025-3-22 22:55 作者: 極大痛苦 時間: 2025-3-23 04:26
Cars: A Micro-analysis of Space and Bodies in ,in public and private spaces. In this chapter, Ceuterick emphasises the affirmative aesthetic of the film, which transforms the car into a home, gendered bodies into lived bodies, and intimacy into a passage between real and imaginary.作者: Latency 時間: 2025-3-23 06:35
,Women’s Road Movies and Affirmative Wandering: ,n the habitation of space itself. Considering space and mobility outside of gendered models calls for other tools, concepts, and vocabulary, which include attention to the forms that wilfulness takes on screen.作者: 光亮 時間: 2025-3-23 10:49 作者: TAP 時間: 2025-3-23 15:35 作者: 消息靈通 時間: 2025-3-23 21:58
Corpus Linguistics and Statistics with Rn the habitation of space itself. Considering space and mobility outside of gendered models calls for other tools, concepts, and vocabulary, which include attention to the forms that wilfulness takes on screen.作者: 改革運動 時間: 2025-3-24 01:57 作者: 比喻好 時間: 2025-3-24 04:12
Book‘‘‘‘‘‘‘‘ 2020es that theoretical considerations of gender, space, and power in film theory remain limited by binary models. Looking instead to more fluid models of spatial relations inspired by Sara Ahmed, Rosi Braidotti, and Doreen Massey, this book discovers wilful, affirmative, and imaginative activations of 作者: 阻擋 時間: 2025-3-24 09:23 作者: 消音器 時間: 2025-3-24 13:43
Streets: Freedom, Diaspora, and the Erotic in ,ed for those who refuse conventions, . (Fatih Akin, . DVD. Germany; Turkey: Strand Releasing, 2004) uses performance, eroticism, and abjection to disrupt the gendering and racialisation of space and the subject. Feminist affirmative forms appear when one looks?beyond the negativity present in the diegesis.作者: MILK 時間: 2025-3-24 16:08
Conclusion: Forms of Affirmative Aesthetics,he affect of films onto the bodies of the spectators, it concludes that looking for affirmative aesthetics is about mapping the feminist forms that will allow us?to build a future beyond gendered and racialised power relations.作者: 灌溉 時間: 2025-3-24 21:06
https://doi.org/10.1007/978-3-030-37039-8Gender; Affect and Form; Space; Affirmative Ethics; Wilfulness; Contemporary Cinema; Open Access作者: flimsy 時間: 2025-3-25 01:23 作者: Annotate 時間: 2025-3-25 03:49
https://doi.org/10.1007/978-3-319-64572-8ed for those who refuse conventions, . (Fatih Akin, . DVD. Germany; Turkey: Strand Releasing, 2004) uses performance, eroticism, and abjection to disrupt the gendering and racialisation of space and the subject. Feminist affirmative forms appear when one looks?beyond the negativity present in the diegesis.作者: infarct 時間: 2025-3-25 09:32
Bin Zou,Simon Smith,Michael Hoeyhe affect of films onto the bodies of the spectators, it concludes that looking for affirmative aesthetics is about mapping the feminist forms that will allow us?to build a future beyond gendered and racialised power relations.作者: 拋物線 時間: 2025-3-25 12:42 作者: 牽索 時間: 2025-3-25 16:42 作者: hereditary 時間: 2025-3-25 23:33 作者: 山羊 時間: 2025-3-26 03:57
Corpus Linguistics and Statistics with Rs of women requires dissimulation and persistence in order to obtain the same rights as men have. A phenomenological analysis of the film shows how bodies give rise to wilful forms on screen and modify the gendered power relations (the power-geometries) at play in different spaces, such as the house作者: jeopardize 時間: 2025-3-26 06:32 作者: 管理員 時間: 2025-3-26 11:49
Bin Zou,Simon Smith,Michael Hoeyhe affect of films onto the bodies of the spectators, it concludes that looking for affirmative aesthetics is about mapping the feminist forms that will allow us?to build a future beyond gendered and racialised power relations.作者: diabetes 時間: 2025-3-26 14:42
Maud CeuterickProvides an affirmative approach to feminism and film.Explores case studies of films that are wilful to change the status quo, deconstructing the binary social distinctions created and reinforced by m作者: Anecdote 時間: 2025-3-26 18:23
http://image.papertrans.cn/a/image/150675.jpg作者: 突變 時間: 2025-3-26 21:31
bitation of cars, homes, and city streets. Wilful women drive this book forward, through their movement and stillness, imagination and desire, performance and abjection..? ? ? ? ? ? ? ?.978-3-030-37041-1978-3-030-37039-8作者: 悲痛 時間: 2025-3-27 01:24 作者: Manifest 時間: 2025-3-27 08:37
10樓作者: 樹上結(jié)蜜糖 時間: 2025-3-27 12:48
10樓作者: Terrace 時間: 2025-3-27 16:42
10樓作者: 推崇 時間: 2025-3-27 20:05
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