標(biāo)題: Titlebook: Affects in 21st-Century British Theatre; Exploring Feeling on Mireia Aragay,Cristina Delgado-García,Martin Midde Book 2021 The Editor(s) (i [打印本頁] 作者: 非決定性 時間: 2025-3-21 19:05
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作者: LITHE 時間: 2025-3-21 23:15 作者: cornucopia 時間: 2025-3-22 01:29 作者: Instantaneous 時間: 2025-3-22 04:38
Love and the Intentionality of Affect in Lucy Prebble’s , and debbie tucker green’s e stands opposed to a notion of affect as radically entwined with conscious awareness, cognitive activity and processes of sense-making. This chapter adopts the position that a sharp demarcation of bodily from mental aspects of affective experience artificially separates what manifests only as mutua作者: laparoscopy 時間: 2025-3-22 11:49 作者: machination 時間: 2025-3-22 15:31
at the Bush Theatre: Art, Anger, Affect and Activism the interaction between Black citizens and the police is explored in the . project at the Bush Theatre. The chapter uses case studies of key plays from the 2017 production—Reginald Edmund’s ., Idris Goodwin’s . and Rachel De-Lahay’s .—to consider how they probe ways of “talking about race” and deal作者: GEM 時間: 2025-3-22 20:22
“Feeling Feminism”: Politics of Mischief in Contemporary Women’s Theatrer affective theory, the chapter examines how contemporary feminist theatre uses mischief through the staging of willful subjects who challenge popular norms of happiness and playfully disrupt neoliberal capitalist and postfeminist narratives of progress. Fragkou specifically explores how mischief as作者: 就職 時間: 2025-3-23 00:07 作者: 射手座 時間: 2025-3-23 02:45 作者: filial 時間: 2025-3-23 08:39 作者: xanthelasma 時間: 2025-3-23 13:08
Theatre at the End of the Worldoks, 2015), and ., by Kieran Hurley (., Oberon, 2016). Both plays offer visions of personal and political catastrophe, and Robson relates them to work in recent European philosophy and political theory. In particular, Robson turns to Jean-Luc Nancy’s rethinking of Martin Heidegger’s understanding of作者: angina-pectoris 時間: 2025-3-23 14:10
Affects and the Development of Political Subjectivity: From Resilience to Agency in Kae Tempest’s ffect, aesthetic form and power, focusing on the protagonists’ attempts to resist the neoliberal discourses of resilience and self-development. Drawing on Lauren Berlant’s understanding of the present as a mediated affect and on Sarah Ahmed’s concept of the stickiness of affects, Escoda explores the作者: amygdala 時間: 2025-3-23 21:49
eld of affect studies.Considers the potential for the lens o.This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understan作者: 煉油廠 時間: 2025-3-23 23:58
CSR, Sustainability, Ethics & Governancewriting. By studying how abstraction is embedded into all aspects of the theatrical milieu, Watkinson argues that these plays express the negative affects (fear, anxiety) that proliferate in neoliberal capitalist contexts and gesture towards how well-placed spectators are to proactively respond to the conditions that produce these affects.作者: 粗俗人 時間: 2025-3-24 03:54
Affect and the Politics of Abstraction in British New Writingwriting. By studying how abstraction is embedded into all aspects of the theatrical milieu, Watkinson argues that these plays express the negative affects (fear, anxiety) that proliferate in neoliberal capitalist contexts and gesture towards how well-placed spectators are to proactively respond to the conditions that produce these affects.作者: 冥想后 時間: 2025-3-24 08:35 作者: 收到 時間: 2025-3-24 11:07 作者: 雕鏤 時間: 2025-3-24 15:21
Political Dramaturgies of Affect: Anthony Neilson’s , and work but also inside the mind of its protagonist, through affective design that broadens a spectator’s capacity to access emotional cognition to feel, rather than necessarily understand, the experience of neurological otherness.作者: filial 時間: 2025-3-24 21:45 作者: 假 時間: 2025-3-24 23:32 作者: cogent 時間: 2025-3-25 05:18
Book 2021and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Ad作者: 殖民地 時間: 2025-3-25 09:59
Moving Parts: Emotion, Intention and Ambivalent Attachmentsound affect, emotion and agency. The chapter argues that an appreciation of the multidirectional processes of moving-acting produced in and by these plays permits a more general understanding of British theatre’s role in the production of a contemporary structure of feeling.作者: Obstacle 時間: 2025-3-25 12:46
at the Bush Theatre: Art, Anger, Affect and Activisming with the associated effects of grief, defensiveness and denial, as well as white fragility and microaggressions. Goddard concludes with a discussion of Mojisola Adebayo’s . that foregrounds how affects are produced within how the performance styles of . plays combine with their urgent subject matter.作者: insipid 時間: 2025-3-25 19:23 作者: Legion 時間: 2025-3-25 21:53 作者: Albumin 時間: 2025-3-26 00:26 作者: 等級的上升 時間: 2025-3-26 07:35
https://doi.org/10.1007/978-3-8349-3534-2n/emotion and mind/body dualisms that persist in the work of some affect theorists, but have been cogently contested by scholars of affect and emotion that work in the fields of gender and/or race studies.作者: 協(xié)議 時間: 2025-3-26 11:48
https://doi.org/10.1007/978-3-658-17027-1heir scientific compartmentalisation into bodily and cognitive elements, debbie tucker green’s . (2017) demonstrates how the elicitation of affective audience responses relies on forms of conceptual perception that render them irreducibly intentional.作者: 旋轉(zhuǎn)一周 時間: 2025-3-26 13:33
https://doi.org/10.1007/978-3-658-17027-1work but also inside the mind of its protagonist, through affective design that broadens a spectator’s capacity to access emotional cognition to feel, rather than necessarily understand, the experience of neurological otherness.作者: 翻動 時間: 2025-3-26 17:32
https://doi.org/10.1007/978-3-319-01532-3e full range of nonhuman powers. The ethical implication of this appeal structure is to make affect, emotion and cognition interact and, thus, make destructive or enriching tendencies of the world self-reflexive and graspable while accentuating, in a hopeful fashion, the vibrant force of things.作者: 散開 時間: 2025-3-26 23:37
Till Alexander Backsmann,Carmen Backsmannive affects of fear, anxiety and dejection that proliferate in their neoliberal capitalist context, and ponders the spectators’ own potential to engage in positive affects of mutual trust and responsibility for others.作者: inspired 時間: 2025-3-27 04:57 作者: Magnitude 時間: 2025-3-27 09:18
https://doi.org/10.1007/978-3-658-02940-1ing with the associated effects of grief, defensiveness and denial, as well as white fragility and microaggressions. Goddard concludes with a discussion of Mojisola Adebayo’s . that foregrounds how affects are produced within how the performance styles of . plays combine with their urgent subject matter.作者: 情節(jié)劇 時間: 2025-3-27 11:47
Marc Helmold,René Dathe,Florian Hummel political strategy in the theatre works in conjunction with emotions such as anger and joy through an analysis of two contemporary theatre examples: Alice Birch’s . (2014) and Sh!T Theatre’s . (2016).作者: superfluous 時間: 2025-3-27 13:58 作者: 舊石器 時間: 2025-3-27 19:22 作者: concise 時間: 2025-3-28 00:20 作者: enflame 時間: 2025-3-28 06:10
http://image.papertrans.cn/a/image/150643.jpg作者: 煩躁的女人 時間: 2025-3-28 07:17
Kerstin Fritzsche,Walter Kahlenborne a widespread agreement that feeling is an essential part of what matters in the theatre. The cultural significance of theatre, Erin Hurley contends, lies in the fact that it performs both “feeling labour”—since it makes, manages and moves feelings—and “feeling work”—since it intervenes in how a so作者: Lineage 時間: 2025-3-28 11:33 作者: Fsh238 時間: 2025-3-28 17:54 作者: 可卡 時間: 2025-3-28 19:24
https://doi.org/10.1007/978-3-658-17027-1e stands opposed to a notion of affect as radically entwined with conscious awareness, cognitive activity and processes of sense-making. This chapter adopts the position that a sharp demarcation of bodily from mental aspects of affective experience artificially separates what manifests only as mutua作者: 保守黨 時間: 2025-3-29 02:22 作者: 夾克怕包裹 時間: 2025-3-29 04:50 作者: 職業(yè)拳擊手 時間: 2025-3-29 10:40 作者: 鍍金 時間: 2025-3-29 15:08 作者: 護航艦 時間: 2025-3-29 19:14
CSR, Sustainability, Ethics & Governances . (2017) and Anders Lustgarten’s . (2016), Watkinson explores the act of abstracting as an affective process that manifests formally in British new writing. By studying how abstraction is embedded into all aspects of the theatrical milieu, Watkinson argues that these plays express the negative aff作者: inventory 時間: 2025-3-29 21:54
https://doi.org/10.1007/978-3-319-01532-3s of affect is configured in terms of intensity and vibrancy. This includes theatrical and performative space as well the spatial and bodily arrangement of text and textures. Affect becomes tangible as suspense, disruption and narrative noise. Augmented by vibrant textures, the appeal structure inhe
