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標題: Titlebook: Affective Moments in the Films of Martel, Carri, and Puenzo; Inela Selimovi? Book 2018 The Editor(s) (if applicable) and The Author(s) 201 [打印本頁]

作者: 連續(xù)不斷    時間: 2025-3-21 16:21
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作者: deceive    時間: 2025-3-21 21:07
Palgrave Macmillan Asian Business Seriesto the headline-making gestures in the public sphere.” . adds to this conversation—without sealing off categorically these cinematographic works under “women’s cinema” in an outmodedly essentialist spirit—by examining these filmmakers’ appeals to affect. While each of these filmmakers has individual
作者: 容易懂得    時間: 2025-3-22 04:24
Petter Gottschalk,Christopher HamertonThe child’s ethnography is a process of defiant observation by means of screaming fits, sexually explicit drawings, as well as other transgressive social conduct toward and within the patriarchal structures of domination. The protagonist’s autistic presence constantly materializes as a complex socia
作者: 雇傭兵    時間: 2025-3-22 05:59
The Convenience Theory Approach,to the filmmaker’s personal attempts at revisiting, re-narrating, and recapturing her parents’ dissident subjectivities, activism, and ideological closeness to the chief Peronist guerilla group known as ..
作者: 遺留之物    時間: 2025-3-22 12:10
Introduction,to the headline-making gestures in the public sphere.” . adds to this conversation—without sealing off categorically these cinematographic works under “women’s cinema” in an outmodedly essentialist spirit—by examining these filmmakers’ appeals to affect. While each of these filmmakers has individual
作者: 危機    時間: 2025-3-22 16:04

作者: CUR    時間: 2025-3-22 19:21
Remediations and Affect,to the filmmaker’s personal attempts at revisiting, re-narrating, and recapturing her parents’ dissident subjectivities, activism, and ideological closeness to the chief Peronist guerilla group known as ..
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作者: 白楊    時間: 2025-3-23 03:13
Affective Moments in the Films of Martel, Carri, and Puenzo978-1-137-49642-3
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Corporate Social Responsibility individual. Overcoming grief consequently entails a gradual approach, or takes place “piece by piece, with an expenditure of time and energy.” The despondent state that the protagonist feels in Puenzo’s film echoes a state of being that acknowledges and knows the potential for a concrete loss—the protagonist’s intersex subjectivity.
作者: Dysarthria    時間: 2025-3-23 19:54
Bold Boredoms, Libidinous Affects, individual. Overcoming grief consequently entails a gradual approach, or takes place “piece by piece, with an expenditure of time and energy.” The despondent state that the protagonist feels in Puenzo’s film echoes a state of being that acknowledges and knows the potential for a concrete loss—the protagonist’s intersex subjectivity.
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作者: 不能強迫我    時間: 2025-3-24 02:41
Schlussbetrachtung und Ausblick,—indeed connects aesthetically dissimilar films anew through a gendered perspective in .. In so doing, this book has highlighted the ways in which several prominent women filmmakers have innovatively contributed to the NAC’s morphing to heterogeneous aesthetic directions.
作者: 美色花錢    時間: 2025-3-24 09:10

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Introduction,nd between women and cinema in Argentina, academic research still continues to be patchy. This book fills in parts of such lacunae, as it draws more nuanced attention to the place of affect in the films of Argentina’s most prominent, prolific, and internationally reputable women directors. In a rece
作者: 出血    時間: 2025-3-24 15:20

作者: follicle    時間: 2025-3-24 21:12
Remediations and Affect,ematically linked to other directors and their films—Andrés Habegger’s . (2000), María Inés Roqué’s . (2000), Marcelo Pi?eyro’s . (2002), and Nicolás Prividera’s . (2007)—Carri carved out .’s singular impact aesthetically and politically both at home and abroad almost instantly. At the rudimentary t
作者: exclamation    時間: 2025-3-24 23:26
Bold Boredoms, Libidinous Affects,ssibility comes to life in the form of despondency, simultaneously disallowing that the protagonist’s confusion and alienation be completely obscure or unbroken. Despondency in the film is not just another word for melancholy in Freud’s terms. Freud’s classical discussions on melancholy suggest that
作者: invade    時間: 2025-3-25 06:46
Conclusion, that affect must be “an extensive form of con. [.]: a transmission that communicates in different spaces, and does so tangibly” (2002: 214, original emphasis). Affect as a palpably intersubjective materialization—regardless of its transitory but nearly always seizing nature alongside basic emotions
作者: 凈禮    時間: 2025-3-25 08:48

作者: 警告    時間: 2025-3-25 14:25

作者: exhilaration    時間: 2025-3-25 17:55
https://doi.org/10.1057/978-1-137-49642-3women directors; sociopolitical filmmaking; Argentine women filmmakers; Argentine cinema; Latin American
作者: POWER    時間: 2025-3-25 20:48
The Editor(s) (if applicable) and The Author(s) 2018
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Petter Gottschalk,Christopher Hamerton008), reflects these thematic pillars from a seemingly oxymoronic standpoint—that is, from an autistic child’s observations of and impacts on her immediate surroundings. The autistic child’s presence manifests, above all, affectively, even as . brims with emotional outbursts. As the film unfolds, th
作者: 明智的人    時間: 2025-3-26 08:49

作者: CERE    時間: 2025-3-26 15:17
Corporate Social Responsibilityssibility comes to life in the form of despondency, simultaneously disallowing that the protagonist’s confusion and alienation be completely obscure or unbroken. Despondency in the film is not just another word for melancholy in Freud’s terms. Freud’s classical discussions on melancholy suggest that
作者: 冥想后    時間: 2025-3-26 18:30

作者: Jogging    時間: 2025-3-26 23:44

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2352-0698 to map climate change susceptibilities in Pacific island st.This edited volume addresses the impacts of climate change on Pacific islands, and presents databases and indexes for assessing and adapting to island vulnerabilities. By analyzing susceptibility variables, developing comprehensive vulnera




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