標題: Titlebook: Affect and Belonging in Contemporary Spanish Fiction and Film; Crossroads Visions Jesse Barker Book 2017 The Editor(s) (if applicable) and [打印本頁] 作者: 戰(zhàn)神 時間: 2025-3-21 19:13
書目名稱Affect and Belonging in Contemporary Spanish Fiction and Film影響因子(影響力)
書目名稱Affect and Belonging in Contemporary Spanish Fiction and Film影響因子(影響力)學科排名
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書目名稱Affect and Belonging in Contemporary Spanish Fiction and Film網(wǎng)絡公開度學科排名
書目名稱Affect and Belonging in Contemporary Spanish Fiction and Film被引頻次
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書目名稱Affect and Belonging in Contemporary Spanish Fiction and Film讀者反饋學科排名
作者: Trabeculoplasty 時間: 2025-3-21 22:04 作者: 反感 時間: 2025-3-22 01:14
,History and Trauma at the Crossroads: Guillermo del Toro’s , and Isabel Coixet’s ,,e lines between contextual subjectivity and notions of universal being, proposing a reconciliation of these two modes of being in order to work through past traumas, as well as to combat authoritarianism in all its guises. Unlike the fictions in the previous chapter, characters in these films are ul作者: 紳士 時間: 2025-3-22 07:00
,Synthetic Skins: Mercedes Cebrián’s , (,) and Pedro Almodóvar’s , (,),e film endings in the last chapter, I explore here a context of ambivalent social liberation with new challenges: the call of postmodern consumer culture to continually shape one’s own lifestyle, to become one’s desires . Cebrián parodies this consumerist culture in contemporary Spain and Almodóvar’作者: 配置 時間: 2025-3-22 11:40
,Unraveling Cultures: Alejandro González I?árritu’s , and Najat El Hachmi’s , (,),Barcelona’s interwoven border crossroads of social class, cultural origin, and economic exchange—attempting to assert patriarchal control and manage the wellbeing of his family and the immigrants he employs. The Amazigh-Catalan protagonist of . navigates her internal migrant crossroads. Patriarchy i作者: 使糾纏 時間: 2025-3-22 16:01
,Unsheltered: Pablo Berger’s ,?(,) and Jesús Carrasco’s , (,), based on deterministic identity discourses but rather seeking to engage characters and audience/readers in a direct affective relation with the landscapes and people they portray. Invoking the current financial crisis in Spain and new social movements, I argue that the specter of past suffering and作者: 高調(diào) 時間: 2025-3-22 17:14 作者: 凝乳 時間: 2025-3-23 01:17 作者: 字謎游戲 時間: 2025-3-23 03:33
Corporate Foundation als PR-Instrumenttities meet universal being and imminent embodied consciousness. I define affective belonging through a number of perspectives on intersubjectivity:? affect theory, psychoanalysis compared to John Bowlby’s attachment theory, recent neuroscience, gender frameworks, and Buddhist Mindfulness.作者: 脫離 時間: 2025-3-23 06:47
Corporate Fraud Comparison Across Industriest the films end on ambivalent notes, showing that the assemblage is never complete, never seamless. Their endings invoke the affective complexity—joy and sadness, togetherness and separateness—of subjective experience.作者: CANT 時間: 2025-3-23 09:46 作者: 雄偉 時間: 2025-3-23 14:28
Corporate Fraud in Developed Countriesnary identities. El Hachmi’s novel also highlights Catalan language and literary references as significant affective elements not congealed into a new hybrid identity but rather interwoven into the protagonist’s developing knowledge and experience of the world.作者: Chivalrous 時間: 2025-3-23 18:06 作者: intimate 時間: 2025-3-24 00:11 作者: CUB 時間: 2025-3-24 04:31
,Introduction: Spanish Crossroads—Affect and Belonging in the Democratic Era,tities meet universal being and imminent embodied consciousness. I define affective belonging through a number of perspectives on intersubjectivity:? affect theory, psychoanalysis compared to John Bowlby’s attachment theory, recent neuroscience, gender frameworks, and Buddhist Mindfulness.作者: Tremor 時間: 2025-3-24 09:46
,History and Trauma at the Crossroads: Guillermo del Toro’s , and Isabel Coixet’s ,,t the films end on ambivalent notes, showing that the assemblage is never complete, never seamless. Their endings invoke the affective complexity—joy and sadness, togetherness and separateness—of subjective experience.作者: 委派 時間: 2025-3-24 14:39
,Synthetic Skins: Mercedes Cebrián’s , (,) and Pedro Almodóvar’s , (,),ts almost imperceptibly between narcissism and a profound affective engagement with otherness and collectivity, with the skin accentuated as a crossroads between the self and otherness. A more profound freedom than self-stylization is found in a Mindfulness-based second consciousness.作者: CRUDE 時間: 2025-3-24 15:18 作者: 協(xié)迫 時間: 2025-3-24 20:53
,Unsheltered: Pablo Berger’s ,?(,) and Jesús Carrasco’s , (,), which are perhaps now poised to regain prominence. Both the film and the novel call on us, metaphorically, to leave our own bubbles, our Oedipal ego-homes, to face the pain, scarcity, and potential solidarity outside.作者: 館長 時間: 2025-3-25 03:04
https://doi.org/10.1007/978-981-19-3667-8 notions of space. Likewise, these stories employ the home as a focal point between rooted identity and affective belonging. The trappings of individualism tie characters to metaphorical ego-homes. The outside is seen as a space of abject otherness, offering a sublime but frightening sense of belonging.作者: Communal 時間: 2025-3-25 07:23 作者: oracle 時間: 2025-3-25 08:19 作者: 盟軍 時間: 2025-3-25 12:59
Jesse BarkerOffers a broad overview and interpretation of twenty-first century Spanish fiction and film.Weaves together a diverse range of fiction and films and also draws on some of the most significant lines of作者: insurgent 時間: 2025-3-25 17:50 作者: 舊病復發(fā) 時間: 2025-3-25 20:14
Corporate Foundation als PR-Instrumentanish culture, literature, and film. I argue that Spain’s quick entry into postmodernity and recent economic and ecological crises have brought the problem of the self to the forefront. I also present my thesis that recent Spanish films and fictions focus on affective belonging—based on movement, se作者: intangibility 時間: 2025-3-26 02:24 作者: otic-capsule 時間: 2025-3-26 06:35
Corporate Fraud Comparison Across Industriese lines between contextual subjectivity and notions of universal being, proposing a reconciliation of these two modes of being in order to work through past traumas, as well as to combat authoritarianism in all its guises. Unlike the fictions in the previous chapter, characters in these films are ul作者: babble 時間: 2025-3-26 12:07 作者: 虛構的東西 時間: 2025-3-26 13:54 作者: vascular 時間: 2025-3-26 17:44 作者: promote 時間: 2025-3-26 23:38
Book 2017ending future crises. All of these issues make affective connection and attachment the greatest existential challenge facing individuals and collectives in the contemporary world, both in Spain and elsewhere..作者: 有花 時間: 2025-3-27 02:20
ltural identity; Spain‘s historical underdevelopment and impending future crises. All of these issues make affective connection and attachment the greatest existential challenge facing individuals and collectives in the contemporary world, both in Spain and elsewhere..978-3-030-10423-8978-3-319-58969-5作者: Inscrutable 時間: 2025-3-27 08:49 作者: entreat 時間: 2025-3-27 12:24
Affect and Belonging in Contemporary Spanish Fiction and Film978-3-319-58969-5作者: Clinch 時間: 2025-3-27 17:29
Denise Pumaingement of the connections within the cortex, and the columns specific for the deprived features contract, while the columns specific for the non-deprived features expand. The physiological properties of the cells change correspondingly. There is a limit to how far compensation can occur through anat作者: Observe 時間: 2025-3-27 20:50 作者: 放縱 時間: 2025-3-27 22:46 作者: thwart 時間: 2025-3-28 02:50 作者: 碎片 時間: 2025-3-28 08:14
