標(biāo)題: Titlebook: Aesthetics and the Iconoclasm of Contemporary Art; Pictures Without a W ?arko Pai? Book 2021 The Author(s), under exclusive license to Spri [打印本頁] 作者: children 時(shí)間: 2025-3-21 18:00
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書目名稱Aesthetics and the Iconoclasm of Contemporary Art影響因子(影響力)學(xué)科排名
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書目名稱Aesthetics and the Iconoclasm of Contemporary Art網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Aesthetics and the Iconoclasm of Contemporary Art讀者反饋
書目名稱Aesthetics and the Iconoclasm of Contemporary Art讀者反饋學(xué)科排名
作者: 物種起源 時(shí)間: 2025-3-21 22:18
Die Umsetzung: Ihr Buch entsteht,de in the realized space and the era of the technological environment. A picture without a world is nothing but an essential ontological definition of the events that determined the twentieth century—the emergence of the technosphere. When a technologically produced image dominates over language, ev作者: pester 時(shí)間: 2025-3-22 00:28
Dienstleister publizieren Expertenwissen,cture no longer emerges as a reflection or appearance of objectivity. The iconoclasm of the avant-garde appears not as a mere protest against the appearance of the human body from aesthetics due to the impossibility of portraying a human figure in a new image of reality by the invention of photograp作者: Toxoid-Vaccines 時(shí)間: 2025-3-22 05:22
Garant für Authentizit?t und Glaubwürdigkeiternet), as an autopoietic visual system. In this way, the world is understood pre-ontologically. The picture of a man on the scene precedes speech and text. It is an information-communication circuit. So, it is no longer mimetic or reflecting reality, nor representing a changed reality, but rather g作者: 有助于 時(shí)間: 2025-3-22 09:31
Brückenschlag in digitale Weltenopenness of the world as meaning, starting from the possibility of imitating something that can only be (re)presented in the equation between the ., the figure and the image. . thus (re)presents an existential event of novelty in the world. In Nancy’s narrative, it becomes abundantly clear that the 作者: 引起痛苦 時(shí)間: 2025-3-22 13:16 作者: 旁觀者 時(shí)間: 2025-3-22 20:22
Brückenschlag in digitale Weltenpecially his oil painting . in 1931, and the conceptual works of the German artist Hanne Darboven. The time of surrealistic painting and the time of conceptual art (Dalí—Darboven) are two different times that arise from two different epochal features of the Being. In the former case, it is the disco作者: VOC 時(shí)間: 2025-3-23 00:45 作者: Commonwealth 時(shí)間: 2025-3-23 04:31 作者: epidermis 時(shí)間: 2025-3-23 05:45
?arko Pai?Brings forth the idea that a new aesthetics must be understood as the construction of virtual worlds, not as a description of reality.Focuses on the radical transformation of metaphysics into cybernet作者: 厭倦嗎你 時(shí)間: 2025-3-23 10:30
SpringerBriefs in Philosophyhttp://image.papertrans.cn/a/image/150585.jpg作者: 同步信息 時(shí)間: 2025-3-23 17:45 作者: landmark 時(shí)間: 2025-3-23 20:34
978-3-030-75304-7The Author(s), under exclusive license to Springer Nature Switzerland AG 2021作者: 牛馬之尿 時(shí)間: 2025-3-23 23:24 作者: Gnrh670 時(shí)間: 2025-3-24 02:30 作者: 泛濫 時(shí)間: 2025-3-24 08:20 作者: ANT 時(shí)間: 2025-3-24 14:35
Book 2021contemporary art as realized iconoclasm; art has no world for its "image". The author argues that the iconoclasm of?contemporary art?has severe consequences.? This text appeals to philosophers of art and those interested in contemporary art theory. .作者: exhilaration 時(shí)間: 2025-3-24 14:50
2211-4548 s on the radical transformation of metaphysics into cybernet.The main themes and aims of this book are understanding aesthetics, contemporary art and the end of the avant-garde not from the traditional viewpoint of the metaphysics of the beautiful and the sublime but rather thru close connection to 作者: 切碎 時(shí)間: 2025-3-24 19:36 作者: CAB 時(shí)間: 2025-3-25 02:55 作者: 流浪 時(shí)間: 2025-3-25 05:23
Brückenschlag in digitale Weltenhe figure and the image. . thus (re)presents an existential event of novelty in the world. In Nancy’s narrative, it becomes abundantly clear that the body (.) assumes the position of the unthinkable in traditional philosophical thought.作者: 爆米花 時(shí)間: 2025-3-25 11:17 作者: averse 時(shí)間: 2025-3-25 14:23 作者: 冥界三河 時(shí)間: 2025-3-25 15:52
Die erstaunliche Effektivit?t der fünf ?E“d from the previous world of the transfiguration of the real. The body in the pictorial “depictions” of contemporary artists, still using the media of painting, deconstructs the body. Such a body is a de-realized cyborg in the situation of losing a sense of representation of figures of human character without reference to their cultural identity.作者: Osmosis 時(shí)間: 2025-3-25 22:07
Introduction, the events that determined the twentieth century—the emergence of the technosphere. When a technologically produced image dominates over language, everything becomes fluid, indeterminate, virtual. From Duchamp to transgenic art, we encounter a radical process of transforming the body into an object of the aestheticization of life.作者: VALID 時(shí)間: 2025-3-26 00:23 作者: orthodox 時(shí)間: 2025-3-26 07:40
The Dark Core of Mimesis: Art, Body and Image in the Thought of Jean-Luc Nancy,he figure and the image. . thus (re)presents an existential event of novelty in the world. In Nancy’s narrative, it becomes abundantly clear that the body (.) assumes the position of the unthinkable in traditional philosophical thought.作者: 捕鯨魚叉 時(shí)間: 2025-3-26 09:31
,The Dead-Nature of the Body: Biopolitics and Images of Humans’ End,dy can no longer be relevant to contemporary painting, but that the return of the image to the world is not possible. The image of objects as ready-mades denotes a mass media reality or society of the spectacle (Suprematism–Dadaism–Pop Art).作者: expository 時(shí)間: 2025-3-26 12:58
Event of the Moment: Time in Contemporary Art,onceptual art (Dalí—Darboven) are two different times that arise from two different epochal features of the Being. In the former case, it is the discontinuous continuity of modern art as the aesthetics of works, and in the latter case, discontinuity as the aesthetics of events.作者: Inkling 時(shí)間: 2025-3-26 17:33 作者: 改變 時(shí)間: 2025-3-26 21:45
Book 2021t of the metaphysics of the beautiful and the sublime but rather thru close connection to the?techno-genesis of virtual worlds. This book tackles problems in contemporary art theory such as the?body?in space and time of digital technologies, along with other issues in visual studies and?image scienc作者: 享樂主義者 時(shí)間: 2025-3-27 02:30
Garant für Authentizit?t und Glaubwürdigkeitenerates a picture of reality as the only true reality. The deconstruction of the image should only be conditional on being considered as a way of breaking down its ontological status in contemporary visual culture.作者: finale 時(shí)間: 2025-3-27 05:57
Corporate Language als Qualit?tsgarantn the technosphere takes over the aesthetic construction of new worlds, the age of the world picture disappears. What is left of art comes down to experimenting with the body as an artificial event of life.作者: 胎兒 時(shí)間: 2025-3-27 12:27 作者: 階層 時(shí)間: 2025-3-27 17:04
The World Without a Picture: Avant-Garde and Iconoclasm,cture no longer emerges as a reflection or appearance of objectivity. The iconoclasm of the avant-garde appears not as a mere protest against the appearance of the human body from aesthetics due to the impossibility of portraying a human figure in a new image of reality by the invention of photograp作者: 減至最低 時(shí)間: 2025-3-27 21:15
Deconstruction of the Image: From Mimesis and Representation to Communication,ernet), as an autopoietic visual system. In this way, the world is understood pre-ontologically. The picture of a man on the scene precedes speech and text. It is an information-communication circuit. So, it is no longer mimetic or reflecting reality, nor representing a changed reality, but rather g作者: companion 時(shí)間: 2025-3-28 00:46 作者: ACRID 時(shí)間: 2025-3-28 04:48 作者: indifferent 時(shí)間: 2025-3-28 07:36
Event of the Moment: Time in Contemporary Art,pecially his oil painting . in 1931, and the conceptual works of the German artist Hanne Darboven. The time of surrealistic painting and the time of conceptual art (Dalí—Darboven) are two different times that arise from two different epochal features of the Being. In the former case, it is the disco作者: atopic-rhinitis 時(shí)間: 2025-3-28 13:56 作者: 單片眼鏡 時(shí)間: 2025-3-28 15:15
