標(biāo)題: Titlebook: Aesthetics and Politics; A Nordic Perspective Ole Marius Hylland,Erling Bjurstr?m Book 2018 The Editor(s) (if applicable) and The Author(s) [打印本頁] 作者: 日月等 時(shí)間: 2025-3-21 18:32
書目名稱Aesthetics and Politics影響因子(影響力)
書目名稱Aesthetics and Politics影響因子(影響力)學(xué)科排名
書目名稱Aesthetics and Politics網(wǎng)絡(luò)公開度
書目名稱Aesthetics and Politics網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Aesthetics and Politics被引頻次
書目名稱Aesthetics and Politics被引頻次學(xué)科排名
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書目名稱Aesthetics and Politics讀者反饋
書目名稱Aesthetics and Politics讀者反饋學(xué)科排名
作者: pancreas 時(shí)間: 2025-3-21 21:17 作者: Allergic 時(shí)間: 2025-3-22 02:25
,The Art of Foreign Policy: Aesthetics’ Developmental Agency in Foreign Cultural Policy,usses how the arts’ representational role is construed and maintained, by both the arts and foreign policy authorities. He concludes that such constructional work serves several aims, both economic, social and political, not least contribute to a narration of Norway as a culture-nation.作者: 連累 時(shí)間: 2025-3-22 07:45 作者: Fresco 時(shí)間: 2025-3-22 09:19 作者: 標(biāo)準(zhǔn) 時(shí)間: 2025-3-22 13:19 作者: compel 時(shí)間: 2025-3-22 17:46 作者: 代替 時(shí)間: 2025-3-22 21:25 作者: nocturia 時(shí)間: 2025-3-23 05:16 作者: 預(yù)防注射 時(shí)間: 2025-3-23 07:19 作者: 原始 時(shí)間: 2025-3-23 10:11 作者: 戰(zhàn)勝 時(shí)間: 2025-3-23 14:43
The Relational Politics of Aesthetics: An Introduction,actical and pragmatic operationalization of aesthetic theory. This vantage point has analytical relevance both for the analysis of cultural policy and for an empirical discussion of central concepts from the aesthetical canon.作者: 離開就切除 時(shí)間: 2025-3-23 21:13
Musical Nation ,: The Twin Enterprises Concerts Norway and Concerts Sweden,a thorough understanding of the factors that contributed to changing these valuations and assignments over time, as well as the overall policy and practices of the two musical cultural policy enterprises.作者: –scent 時(shí)間: 2025-3-24 02:15
,50 Years of Aesthetic Construction Work: The Music Policy of Arts Council Norway 1965–2015,, we are exploring the continuity, development and music involved in the ambitious task of the ACN of constructing a musical nation through cultural policy. Furthermore, we are looking at the dialectics between aesthetics and politics inherent in ACN’s cultural policy enterprise.作者: Conflagration 時(shí)間: 2025-3-24 05:44
Music for One and All? Music Education Policy in Norway and England,ally in differing possibilities for access and progression in musical learning and development for children in Norwegian and English music education. It concludes that music education is more evenly and equally available in Norway than in England.作者: 明智的人 時(shí)間: 2025-3-24 08:31 作者: Alcove 時(shí)間: 2025-3-24 11:03
,Aesthetics?+?Politics =,grounds. A discourse on culture is usually also a discourse on the acknowledgement, explication, creation and measurement of different forms of value—intrinsic or instrumental, economic or symbolic. The chapter ends with a discussion of the potential incommensurability of the values dealt with in cultural policy.作者: accordance 時(shí)間: 2025-3-24 17:14 作者: 加花粗鄙人 時(shí)間: 2025-3-24 19:37
The Relational Politics of Aesthetics: An Introduction,olicy as the organized, mainly but not exclusively public support, economic or otherwise, of the production and distribution of cultural expressions. The chapter gives some introductory answers to these questions: What kind of relations are there between aesthetics and cultural policy? And, furtherm作者: 特征 時(shí)間: 2025-3-25 02:08 作者: 勤勉 時(shí)間: 2025-3-25 06:28 作者: Generic-Drug 時(shí)間: 2025-3-25 11:18
Music for One and All? Music Education Policy in Norway and England,rmed in the two countries by differing views of education and contrasting political philosophies. The chapter focuses on three key dimensions in music education policy: universality and inclusion; the concept of .; and how aesthetic dimensions of discrimination and understanding, quality and genre a作者: 割讓 時(shí)間: 2025-3-25 11:43 作者: 不真 時(shí)間: 2025-3-25 17:03
Knowledge Production as Mediator Between Aesthetics and Politics: The Role of Research in Cultural nalysis is that it is an interdependency between cultural policy and cultural policy research, between the production of knowledge and the production of policy. The nature of the interdependency and the relational structures between these two fields are the focal points of the chapter. Hylland and M作者: 設(shè)施 時(shí)間: 2025-3-25 21:11
,Aesthetics?+?Politics =,icy. The authors summarize how cultural policy measures can be seen to negotiate between the seemingly incompatible. The field of culture is in essence a complex game of values—involving a set of non-monetary and monetary values interwoven in cultural production, dissemination and consumption. A var作者: single 時(shí)間: 2025-3-26 02:52
Ole Marius Hylland,Erling Bjurstr?mProvides new insight into what happens when aesthetics meet politics.Describes how the agency of arts and music is put to work within cultural policy.Presents important case studies from the Nordic mo作者: 魔鬼在游行 時(shí)間: 2025-3-26 06:20
New Directions in Cultural Policy Researchhttp://image.papertrans.cn/a/image/150581.jpg作者: 浪費(fèi)物質(zhì) 時(shí)間: 2025-3-26 09:56 作者: 饑荒 時(shí)間: 2025-3-26 14:35 作者: 滑動(dòng) 時(shí)間: 2025-3-26 16:58 作者: magenta 時(shí)間: 2025-3-26 23:37
Research and Practice in Applied Linguistics965–2015. During its 50-year period of existence, the council has through funding and planning contributed to establishing the Norwegian arts field as we know it today, supporting a wide range of projects, artists, institutions and activities. Our suggestion is to analyse this history and the role o作者: vertebrate 時(shí)間: 2025-3-27 01:33
Approaches to Corpus Linguisticsrmed in the two countries by differing views of education and contrasting political philosophies. The chapter focuses on three key dimensions in music education policy: universality and inclusion; the concept of .; and how aesthetic dimensions of discrimination and understanding, quality and genre a作者: 責(zé)任 時(shí)間: 2025-3-27 06:20
Research and Practice in Applied Linguisticstry of Foreign Affairs’ engagement, he explores how art and artists are seen as a resource in the promotion of Norwegian interests of both general and specific character, within and outside of domestic borders. In the chapter, taking discourse studies as his point of departure, Berge critically disc作者: 心痛 時(shí)間: 2025-3-27 13:22 作者: 輕浮思想 時(shí)間: 2025-3-27 16:00 作者: dragon 時(shí)間: 2025-3-27 20:24
https://doi.org/10.1007/978-3-319-77854-9Aesthetics; Cultural Policy; Music Policy; Musicology; Arts Policy作者: quiet-sleep 時(shí)間: 2025-3-28 00:53