派博傳思國際中心

標(biāo)題: Titlebook: Aesthetics and Neuroscience; Scientific and Artis Zo? Kapoula,Marine Vernet Book 2016 Springer International Publishing Switzerland 2016 Ne [打印本頁]

作者: 新石器時(shí)代    時(shí)間: 2025-3-21 16:06
書目名稱Aesthetics and Neuroscience影響因子(影響力)




書目名稱Aesthetics and Neuroscience影響因子(影響力)學(xué)科排名




書目名稱Aesthetics and Neuroscience網(wǎng)絡(luò)公開度




書目名稱Aesthetics and Neuroscience網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Aesthetics and Neuroscience被引頻次




書目名稱Aesthetics and Neuroscience被引頻次學(xué)科排名




書目名稱Aesthetics and Neuroscience年度引用




書目名稱Aesthetics and Neuroscience年度引用學(xué)科排名




書目名稱Aesthetics and Neuroscience讀者反饋




書目名稱Aesthetics and Neuroscience讀者反饋學(xué)科排名





作者: 不可磨滅    時(shí)間: 2025-3-21 20:22
Heuraesthesia: When Synaesthesia Fertilizes the Mindecific field of intuition. In certain creative subjects, heuresthaesia would facilitate the access to objective knowledge and skills, thanks to elementary sensory processes incorporated into multimodal conscious representation. This chapter will sketch the theoretical framework of heuresthaesia and
作者: 范圍廣    時(shí)間: 2025-3-22 03:03
Dyslexia, Education and Creativity, a Cross-Cultural Studyms: disequilibrium of magno- and parvo-cellular systems, the latter compensating weakness of the former, and inter-hemispheric connectivity difference. In this study, we further hypothesized a role of the educational approach. Creativity in dyslexic and non-dyslexic children and teenagers from diffe
作者: Affectation    時(shí)間: 2025-3-22 07:41

作者: ADJ    時(shí)間: 2025-3-22 09:26
Aesthetic Impact of Anthropomorphic Figures in Art: The Case of Facial Expressionscial place granted to these images through space and time, and their cultural and social importance. Here, we investigate this impact in terms of the perceptual and cognitive mechanisms behind the aesthetic experience. Given that face processing is universal among humans, this is necessarily a cross
作者: Lymphocyte    時(shí)間: 2025-3-22 15:10
How Art and Neuroscience Fell for Each Other on the way, a glimpse of what art and neuroscience can teach us about our humanity. The first part will remind us that, because humans are produced by evolution, neuroscience and art are deeply interlaced. The second part will focus on the effects of art observation on our brain activity. Lastly, t
作者: ALT    時(shí)間: 2025-3-22 19:29

作者: 異端邪說下    時(shí)間: 2025-3-23 00:47
Variations in Visual Exploration and Physiological Reactions During Art Perception When Children Vise young children’s perceptual experience in the museum. A tablet-based educational platform targeting young public have been designed for a museum (Museo+, .) in accordance with . recommendations. Physiological (electrodermal activity) and eye tracking data from 2 subjects were collected during a mu
作者: 出處    時(shí)間: 2025-3-23 02:54
Steps Towards the Art of Placing Science in the Acting Practice. A Performance-Neuroscience Perspectorming arts scholars. The main goal of the workshop was to stimulate actors’ reflection on their practice by means of linking a number of exercises to current understandings and methodologies of cognitive neuroscience. Here, we aim at presenting this novel way in which cognitive neuroscience can ins
作者: 感情脆弱    時(shí)間: 2025-3-23 09:14
Art, Mathematics, Pedagogy in this chapter. They justify the presence of artistic works for cultural and educational purposes, addressed to all audiences. We present a few examples taken from the activities of a European vocation institution dedicated to these purposes.
作者: 翻動(dòng)    時(shí)間: 2025-3-23 10:02

作者: interrogate    時(shí)間: 2025-3-23 15:24

作者: ITCH    時(shí)間: 2025-3-23 18:18
Time: Active or Passiveransformed it into duration and given it a direction. Experimentation, perception and intuition make it relative, even evanescent. Only art can act on it to give it responsibilities or to turn over it, which is what Olga Kisseleva does in her works of art.
作者: 紀(jì)念    時(shí)間: 2025-3-23 22:44

作者: Merited    時(shí)間: 2025-3-24 03:10

作者: macular-edema    時(shí)間: 2025-3-24 08:45

作者: CORD    時(shí)間: 2025-3-24 13:29

作者: Overstate    時(shí)間: 2025-3-24 15:29
Joeri Kint,Helena Jane Maier,Erik Jagtcial place granted to these images through space and time, and their cultural and social importance. Here, we investigate this impact in terms of the perceptual and cognitive mechanisms behind the aesthetic experience. Given that face processing is universal among humans, this is necessarily a cross
作者: Wernickes-area    時(shí)間: 2025-3-24 21:04

作者: 倒轉(zhuǎn)    時(shí)間: 2025-3-25 01:54

作者: Tortuous    時(shí)間: 2025-3-25 06:38
Anthony R. Fehr,Stanley Perlman M.D., Ph.D.e young children’s perceptual experience in the museum. A tablet-based educational platform targeting young public have been designed for a museum (Museo+, .) in accordance with . recommendations. Physiological (electrodermal activity) and eye tracking data from 2 subjects were collected during a mu
作者: 責(zé)難    時(shí)間: 2025-3-25 08:24

作者: HAVOC    時(shí)間: 2025-3-25 14:24
Discovery of Novel Coronaviruses in Rodents in this chapter. They justify the presence of artistic works for cultural and educational purposes, addressed to all audiences. We present a few examples taken from the activities of a European vocation institution dedicated to these purposes.
作者: BOLT    時(shí)間: 2025-3-25 19:39
Elena Lokhman,Srijana Rai,William Matthewsualizing stance. Whether analogically imagined, whether computer simulated, these projections come true from successive translations from one language to another. Sketches, models, photomontages are classical techniques in the process of conception which computer aided designs intrinsically modified
作者: Boycott    時(shí)間: 2025-3-25 20:10

作者: mutineer    時(shí)間: 2025-3-26 00:36
https://doi.org/10.1007/978-1-4615-5331-1ransformed it into duration and given it a direction. Experimentation, perception and intuition make it relative, even evanescent. Only art can act on it to give it responsibilities or to turn over it, which is what Olga Kisseleva does in her works of art.
作者: 統(tǒng)治人類    時(shí)間: 2025-3-26 07:14

作者: 確認(rèn)    時(shí)間: 2025-3-26 10:09
978-3-319-83473-3Springer International Publishing Switzerland 2016
作者: 樂意    時(shí)間: 2025-3-26 16:16
Art, Mathematics, Pedagogy in this chapter. They justify the presence of artistic works for cultural and educational purposes, addressed to all audiences. We present a few examples taken from the activities of a European vocation institution dedicated to these purposes.
作者: 極肥胖    時(shí)間: 2025-3-26 19:47

作者: 他一致    時(shí)間: 2025-3-26 21:32

作者: 斜坡    時(shí)間: 2025-3-27 04:25

作者: 細(xì)頸瓶    時(shí)間: 2025-3-27 09:03

作者: 影響帶來    時(shí)間: 2025-3-27 11:37
Spectating Myriam Gourfink’s Dances; Transdisciplinary ExplorationsThis article presents a singular research process immersed in Myriam Gourfink’s choreographic research, at the crossroads of cognitive science, aesthetics and practice. This research is part of Labodanse, a transdisciplinarity research project in dance, cognitive neuroscience and new technologies.
作者: PANIC    時(shí)間: 2025-3-27 15:55
Discovery of Novel Coronaviruses in Rodents in this chapter. They justify the presence of artistic works for cultural and educational purposes, addressed to all audiences. We present a few examples taken from the activities of a European vocation institution dedicated to these purposes.
作者: ACRID    時(shí)間: 2025-3-27 21:01
https://doi.org/10.1007/978-1-4615-5331-1ransformed it into duration and given it a direction. Experimentation, perception and intuition make it relative, even evanescent. Only art can act on it to give it responsibilities or to turn over it, which is what Olga Kisseleva does in her works of art.
作者: 悠然    時(shí)間: 2025-3-27 22:53
Book 2016s including, but not limited to, mathematics and creator algorithms, neurosciences of artistic creativity, paintings and dynamical systems as well as computational research for architecture. The international authorship is genuinely interdisciplinary and the target audience primarily comprises reade
作者: Nostalgia    時(shí)間: 2025-3-28 03:23
by experts in the field.Includes supplementary material: .This edited monograph provides a compelling analysis of the interplay between neuroscience and aesthetics. The book broaches a wide spectrum of topics including, but not limited to, mathematics and creator algorithms, neurosciences of artist
作者: 除草劑    時(shí)間: 2025-3-28 08:46
Hubert Laude,Jean-Fran?ois Vautherottary sensory processes incorporated into multimodal conscious representation. This chapter will sketch the theoretical framework of heuresthaesia and detail some intuitive supports for this concept, leaving to future works the task of assessing its scientific validity.
作者: 怕失去錢    時(shí)間: 2025-3-28 11:33
Joeri Kint,Helena Jane Maier,Erik Jagty evolution, neuroscience and art are deeply interlaced. The second part will focus on the effects of art observation on our brain activity. Lastly, the third part will emphasize how our mind-body interacts with artworks.
作者: Affiliation    時(shí)間: 2025-3-28 16:53

作者: Immunoglobulin    時(shí)間: 2025-3-28 20:29
How Art and Neuroscience Fell for Each Othery evolution, neuroscience and art are deeply interlaced. The second part will focus on the effects of art observation on our brain activity. Lastly, the third part will emphasize how our mind-body interacts with artworks.
作者: Encumber    時(shí)間: 2025-3-29 01:08
Book 2016computational research for architecture. The international authorship is genuinely interdisciplinary and the target audience primarily comprises readers interested in transdisciplinary research between neuroscience and the broad field of aesthetics.?.
作者: languid    時(shí)間: 2025-3-29 04:37

作者: 誘導(dǎo)    時(shí)間: 2025-3-29 10:18

作者: RUPT    時(shí)間: 2025-3-29 12:43

作者: tic-douloureux    時(shí)間: 2025-3-29 16:49

作者: 不來    時(shí)間: 2025-3-29 23:15
Joeri Kint,Helena Jane Maier,Erik Jagtngs shed light on the relationship between the three dimensions of the aesthetic experience (attention, emotion, and aesthetic judgement), and show that figures share a common property that modulates the aesthetic impact.
作者: syncope    時(shí)間: 2025-3-30 00:20
The Theatrical Stage Setting: A Tool for Neuropsychology and Cognitive Neurosciencever, the specific neuropsychological activations were similar to the ones observed in hypnotic states. Thus, this chapter shows how much staging, from a systemic and interdisciplinary perspective, offers fertile fields of investigation for cognitive science and neuropsychology.
作者: 煩人    時(shí)間: 2025-3-30 07:22

作者: curriculum    時(shí)間: 2025-3-30 09:20
Variations in Visual Exploration and Physiological Reactions During Art Perception When Children Visseum visit mediated by the mobile device Museo+. Results showed that children behave differently but each one has manifested some interest for the visit. Moreover, our methodology allowed us to obtain objective data concerning the usability of the application and detect which in-game events triggered arousal and engagement.
作者: 混合物    時(shí)間: 2025-3-30 13:57
ic creativity, paintings and dynamical systems as well as computational research for architecture. The international authorship is genuinely interdisciplinary and the target audience primarily comprises readers interested in transdisciplinary research between neuroscience and the broad field of aesthetics.?.978-3-319-83473-3978-3-319-46233-2




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