標(biāo)題: Titlebook: Aesthetics I; Ramona Cormier,Shannon Dubose,John Sallis Book 1970 Martinus Nijhoff, The Hague, Netherlands 1970 Philosophy of art.aestheti [打印本頁] 作者: 僵局 時(shí)間: 2025-3-21 19:35
書目名稱Aesthetics I影響因子(影響力)
書目名稱Aesthetics I影響因子(影響力)學(xué)科排名
書目名稱Aesthetics I網(wǎng)絡(luò)公開度
書目名稱Aesthetics I網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Aesthetics I被引頻次
書目名稱Aesthetics I被引頻次學(xué)科排名
書目名稱Aesthetics I年度引用
書目名稱Aesthetics I年度引用學(xué)科排名
書目名稱Aesthetics I讀者反饋
書目名稱Aesthetics I讀者反饋學(xué)科排名
作者: MUMP 時(shí)間: 2025-3-21 22:41 作者: hair-bulb 時(shí)間: 2025-3-22 02:57
https://doi.org/10.1007/1-84628-135-0 is, of man outside the religious sphere in a strict sense. This interest in Socrates is partially expressed in his recurring reflections on the above-quoted passage from the .. That comedy and tragedy — or, more exactly, the comic and the tragic — are in some sense . is a theme which appears at many points in his writings.作者: athlete’s-foot 時(shí)間: 2025-3-22 05:42 作者: 高度 時(shí)間: 2025-3-22 09:57
Tulane Studies in Philosophyhttp://image.papertrans.cn/a/image/150574.jpg作者: 軟膏 時(shí)間: 2025-3-22 15:06 作者: Inordinate 時(shí)間: 2025-3-22 20:44
Kierkegaard on the Unity of Comedy and Tragedy, is, of man outside the religious sphere in a strict sense. This interest in Socrates is partially expressed in his recurring reflections on the above-quoted passage from the .. That comedy and tragedy — or, more exactly, the comic and the tragic — are in some sense . is a theme which appears at many points in his writings.作者: 臥虎藏龍 時(shí)間: 2025-3-23 00:43
Truth in Art,me to offer such an analysis. I would like to argue, however, that truth is relevant to art and that this relevance can be related to various criteria of truth. Exclusion of truth from art yields an oversimplified, sterile philosophy which does little justice to art as a cultural phenomenon of major significance.作者: Meditate 時(shí)間: 2025-3-23 04:17
Coronary Heart Disease in Clinical Practices to do only with what is immediately presented. The point will be made by arguing that a work of art exhibits aspects or elements which are tied to a historical period and that in some cases a work of art cannot be viewed aesthetically until these elements are considered or evaluated. An analysis o作者: 表主動(dòng) 時(shí)間: 2025-3-23 08:08 作者: seduce 時(shí)間: 2025-3-23 13:46
https://doi.org/10.1007/1-84628-135-0 is, of man outside the religious sphere in a strict sense. This interest in Socrates is partially expressed in his recurring reflections on the above-quoted passage from the .. That comedy and tragedy — or, more exactly, the comic and the tragic — are in some sense . is a theme which appears at man作者: 詢問 時(shí)間: 2025-3-23 15:45 作者: 糾纏,纏繞 時(shí)間: 2025-3-23 21:32
https://doi.org/10.1007/1-84628-135-0 in classical metaphysics, the problem of structural relations among the arts can be explored in a larger theory of being with its essential structures. In an aesthetic theory which does not rely on an ontology, either classical or contemporary, the problem of structural relations among art media is作者: 中子 時(shí)間: 2025-3-23 22:59
Coronary Heart Disease in Clinical Practiceme to offer such an analysis. I would like to argue, however, that truth is relevant to art and that this relevance can be related to various criteria of truth. Exclusion of truth from art yields an oversimplified, sterile philosophy which does little justice to art as a cultural phenomenon of major作者: Aura231 時(shí)間: 2025-3-24 02:36 作者: immunity 時(shí)間: 2025-3-24 10:36 作者: 單片眼鏡 時(shí)間: 2025-3-24 13:03 作者: 修飾 時(shí)間: 2025-3-24 15:07
Coronary Heart Disease in Clinical Practice historical period and that in some cases a work of art cannot be viewed aesthetically until these elements are considered or evaluated. An analysis of three uses of isolation in contemporary aesthetic theory will enable me to show the relevance of the historical components of a work of art to the aesthetic response.作者: 等級(jí)的上升 時(shí)間: 2025-3-24 22:37 作者: helper-T-cells 時(shí)間: 2025-3-25 00:41
,The Concept of “Isolation” in Contemporary Aesthetic Theory, historical period and that in some cases a work of art cannot be viewed aesthetically until these elements are considered or evaluated. An analysis of three uses of isolation in contemporary aesthetic theory will enable me to show the relevance of the historical components of a work of art to the aesthetic response.作者: Gullible 時(shí)間: 2025-3-25 03:35
The Play of Tragedy,s readers: “Learn to read me well!”. Elsewhere he tells us that his writings make use of “the most abbreviated language ever spoken by a philosopher” and require, therefore, to be “diluted, liquefied, mixed with water.” Silence is, he warns us, one of his instincts.; we must hear what is not said if we are to understand properly what is said.作者: 使厭惡 時(shí)間: 2025-3-25 08:06 作者: 簡略 時(shí)間: 2025-3-25 13:10 作者: Obstruction 時(shí)間: 2025-3-25 19:18
Coronary Heart Disease in Clinical Practice, however, is intimately connected with the aesthetic experience, and the philosophy of art is, in consequence, usually held to be closely related to the study of aesthetic value. The peculiar relevance of art within human experience is to be found in fine art, and is to be judged aesthetically.作者: 易發(fā)怒 時(shí)間: 2025-3-25 22:44
https://doi.org/10.1007/1-84628-135-0 more complex. The purpose of this article is to investigate the problem in the light of contemporary thinkers, particularly, Susanne Langer’s ., Marshall McLuhan’s theory of media, and Carl Jung’s theory of the collective unconscious. The goal is to offer insight toward a theoretical basis for the study of structural relations among the arts.作者: Acetaminophen 時(shí)間: 2025-3-26 03:02 作者: 英寸 時(shí)間: 2025-3-26 04:32
The Art of the Philosophy of Art,ons with them which every work of art has. For as it happens the philosophy of art is an art, not a science; and not one of the fine arts, either, but only a technique for estimating what is retained, what is assumed, what is implied, what is ahead, in the way of methodological considerations.作者: 字謎游戲 時(shí)間: 2025-3-26 08:58 作者: Oration 時(shí)間: 2025-3-26 13:52 作者: 惰性女人 時(shí)間: 2025-3-26 19:06 作者: 擁護(hù) 時(shí)間: 2025-3-27 00:34 作者: 牛馬之尿 時(shí)間: 2025-3-27 03:49
The Play of Tragedy,, he tells us, must be read slowly and attentively, with inner thoughts, with mental doors left open, with delicate fingers and eyes. He appeals to his readers: “Learn to read me well!”. Elsewhere he tells us that his writings make use of “the most abbreviated language ever spoken by a philosopher” 作者: GNAW 時(shí)間: 2025-3-27 05:43
8樓作者: 幾何學(xué)家 時(shí)間: 2025-3-27 13:26
9樓作者: dearth 時(shí)間: 2025-3-27 15:20
9樓作者: 動(dòng)脈 時(shí)間: 2025-3-27 18:29
9樓作者: remission 時(shí)間: 2025-3-27 22:39
10樓作者: 低三下四之人 時(shí)間: 2025-3-28 02:50
10樓作者: 奇怪 時(shí)間: 2025-3-28 09:00
10樓作者: Aromatic 時(shí)間: 2025-3-28 13:57
10樓
