標(biāo)題: Titlebook: Adapting Television and Literature; Blythe Worthy,Paul Sheehan Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive [打印本頁] 作者: clannish 時間: 2025-3-21 16:22
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作者: Contort 時間: 2025-3-21 22:37 作者: 6Applepolish 時間: 2025-3-22 01:33 作者: 歡笑 時間: 2025-3-22 07:34 作者: 疏遠(yuǎn)天際 時間: 2025-3-22 11:53
2634-629X transcultural exchanges, which highlight adaptations beyond the white, Anglo-American programming that dominates ‘peak TV’. Through these genres, Adapting Television and Literature examines the creative resour978-3-031-50834-9978-3-031-50832-5Series ISSN 2634-629X Series E-ISSN 2634-6303 作者: 天文臺 時間: 2025-3-22 13:42 作者: 細(xì)頸瓶 時間: 2025-3-22 19:29
Institutionalising the ‘Bad’ Postfeminist: Phoebe Waller-Bridge’s , from Stage to Televisione the system‘s mathematical intelligence and may implement sophisticated al- gorithms. Chapters 2 through 15 discuss this way of using MuPAD. On the other hand, with the help of MuPAD‘s programming language, you can easily add functionality to the system by implementing your own algorithms as MuPAD 作者: 失誤 時間: 2025-3-23 00:23 作者: Incorruptible 時間: 2025-3-23 02:54
What Is Television? Two Auteur Series in Literary Contextsan understand why skin lesions can be used as the early diagnostic clues to HIV/AIDS infection. Moreover, every chapter summarizes the similarity and characteristics of each type of skin diseases, which outlines and explains why they are AIDS-related mucocutaneous lesions..作者: 表狀態(tài) 時間: 2025-3-23 05:49 作者: 卜聞 時間: 2025-3-23 11:40 作者: 劇毒 時間: 2025-3-23 15:27
Tracing Trans/National/Textual Limits in Jane Campion’s ites, conservation of water and soil, cleaning the air pollution in urban areas, utilization of mulberry in producing renewable energy in the form of biodiesel. Similarly, there is the need to produce the identified and highly commercially valued pharmaceutical compounds of mulberry under laboratory作者: yohimbine 時間: 2025-3-23 20:53
The Aesthetics of Television: Genre, Auteur, Canon978-3-642-18760-5作者: 引起 時間: 2025-3-23 23:46 作者: Outmoded 時間: 2025-3-24 04:21
An Afterword: Adapting the Television of Television Studies978-1-4419-8204-9作者: Melanoma 時間: 2025-3-24 09:47
Position, Velocity, and Time Solutions,h television studies and adaptation studies. Though they might use literary-television adaptations as objects of analysis, and even apply novel methodologies to study them, these broader areas of enquiry tend not to see adaptation as a productive field, output or process, in and of itself.作者: champaign 時間: 2025-3-24 11:25
https://doi.org/10.1057/9781137283474ant roles in the stage play and its televisual transformation, this chapter identifies a process of commercialism and normalisation, defusing various provocative issues in the play and relocating them in the heteronormative rom-com genre. This chapter finds that the gradual sanitising of controversi作者: 使害羞 時間: 2025-3-24 16:49
,Brennstoffemissionshandelsgesetz – BEHG,8) and . (2016–2019), Taveira introduces both scripted stand-up and the self-help book as ‘performative infidelities’ (Stam, 2017), literature worthy of study and adaptation that sprouts texts with their own extended, limitless afterlives.作者: Lasting 時間: 2025-3-24 19:51 作者: 角斗士 時間: 2025-3-24 23:39 作者: 激勵 時間: 2025-3-25 03:50
,IT-TRENDS – WAS BRINGT DIE ZUKUNFT?,e, subverting the conventional biopic through what has been called a ‘dramatization of literary history’ (Lyall 1915) to represent Dickinson as an ordinary young woman. .’s treatment of time and history thus entreats its viewers to reexamine their preconceived ideas about nineteenth-century literatu作者: lactic 時間: 2025-3-25 08:23
Conference proceedings 2010Latest editionysing the limits around the texts deemed appropriate for literary studies as a way of showing television’s capacity to denaturalise certain divisions in society and culture, while also considering the intermedial limitations of texts, and of the media that convey them.作者: outset 時間: 2025-3-25 15:41
Berufs- und Karriere-Planer MINTse makes that initial pathbreaking assertion seem woefully facile. In my essay, while attempting a reckoning of what is abrogated and what appropriated, I will address the prickly implications of this adaptational exercise which not only opens up multiple cultural perspectives but which also positio作者: FUSE 時間: 2025-3-25 17:42
Berufs- und Karriere-Planer MINTelements that highlight ethnic difference, even (briefly) anticipating the notion of .. Finally, I suggest that the intertextual dynamic is most pronounced in .’s much-maligned third season, where the relocation to Europe exposes the undercurrent of frustration that brings German-Czech author and te作者: fulcrum 時間: 2025-3-25 21:14 作者: Flagging 時間: 2025-3-26 01:44 作者: Hemodialysis 時間: 2025-3-26 05:43
Grundpflichten der Verantwortlichenfreedom, commitment, and other existentialist values as highlighting the literary . of Refn’s show, rather than lending it integrity as a radical or editorial adaptation; and as giving Lynch’s reworking of his iconic TV venture a multi-media countenance that . the formal properties of the television platform.作者: 赦免 時間: 2025-3-26 09:25
https://doi.org/10.1007/978-3-030-20961-2 Jim Crow and Klan ideology, on the one hand, and civil rights discourse and anti-war protest, on the other, re-emerge in twenty-first-century Tulsa—anticipating recent debates about Critical Race Theory, The 1619 Project, and police reform, which draw attention to the darkness that still haunts American identity.作者: ALERT 時間: 2025-3-26 13:54 作者: GEST 時間: 2025-3-26 17:04 作者: 恃強(qiáng)凌弱 時間: 2025-3-26 22:37
ation in Beirut. After my lecture on the role of programming in teaching mathematics, several teachers asked me if I can tell them something about the tools that can be used for teaching high school mathematics. They knew about such packages as Maple V, Mathematica or Derive, but they didn‘t have th作者: 亞當(dāng)心理陰影 時間: 2025-3-27 02:58
Institutionalising the ‘Bad’ Postfeminist: Phoebe Waller-Bridge’s , from Stage to Televisioner algebra system, which is developed mainly by Sciface Software and the MuPAD Research Group of the University of Paderborn in Germany. This introduction addresses mathematicians, engineers, computer scientists, natural scientists and, more generally, all those in need of mathematical com- putation作者: HACK 時間: 2025-3-27 06:48
Genre Trouble: Netflix’s , and Self-Help Television, plus a full version of the MuPAD Software. Developmentsin computer algebra systems will help shape theway mathematical models and technique will beused in the future applications of mathematicsinscience and engineering.At the forefront ofthesedevelopments, MuPAD is a powerfullcomputeralgebra syste作者: 衍生 時間: 2025-3-27 13:26 作者: 鴕鳥 時間: 2025-3-27 17:30 作者: 懶惰民族 時間: 2025-3-27 18:13
Entente cordiale: Netflix’s , and the BBC’s ,, a Tale of Two Fandomsic mucosal inflammatory diseases. This volume draws on a broad spectrum of molecular biologic, biochemical, and immunogenetic approaches in combination with human and murine in vitro cell culture and in vivo model systems to address questions in mucosal immunity. ..Humans produce more immunoglobulin作者: transient-pain 時間: 2025-3-28 01:02 作者: 衰老 時間: 2025-3-28 04:54 作者: LAVE 時間: 2025-3-28 06:38
Tracing Trans/National/Textual Limits in Jane Campion’s h diversified, as it is found across all climatic zones ranging from tropical, sub-tropical, temperate, tundra, semi-arid to desert (arid) conditions. It flourishes on all types of landforms; mountains, valleys, plateaus, forests, grasslands, hills, plains and arid lands. . Successful utilization of作者: chastise 時間: 2025-3-28 10:49 作者: 輕浮思想 時間: 2025-3-28 18:18 作者: 苦澀 時間: 2025-3-28 20:42 作者: Melanocytes 時間: 2025-3-29 02:47 作者: Incorruptible 時間: 2025-3-29 04:06
978-3-031-50834-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 收集 時間: 2025-3-29 08:18 作者: farewell 時間: 2025-3-29 12:14 作者: 清洗 時間: 2025-3-29 18:37
https://doi.org/10.1057/9781137283474comic one-woman play, . (2013), arguing that the media transformation of her experimental monologue into an award-winning 2016/2019 TV Series, sponsored by the BBC in the UK and Amazon Prime in the US, exhibits a process of institutionalisation and content moderation inherent in the modern screen en作者: 帶子 時間: 2025-3-29 22:06
,Brennstoffemissionshandelsgesetz – BEHG,an Maria Bamford. In formal terms, the show moves fluidly across time?periods, signalled by a number of different visual ‘looks’, with Bamford’s life and work treated as a kind of experimental memoir or scripted stand-up special. Beyond the relentless structural and stylistic zaniness, argues Taveir作者: cinder 時間: 2025-3-30 01:45
Grundpflichten der Verantwortlichenm to television through recent crime-drama series by David Lynch (.) and Nicolas Winding Refn (.). The literary values that these shows espouse, argues Britt, are articulated through the notions of . and .—both the freedom given to TV creators in the new dispensation and the distinct value placed on作者: 委托 時間: 2025-3-30 07:05 作者: sclera 時間: 2025-3-30 10:04 作者: 繞著哥哥問 時間: 2025-3-30 16:12
https://doi.org/10.1007/978-3-662-58395-1calls the “Heartstopper moments” (Wang). I play with this idea because they are heartstoppers in the sense that they represent moments of emotional upheaval within the storyworld but also invite an emotional moment of enchantment for the audience.?I use this term “enchantment” to point to an element作者: 百靈鳥 時間: 2025-3-30 20:03 作者: nonchalance 時間: 2025-3-30 23:30
