標(biāo)題: Titlebook: Adapting Poe; Re-Imaginings in Pop Dennis R. Perry,Carl H. Sederholm Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 [打印本頁(yè)] 作者: 浮淺 時(shí)間: 2025-3-21 17:36
書(shū)目名稱(chēng)Adapting Poe影響因子(影響力)
作者: 長(zhǎng)處 時(shí)間: 2025-3-21 23:13
Lusty Ape-men and Imperiled White Womanhood: Reading Race in a 1930s Poe Film Adaptation,t gutem Essen und zu viel Stress,?führt h?ufig zu? den typischen Krankheitssymptomen, die von den ?rzten zusammenfassend als metabolisches Syndrom bezeichnet werden. .Auf der anderen Seite?existiert ein übertriebener Leistungsgedanke, wie beispielsweise beim Leistungssport,?der so manchen über das Z作者: 免費(fèi) 時(shí)間: 2025-3-22 01:30 作者: COM 時(shí)間: 2025-3-22 07:16
,Rethinking Fellini’s Poe: Nonplaces, Media Industries, and the Manic Celebrity,s during the last two decades. These have mostly been at the biochemical level of structure and function. Throughout history, as one of the mysteries of nature begins to yield some insights into its function, it has been beneficial to look at it from different points of view. We have developed a vol作者: 開(kāi)頭 時(shí)間: 2025-3-22 10:39
,Evolutions in Torture: James Wan’s , as Poe for the Twenty-First Century,e range of movement disorders, an important?specialty in the field of neurology, guiding readers from the phenomenology to diagnosis and management. Reflecting the latest developments in the field, it offers a unique summary of this dynamic area by pursuing a uniform approach to movement disorders c作者: 脊椎動(dòng)物 時(shí)間: 2025-3-22 16:42 作者: 擴(kuò)音器 時(shí)間: 2025-3-22 18:31 作者: 說(shuō)笑 時(shí)間: 2025-3-22 22:47
,“The Telltale Head,” “The Raven,” and “Lisa’s Rival”: Poe Meets ,,dication in demented patients.Details the relationship betwe.This book focuses on extrapyramidal signs and symptoms of all types of dementia, and addresses the issue of the artificial boundary between dementias and Parkinsonism, which represent the two most common symptoms found in degenerative cent作者: Badger 時(shí)間: 2025-3-23 02:24
The Perfect Drug: Edgar Allan Poe as Rock Star,, either biological and structurally (trees, shrubs, vines, epiphytes), present the animals with several options to fulfil their basic needs. These conditions have forced the evolution of unique movement patterns and ecological strategies. ?The book follows on our previous book “Movement Ecology of 作者: 終止 時(shí)間: 2025-3-23 06:11
That Vexing Power of Perverseness: Approaching Heavy Metal Adaptations of Poe,a studies specially concerning movement ecology..There is a .This book brings a unique perspective to animal movement studies because all cases came from tropical environments where the great diversity, either biological and structurally (trees, shrubs, vines, epiphytes), presents the animal with se作者: 或者發(fā)神韻 時(shí)間: 2025-3-23 13:44
Picturing Poe: Contemporary Cultural Implications of ,,asic material that students of the dance in India must examine in order to uncover its past. Since the rebirth of informed interest in dancing in early twentieth century, its antiquity has been acknowledged but precisely what the art was in antiquity remains unclear. Discovering the oldest forms of 作者: 翻動(dòng) 時(shí)間: 2025-3-23 14:23
Comic Book and Graphic Novel Adaptations of the Works of Edgar Allan Poe: A Chronology,king together as volume editors.Will be continuously updated.This volume brings together a range of contributions exploring the diverse ways in which children and young people experience movements, im/mobilities and journeys at different geographical scales and in different socio-spatial contexts. I作者: 大漩渦 時(shí)間: 2025-3-23 19:13
The Purloining Critic: Adaptation, Criticism, and the Claim to Meaning,king together as volume editors.Will be continuously updatedGeographies of children and young people is a rapidly emerging sub-discipline within human geography. There is now a critical mass of established academic work, key names within academia, growing numbers of graduate students and expanding n作者: Encephalitis 時(shí)間: 2025-3-24 01:27 作者: 顯微鏡 時(shí)間: 2025-3-24 03:42
Aus dem Bereich der Zahlentheorie,unclear of their own realities and their own true identities, making them unreliable to the reader. Poe’s depiction of these characters shows their unconscious obsession to unmask themselves, revealing a self that does not adhere to societal expectations.作者: gimmick 時(shí)間: 2025-3-24 07:15
Theodor Duenbostl,Theresia Oudinpment of personal identity. As a consequence, personal identity finds its representation in one’s actions and reactions as well as in often repressed and (un)familiar psychological qualities that constitute a part of our unconscious.作者: 前面 時(shí)間: 2025-3-24 14:32 作者: TOXIC 時(shí)間: 2025-3-24 16:20
https://doi.org/10.1007/978-3-663-01175-0 a number of scholars have adequately tracked Poe’s appearances in American culture generally, usually finding traces of his image and his work almost everywhere—from alarm clocks to coffee mugs to football team mascots (see Neimeyer; Reilly). Generally, these scholars have established plausible the作者: 少量 時(shí)間: 2025-3-24 22:43 作者: Irrepressible 時(shí)間: 2025-3-25 01:26 作者: 門(mén)窗的側(cè)柱 時(shí)間: 2025-3-25 03:52
Gr??ter gemeinsamer Teiler (ggT)hat, “[t]hough often dazzling visually, [t]his version is, in fact, a travesty of Poe” (39).. Strangely, what this reviewer seems to be suggesting is that Epstein’s . sacrifices Poe’s vision for its selfish cinematic achievement. Hence the conclusion that “the film is basically an empty exercise in 作者: arboretum 時(shí)間: 2025-3-25 09:04
Peter Frahm,Werner Hürlimann,Wilfried Wendtnfortunate death, of a pitiful character called Toby Dammit. Poe biographer Arthur Hobson Quinn refers to the tale as “an amusing satire on things in general, the New England Transcendentalists in particular [which] contains a defence [sic] by Poe against the charge that he had never written a moral作者: 討好美人 時(shí)間: 2025-3-25 14:49 作者: Overstate 時(shí)間: 2025-3-25 18:35
Theodor Duenbostl,Theresia Oudin. Like Poe’s tale, . involves a man so obsessed with his dead wife that he regularly brings her “back to life” through drug-induced dreaming. Adaptation involves the semantics of textual relations—or intertextuality. Thomas Leitch notes how adaptation can veer off into ., that is, how a film can inc作者: amputation 時(shí)間: 2025-3-25 22:42
Theodor Duenbostl,Theresia Oudinother (social, professional, and political surrounding), as well as internal other (repressed thoughts, desires, and fears). As an external reality as well as an internalized concept, the other has a direct effect on the formation and development of the self. Through an “interlocking series of relat作者: 抱怨 時(shí)間: 2025-3-26 01:44 作者: handle 時(shí)間: 2025-3-26 04:41 作者: Defense 時(shí)間: 2025-3-26 11:02
Interpolation und diskrete Approximation,ead lying on his pillow. He emits an involuntary yelp of horror. “Bart, are you alright?” asks Marge, offscreen. He pulls himself together: “Uh—yeah; top of the world, Ma.” “Well then come down for breakfast.” Downstairs, Homer pores over the ., which offers customized bowling balls. “Look at this o作者: 令人苦惱 時(shí)間: 2025-3-26 14:07
Interpolation und diskrete Approximation,irector, to make two black-and-white horror films at $100,000 each. Corman pitched a better idea, a film based upon Edgar Allan Poe’s short story “The Fall of the House of Usher.” Corman rationalized that Poe “has a built in following with [kids]…. He’s read in every high school. Plus one quality fi作者: vibrant 時(shí)間: 2025-3-26 18:22
Vieweg Programmbibliothek Mikrocomputerraditionally focused on the relationship between a written text and a cinematic product, as evidenced by George Bluestone’s landmark 1957 . however, recent trends call for a “textual studies” approach (Leitch 168), one that “carefully and rigorously examine ‘intertextual’ relationships” (Albrect-作者: fatty-streak 時(shí)間: 2025-3-27 01:00 作者: infelicitous 時(shí)間: 2025-3-27 01:17 作者: 自由職業(yè)者 時(shí)間: 2025-3-27 05:21
Vieweg Programmbibliothek Mikrocomputertion engaging the reader: “Think you know Poe?” This is followed by the images of three young people—most likely in their early teens— who provide various answers to this initial query. First, a boy responds, “Heehh … That Simpson’s episode where Bart was a raven!” Next, a dark-haired girl dressed i作者: 種植,培養(yǎng) 時(shí)間: 2025-3-27 13:13 作者: 遺留之物 時(shí)間: 2025-3-27 15:45
https://doi.org/10.1007/978-3-322-85410-0ewrites Madeline’s “violent and now final death-agonies” (Poe 335) as intentional, homicidal violence. Instead of the more ambiguous fall, “heavily inward upon her brother,” she is literally murdering him. These kinds of changes are not just allowed; they are an essential part of what adaptation doe作者: 蚊帳 時(shí)間: 2025-3-27 18:56 作者: anus928 時(shí)間: 2025-3-28 00:13 作者: chalice 時(shí)間: 2025-3-28 03:19
Vieweg-Programmbibliothek Mikrocomputerly nourished their lusts for innocent blood” (Levine and Levine 60). Poe was, in fact, one of the pioneers of fiction about torture—about the . of both tortured and torturer—and that aspect of his work continues to inspire twenty-first-century directors such as James Wan, whose film . made its debut in 2004.作者: Arrhythmia 時(shí)間: 2025-3-28 06:57 作者: neolith 時(shí)間: 2025-3-28 12:50
http://image.papertrans.cn/a/image/144562.jpg作者: crumble 時(shí)間: 2025-3-28 17:56 作者: Derogate 時(shí)間: 2025-3-28 21:23 作者: Preserve 時(shí)間: 2025-3-29 01:43 作者: 條約 時(shí)間: 2025-3-29 06:25
,In the Best Possible Tastes: Rhetoric and Taste in AlP’s Promotion of Roger Corman’s Poe Cycle,978-3-030-53622-0作者: dominant 時(shí)間: 2025-3-29 09:58 作者: Cardiac 時(shí)間: 2025-3-29 11:55
,What Can “The Tell-Tale Heart” Tell about Gender?,978-981-19-1300-6作者: sigmoid-colon 時(shí)間: 2025-3-29 16:19
Lusty Ape-men and Imperiled White Womanhood: Reading Race in a 1930s Poe Film Adaptation,der Bewegung und deren gesundheitsrelevanten Auswirkungen betrachtet, sondern auch dieNotwendigkeiten eines Krafttrainings, eines Koordinationstrainings und eines Entspannungstrainings. Dadurch ergibt sich eine umfassende Darstellung dessen, was der moderne Mensch zu seiner Gesunderhaltung ben?tigt.作者: GRAIN 時(shí)間: 2025-3-29 20:24 作者: embolus 時(shí)間: 2025-3-30 01:07 作者: 思想靈活 時(shí)間: 2025-3-30 07:04 作者: 懸崖 時(shí)間: 2025-3-30 12:16
,Identity Crisis and Personality Disorders in Edgar Allan Poe’s “William Wilson” (1839), David Finchic. The book closes with a timely discussion on the role of genetics in movement disorders..Written for the practicing physician,?.Movement Disorders Phenomenology.?is an indispensable reference for neurology residents, general neurologists, movement disorders fellows and clinicians, and to any clin作者: TOM 時(shí)間: 2025-3-30 16:11
,“The Telltale Head,” “The Raven,” and “Lisa’s Rival”: Poe Meets ,,p between motor and cognitive symptoms, from their common pathogenesis to specific medical treatments..Movement Disorders in Dementias. is aimed at general neurologists, dementia specialists, movement disorders specialists, neuropsychologists and geriatricians..978-1-4471-7022-8978-1-4471-6365-7作者: 音樂(lè)會(huì) 時(shí)間: 2025-3-30 17:01 作者: Tremor 時(shí)間: 2025-3-30 22:17
Picturing Poe: Contemporary Cultural Implications of ,,estify to the growth of the theory and practice of the art and thus establish it as an evolving rather than a fixed art form that changed as much in response to its own expanding aesthetic boundaries as to parallel or complementary forms of dance, drama and music that impinged upon it as India‘s social and po978-94-010-5594-9978-94-011-3594-8作者: Grating 時(shí)間: 2025-3-31 03:26 作者: syncope 時(shí)間: 2025-3-31 08:25
https://doi.org/10.1007/978-3-663-01175-0, outrageous fiction, and a mysterious death—in short, a ready-made literary legend. Like the use of medieval black-letter script on a heavy metal album, Poe’s name, his image, and his works consistently signify something dark, macabre, or grotesque. In addition, as a certified member of the America作者: Mortar 時(shí)間: 2025-3-31 10:25
,Einführung in die Programmiersprache BASIC,to believe it could be true.” After establishing that Foster has been “stalking” Poe in the hope of obtaining an interview with the famous American author—who, according to the film, is visiting London for the first, and what he anticipates to be the last, time—Poe responds to Foster’s characterizat作者: 丑惡 時(shí)間: 2025-3-31 15:26
,Einführung in die Programmiersprache BASIC, cultural anxiety of the Great Depression. Public fascination with racial-ized, filmic representations of apes in studio pictures, such as . (1933), and exploitation or poverty-row films, such as . (1930), was very similar to the lure that mid-nineteenth-century depictions held for their audiences. 作者: 過(guò)份艷麗 時(shí)間: 2025-3-31 18:54
Gr??ter gemeinsamer Teiler (ggT)rivative—a work that is second without being secondary” (9). Torres rightly claims in fact that Epstein’s . “conveys a prospective exploration of aesthetic and cinematic values in Poe’s fiction, opening new paths and visions” (184). For Epstein’s . transcends D. W. Griffith’s . (1914), with its simi作者: 傲慢人 時(shí)間: 2025-4-1 01:43 作者: 無(wú)能力 時(shí)間: 2025-4-1 02:58
Theodor Duenbostl,Theresia Oudin own interests—like “playing the horses.” Certainly Nolan takes advantage of these various ways of playing with “Ligeia” as he incorporates Poe’s themes, together with an appropriate arabesque complexity of design and self-reflexivity.作者: homeostasis 時(shí)間: 2025-4-1 08:52
,Automatische Auswertung von Me?reihen,long with his scathing reviews of other writers’ work, his interest in the creative process, and his habit of hoaxing, ensured that Poe was central to discussions about American letters during his lifetime. His fascination with hoaxes and plagiarism also demonstrate that Poe himself was alert to the作者: electrolyte 時(shí)間: 2025-4-1 11:49 作者: preservative 時(shí)間: 2025-4-1 14:34 作者: Dysarthria 時(shí)間: 2025-4-1 21:35
Vieweg Programmbibliothek Mikrocomputeruch traditional adaptations but fails to consider the inverse: a shift in ontology from the fictional to the .. In this alternate option, a text can become an ., a real thing, following the pattern by which Pinocchio begins as a marionette and ultimately becomes a boy.作者: Prophylaxis 時(shí)間: 2025-4-2 01:20
Vieweg Programmbibliothek Mikrocomputer prominently feature flashy guitar solos, heavy bass and drum rhythms, singing that includes “screams and growls as signs of transgression and transcendence,” aggressive or violent lyrics, and dark album art (9). Heavy metal’s articulation of power is ultimately self-reflexive: a musical invitation 作者: inquisitive 時(shí)間: 2025-4-2 06:52